Get down

Get down is a stance, posture or movement in many traditional African cultures and throughout the African diaspora. It involves bending at the waist and knees, bringing the body low to the ground in moments of ecstasy or intensity. Bending at the knees and waist is an expression of profound spirituality and connectedness to the earth. It also indicates suppleness and conveys qualities and values of vitality, youthfulness and energy.

In Gahu choreography, often dancers move counterclockwise in a circle of alternating men and women; their performance includes "long passages of a lightly bouncy basic 'step' leavened with brief 'get down' sections in which the dancers lower their center of weight and move with intensified strength and quickness."

The term "get down" in popular music and slang is directly related to this particular element of the African aesthetic, filtered through the African-American experience. Use of the term by white Americans since the middle-20th century, though, is credited to the influence of a white disc jockey, Bill "Hoss" Allen, who used it on his nightly soul music shows on Nashville, Tennessee station WLAC.

David

David (/ˈdeɪvɪd/; Hebrew: דָּוִד, Modern David, Tiberian Dāwîḏ;ISO 259-3 Dawid; Arabic: داوُد‎ Dāwūd; Syriac: ܕܘܝܕ‎ Dawid; Ancient Greek: Δαυίδ; Latin: Davidus, David; Strong's: Daveed) was, according to the Books of Samuel, the second king of the United Kingdom of Israel, and according to the New Testament, an ancestor of Jesus. His life is conventionally dated to c. 1040 – 970 BCE, his reign over Judah c. 1010–970 BCE.

The Books of Samuel, 1 Kings, and 1 Chronicles are the only Old Testament sources of information on David, although the Tel Dan Stele (dated c. 850–835 BCE) contains the phrase בית דוד (bytdwd), read as "House of David", which many scholars confirm to be a likely plausible match to the existence in the mid-9th century BCE of a Judean royal dynasty called the House of David.

Depicted as a valorous warrior of great renown, and a poet and musician credited for composing much of the psalms contained in the Book of Psalms, King David is widely viewed as a righteous and effective king in battle and civil justice. He is described as a man after God's own heart in 1 Samuel 13:14 and Acts 13:22.

David Lynch

David Keith Lynch (born January 20, 1946) is an American director, screenwriter, visual artist, musician, actor, and author. Known for his surrealist films, he has developed a unique cinematic style. The surreal and, in many cases, violent elements contained within his films have been known to "disturb, offend or mystify" audiences.

Born to a middle-class family in Missoula, Montana, Lynch spent his childhood traveling around the United States, before going on to study painting at the Pennsylvania Academy of Fine Arts in Philadelphia, where he first made the transition to producing short films. He moved to Los Angeles, where he produced his first motion picture, the surrealist horror film Eraserhead (1977). After Eraserhead became a cult classic on the midnight movie circuit, Lynch was employed to direct a biographical film about a deformed man, Joseph Merrick, titled The Elephant Man (1980), from which he gained mainstream success. He was then employed by the De Laurentiis Entertainment Group, and proceeded to make two films: the science-fiction epic Dune (1984), which proved to be a critical and commercial failure, and then a neo-noir crime film, Blue Velvet (1986), which was critically acclaimed.

Ealdwood Stories

The Ealdwood Stories, also known as the Arafel Stories, are a collection of fantasy works by science fiction and fantasy author C. J. Cherryh. The books are works of high fantasy based in part on Celtic mythology. Arafel, a main character, is a Daoine Sidhe, the highest of the Sidhe faery-folk. She dwells in the magical small forest of Ealdwood, from which the tales take their name.

Works

Omnibuses

The Dreamstone (1983) and The Tree of Swords and Jewels (1983) have been republished in several omnibuses, some with substantial revisions. Cherryh also wrote a new ending which she felt was more appropriate and satisfying than her previous efforts.

In Darkness

In Darkness may refer to: