- published: 08 Mar 2015
- views: 44923
At least three bands have used the name Pharaohs:
The Pharaohs, an American soul/jazz/funk group, were formed in 1962 out of a student band, The Jazzmen, at Crane Junior College in Chicago, Illinois. This early incarnation comprised Louis Satterfield on trombone, Charles Handy on trumpet, and Don Myrick on alto saxophone. They were joined by Fred Humphrey on piano, Ernest McCarthy on bass guitar and Maurice White on drums. Satterfield, White, and Handy were studio musicians at Chess Records in Chicago.
On the South Side of Chicago the Affro Arts Theater offered concerts, as well as classes in music and dance. As the name suggests the theater represented the strong African-American nature of the area and the times. It was here that the Jazzmen merged with the Artistic Heritage Ensemble to form The Pharaohs.
In 1971 the band recorded The Awakening, and in 1972 In the Basement. With cuts like "The Pharaohs Love Y'all" and "In the Basement", these albums established The Pharaohs as a force, if only on the cult level, for several years. Many of the Afro-Sheen commercials from this period featured music of the Pharaohs.
"Wooly Bully" is a popular song originally recorded by novelty rock 'n' roll band Sam the Sham and the Pharaohs in 1965. Based on a standard 12-bar blues progression, it was written by the band's leader, Domingo "Sam" Samudio. It was released as a single on the small Memphis-based XL label (#906) in 1964 and was picked up in 1965 by MGM. The song was recorded at Sam Phillips Recording studios at 639 Madison Avenue in Memphis, the successor to Phillips' original Sun Studios. It proved to be the only recording made at the studio to achieve national success.
"Wooly Bully" was the band's first and biggest hit. It became a worldwide success, selling three million copies and reaching No. 2 on the American Hot 100 chart on June 5–12, 1965, kept off the top by The Beach Boys' "Help Me, Rhonda" and The Supremes' "Back in My Arms Again". It was the first American record to sell a million copies during the British Invasion and was influenced by the British rock sound which was mixed with traditional Mexican-American conjunto rhythms. It stayed in the Hot 100 for a then-impressive 18 weeks, in fact the most weeks for any entry within that calendar year, and was nominated for a Grammy Award. It was also named Billboard's "Number One Record of the Year" despite never reaching No. 1 on a weekly Hot 100; this feat was achieved again by Faith Hill's "Breathe" in 2000 and Lifehouse's "Hanging by a Moment" in 2001 (all three hits peaked at #2). On August 5, 1965 the single was certified as gold by the RIAA.
Mind Tricks is the third full-length studio album by the Italian melodic death metal band Disarmonia Mundi, released on June 12, 2006 by Scarlet Records. This album again features Björn "Speed" Strid on vocals, but this time without their bassist Mirco Andreis, who decided to leave the band to concentrate on his career as a video clip director. Mirco directed the video for the song "Celestial Furnace", but this time did not appear in the video. The album features a Pantera cover version of the song, "Mouth for War". The Japanese release of the album includes a bonus track from a 2002 demo entitled, "Moon of Glass". The Korean release included a bonus track entitled "Chester". The cover art features a manipulated image from the 2005 film Sin City featuring actress Makenzie Vega as Nancy Callahan.
Jedi Mind Tricks (JMT) is an underground hip hop duo consisting of Vinnie Paz and Stoupe the Enemy of Mankind from Philadelphia, Pennsylvania. The group was founded by the two high school friends, rapper Vinnie Paz (Vincenzo Luvineri) and producer Stoupe the Enemy of Mankind (Kevin Baldwin). In 1999 second rapper Jus Allah joined the group to record their second studio album, Violent by Design. Allah left the group shortly after, but returned in 2008 for the sixth studio album, A History of Violence. In 2011 Stoupe left the group because "his heart wasn't in making JMT records anymore". In 2013, Allah left again, and Stoupe returned in 2015.
DJ Kwestion mainly scratches choruses on the turntable. Kwestion is also a part of the group Skratch Makaniks. Kwestion, who is the tour DJ, was a replacement for JMT's previous DJ, Drew Dollars, who is no longer affiliated with the group.
JMT has collaborations with both regional MCs and rap veterans, including GZA, Kool G Rap, 7L & Esoteric, Sean Price, Ras Kass, Canibus, Percee P, Killah Priest, Immortal Technique, Virtuoso, Louis Logic, R.A. the Rugged Man, Tragedy Khadafi, Chief Kamachi and Ill Bill. The group has sold over 250,000 albums in the United States and 450,000 albums worldwide, all of which were released independently.
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1. In the Basement 0:00 - 10:50 2. People Make the World Go Round 10:51 - 22:09 3. African Roots 22:10 - 30:05 4. The Pharaohs Love Y'All 30:06 - 35:15 5. Drum Suite 35:16 - 46:03 6. Love and Happiness 46:04 - 49 :09
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(Domingo Samudio) Uno, dos, one, two, tres, quatro Matty told Hatty about a thing she saw. Had two big horns and a wooly jaw. Wooly bully, wooly bully. Wooly bully, wooly bully, wooly bully. Hatty told Matty, "Let's don't take no chance. Let's not be L-seven, come and learn to dance." Wooly bully, wooly bully Wooly bully, wooly bully, wooly bully. Matty told Hatty, "That's the thing to do. Get you someone really to pull the wool with you." Wooly bully, wooly bully. Wooly bully, wooly bully, wooly bully.
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Artist: Omar Faruk Tekbilek Track: Song of the Pharaohs Album: Dance Into Eternity
you were married in the mirrored hall when i was 16
you spoke the words, "i love girls in white leather jackets"
that was good enough for love, it was good enough for me
i listened in when you thought you were alone
calling the sphinx on a tornado's phone
who knows what she'll say
i only heard what i wanted
you said i was your blue, blue baby
and you were right
you said i was your blue, blue baby
and you were right
wandered the halls all the nighttime
my body burned, my legs ached
but you never came to bed
you just left me there awake
you kept me wanting wanting wanting
like the wanting in the movies and the hymns
I want the pharaohs, but there's only men
I want the pharaohs, but there's only men
you said i was your blue, blue baby
and you were right
you said i was your blue, blue baby