Ripped

Ripped may refer to:

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The Real

The Real refers to that which is authentic, the unchangeable truth in reference both to being/the Self and the external dimension of experience, also referred to as the infinite and absolute—as opposed to a reality based on sense perception and the material order.

In psychoanalysis

Lacan

For Jacques Lacan, the order of the real is not only opposed to the imaginary but is also located beyond the symbolic. Unlike the symbolic, which is constituted in terms of oppositions such as "presence" and "absence", there is no absence in the real. The symbolic opposition between "presence" and "absence" implies the possibility that something may be missing from the symbolic, the real is "always in its place: it carries it glued to its heel, ignorant of what might exile it from there." If the symbolic is a set of differentiated signifiers, the real is in itself undifferentiated: "it is without fissure." The symbolic introduces "a cut in the real," in the process of signification: "it is the world of words that creates the world of things." Thus the real emerges as that which is outside language: "it is that which resists symbolization absolutely." The real is impossible because it is impossible to imagine, impossible to integrate into the symbolic order. This character of impossibility and resistance to symbolization lends the real its traumatic quality.

Tom Holland

Tom Holland may refer to:

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Give Up

Give Up is the only studio album by electronic music band The Postal Service, released February 19, 2003 on Sub Pop Records.

The band began as a side project between electronic music artist Jimmy Tamborello and Death Cab for Cutie's vocalist Ben Gibbard. The two had previously worked together for a track on Dntel's album Life Is Full of Possibilities.

The Postal Service's only full-length release, Give Up was the second Sub Pop Records release to receive platinum certification, their best selling album since Nirvana's Bleach. The album peaked at #114 on the U.S. Billboard 200 album chart in its initial release; the 2013 tenth-anniversary reissue of the album peaked at #45 in April 2013. As of January 2013, Give Up had sold 1.07 million copies. The album was generally well received, and critics commented on its throwbacks to the eighties new wave genre.

Production and composition

The Postal Service's two members – Ben Gibbard of Death Cab for Cutie and electronic music artist Jimmy Tamborello – had previously collaborated on "(This Is) The Dream of Evan and Chan" before deciding to record a full-length album together. The two worked on the album separately; in December 2001, Tamborello sent a CD-R of electronic music to Gibbard, who added melodies and wrote lyrics. He then added drums, guitar and keyboards at Death Cab for Cutie guitarist Chris Walla's recording studio and sent the CD back to Tamborello. This process of mailing each other their work on the album continued; after ten months and two trips by Gibbard to Los Angeles to record vocals, the album was completed. The group called themselves "The Postal Service" because of this method of trading ideas.Rilo Kiley's Jenny Lewis provided backup vocals after being cold called by Gibbard, who knew her when Rilo Kiley was on the same label as Death Cab for Cutie.

A Movie

A Movie is a 1958 experimental collage film in which Bruce Conner put together snippets of found footage, taken from B-movies, newsreels, soft-core pornography, novelty short films, and other sources, to a musical score featuring Respighi's Pines of Rome.

The film is associational, in which a number of narratively and spatially unrelated shots from a number of sources are edited together to evoke emotions and make thematic points. A Movie consists of many shots of animals and people moving quickly, precariously balanced objects, cars and people crashing, and, perhaps most importantly, violence and war. The word 'movie' keeps showing up on the screen.

In 1994, A Movie was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Since 2013 the work is a part of permanent exposition in Centre Pompidou in Paris.

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