- published: 04 Apr 2010
- views: 33469
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"Body and Soul"
Words and Music by Edward Heyman, Robert Sour, Frank Eyton and John Green
Performed by Helen Morgan
with orchestra conducted by Leonard Joy
Recorded September 12, 1930, New York
Helen Morgan (1900 - 1941) was born in Danville, Illinois. She worked for a while in mail order houses and in other mercantile establishments before trying her hand at show business. Her first experiences with the stage were without any particular distinction and to make something happen she entered a beauty contest and won it. The contest was won in Canada and those in the Dominion to whom it mattered much were somewhat chagrined when her birthplace was revealed. That didn't matter to Miss Morgan; all that mattered was that she'd had her first break.
By the early 1920s she had firmly established her reputation as a top-flight night-club singer, both in America and abroad. In Europe, at a Command Performance before the Duke of Windsor (then the Prince of Wales), a member of the Royal household approached her and warned her not to sing any vulgar songs. She replied, "If I did, you'd have to teach them to me." Returning to the States after that triumphant European jaunt, Miss Morgan appeared in "Show Boat", the Ferber-Kern masterpiece which was to become her most successful and famous venture.
Until her untimely death at the age of forty-one, Helen Morgan graced many Broadway shows, radio programs and Hollywood films.
"Body and Soul"
Music by Johnny Green
Lyrics by Robert Sour and Frank Eyton
Vocal by Ruth Etting
Recorded September 29, 1930 , New York
Ruth Etting was born Nov. 23, 1897 in David City, Nebraska. She attended the Chicago Academy of Fine Arts; originally intended to be a fashion designer; At 17 she got a job in a Chicago night club working on costumes. Debut in chorus of revue at the Marigold Gardens Theatre, Chicago, 1925. She sang on early radio eventually winning title of "Chicago's Sweetheart." New York stage debut in the 1927 edition of Ziegfeld Follies (New Amsterdam), August 16, 1927. Appeared in the same theatre, December 4, 1928, in "Whoopee" with Eddie Cantor. Several other reviews including the "Ziegfeld Follies of 1931." Debut in London in "Transatlantic Rhythm" at the Adelphi, October 1, 1934. Made several films, the best-remembered being "Roman Scandals", 1933. Composed several popular songs, "Wistful and Blue" and "When You're With Somebody Else' and "Maybe, Who Knows," being among them. Doris Day played the role of Etting in the 1955 movie "Love Me or Leave Me." James Cagney co-starred.
Of the top 1000 all-time jazz songs this tune is ranked No. 1 by JazzStandards.com. "Body and Soul" was written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Libby Holman introduced it in the revue Three's a Crowd and was a soundtrack theme in the 1947 film named for the song. "Body and Soul" became a jazz standard, with hundreds of versions performed and recorded by dozens of artists.
In this performance, Ruth sings the verse which is rarely heard in contemporary versions of this song.
- published: 06 Aug 2009
- views: 67574
(from "Three's A Crowd") 10-7-1930 - Harmony Records 1224-H
This Song Peaked At #12 On US Music Charts In 1930.
Annette Hanshaw (October 18, 1901 - March 13, 1985) was one of the first great female jazz singers. In the late 1920s and into the 1930s.
Body and Soul is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Rising quickly to popularity, Libby Holman introduced it in the revue Three's a Crowd and it was used as the theme to the 1947 film, Body and Soul.
Like many pop songs of the time, it became a jazz standard, with hundreds of versions performed and recorded by dozens of artists.
As with many pop standards, there are variations on the lyrics, primarily between renditions by male and female performers. Classic vocal recordings include those of Ella Fitzgerald, Annette Hanshaw, Billie Holiday and Frank Sinatra.
- published: 05 May 2011
- views: 7062
Columbia 2297 - This Song Peaked On US Billboard At #1 In 1930 (15 weeks) - Vocals: Jack Fulton
Paul Samuel Whiteman (March 28, 1890 -- December 29, 1967) was an American bandleader and orchestral director.
Body and Soul is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Rising quickly to popularity, Libby Holman introduced it in the revue Three's a Crowd and it was used as the theme to the 1947 film, Body and Soul.
Like many pop songs of the time, it became a jazz standard, with hundreds of versions performed and recorded by dozens of artists.
- published: 31 May 2011
- views: 11773
Billie Holiday (April 7, 1915 -- July 17, 1959) was an american jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Billie Holiday had a seminal influence on jazz and pop singing.
- published: 05 May 2014
- views: 46115
"Body and Soul" is a popular jazz song featured on Billie Holidays album with the same title. "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence. It was first performed in London by her. It was first published in England. Libby Holman introduced it in the U.S. in the 1930 Broadway revue Three's a Crowd. Louis Armstrong was the first jazz musician to record "Body and Soul". The tune grew quickly in popularity, and by the end of 1930 at least eleven groups had recorded it. "Body and Soul" remains a jazz standard, with hundreds of versions performed and recorded by dozens of artists.
Tony Bennett recorded the classic pop standard Body And Soul, with Amy Winehouse at Abbey Road Studios in London March, 2011. The duet proceeds will be donated to her charity "The Amy Winehouse Foundation."
One of the most famous and influential takes was recorded by Coleman Hawkins and His Orchestra on October 11, 1939, at their only recording session for Bluebird, a subsidiary of RCA Victor. The recording is unusual in that the song's melody is only hinted at in the recording; Hawkins' two-choruses of improvisation over the tune's chord progression constitute almost the entire take. Because of this, as well as the imaginative use of harmony and break from traditional swing cliches, the recording is recognised as part of the "early tremors of bebop". In 2004, the Library of Congress entered it into the National Recording Registry
To this day, "Body and Soul" is the most recorded jazz standard.
Sarah's accompanied by Leader/Arranger: Ernie Wilkins, Clifford Brown (trumpet), Herbie Mann (flute), Paul Quinichette (tenor), Jimmy Jones (piano), Joe Benjamin (bass), and Roy Haynes (drums). Recorded in New York, December 18, 1954. (EmArcy Records)
My days have grown so lonely
For you I sigh, for you, dear, only
Why haven't you seen it?
I'm all for you, body and soul
I spent my days in longin'
And wond'ring why it's me you're wrongin'
I tell you, I mean it
I'm all for you, body and soul
I can't believe it, it's hard to conceive it
That you'd turn away romance
Are you pretending? It looks like the ending
Unless I could have one more chance to prove, dear
My life a wreck you're making
You know I'm yours just for the taking
I'd gladly, you know I surrender myself to you, body and soul
- published: 25 Jul 2011
- views: 98161
Brunswick 4910 - This Song Peaked At #3 On US Music Charts In 1930.
Song written by Edward Heyman, Robert Sour, Frank Eyton & Johnny Green.
Libby Holman (May 23, 1904 -- June 18, 1971) was an American torch singer and stage actress who also achieved notoriety for her complex and unconventional personal life. Holman enjoyed a variety of intimate relationships with both men and women throughout her lifetime. Her famous lesbian lovers included the DuPont heiress Louisa d'Andelot Carpenter, actress Jeanne Eagels and modernist writer Jane Bowles. Carpenter was to play a significant part throughout Holman's lifetime. They raised their children and lived together and were openly accepted by their theater companions. She scandalized some by dating much younger men, such as fellow American actor Montgomery Clift, whom she mentored .
Holman took an interest in one fan, Zachary Smith Reynolds, the heir to the R. J. Reynolds's tobacco company. He was smitten with her from the start, despite their seven-year age difference. They met in Baltimore, Maryland in April 1930 after Reynolds saw Holman's performance in a road company staging of the play The Little Show. Reynolds begged friend Dwight Deere Wiman, who was the show's producer, for an introduction to Holman. Reynolds pursued her all around the world in his plane. With the persuasion of her former lover, Louisa d'Andelot Carpenter, Holman and Reynolds, who went by his middle name, married on Sunday, November 29, 1931 in the parlor of Monroe, Michigan. Reynolds wanted Holman to abandon her acting career, she consented by taking a one-year leave of absence. During this time, however, his conservative family was unable to bear Holman and her group of theater friends, who at her invitation often visited Reynolda, the family estate near Winston-Salem, North Carolina. Accusations and arguments among them were common.
In 1932, during a 21st birthday party Reynolds gave at Reynolda for his friend and flying buddy Charles Gideon Hill, Jr., a first cousin to Reynolds's first wife Anne Ludlow Cannon Reynolds, Holman revealed to her husband that she was pregnant. A tense argument ensued. Moments later, a shot was heard. Friends soon discovered Reynolds bleeding and unconscious with a gunshot wound to the head. Authorities initially ruled the shooting a suicide, but a coroner's inquiry ruled it a murder. Holman and Albert Bailey "Ab" Walker, a friend of Reynolds's and a supposed lover of Holman's, were indicted for murder.
Louisa Carpenter paid Holman's $25,000 bail in Wentworth, North Carolina, appearing in such mannish clothes that bystanders and reporters thought she was a man. The Reynolds family contacted the local authorities and had the charges dropped for fear of scandal. Holman gave birth to the couple's child, Christopher Smith "Topper" Reynolds, on January 10, 1933.
Journalist Milt Machlin investigated the death of Smith Reynolds and argued that Reynolds committed suicide. In his account Holman was a victim of the anti-Semitism of local authorities, and the district attorney involved with the case later told Machlin that she was innocent.
- published: 14 Aug 2011
- views: 10039
Body and Soul 1930
Leo Reisman Orchestra
From the Musical "Three's A Crowd"
- published: 24 Mar 2011
- views: 1577
"Body and Soul" is a popular jazz song featured on Billie Holidays album with the same title. "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence. It was first performed in London by her. It was first published in England. Libby Holman introduced it in the U.S. in the 1930 Broadway revue Three's a Crowd. Louis Armstrong was the first jazz musician to record "Body and Soul". The tune grew quickly in popularity, and by the end of 1930 at least eleven groups had recorded it. "Body and Soul" remains a jazz standard, with hundreds of versions performed and recorded by dozens of artists.
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Holiday had a seminal influence on jazz and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo.
In Harlem she started singing in various night clubs. Holiday took her professional pseudonym from Billie Dove, an actress she admired, and the musician Clarence Holiday, her probable father. At the outset of her career, she spelled her last name "Halliday," the birth-surname of her father, but eventually changed it to "Holiday," his performing name. The young singer teamed up with a neighbor, tenor sax player Kenneth Hollan. From 1929 to 1931, they were a team, performing at clubs such as the Grey Dawn, Pod's and Jerry's on 133rd Street, and the Brooklyn Elks' Club. Benny Goodman recalled hearing Holiday in 1931 at The Bright Spot. As her reputation grew, Holiday played at many clubs, including Mexico's and The Alhambra Bar and Grill where Charles Linton, a vocalist who later worked with Chick Webb, first met her. It was also during this period that she connected with her father, who was playing with Fletcher Henderson's band.
By the end of 1932 at the age of 17, Billie Holiday replaced the singer Monette Moore at a club called Covan's on West 132nd Street. The producer John Hammond, who loved Monette Moore's singing and had come to hear her, first heard Holiday in early 1933. Hammond arranged for Holiday to make her recording debut, at age 18, in November 1933 with Benny Goodman, singing two songs: "Your Mother's Son-In-Law" and "Riffin' the Scotch," the latter being her first hit. "Son-in-Law" sold 300 copies, but "Riffin' the Scotch," released on November 11, sold 5,000 copies. Hammond was quite impressed by Holiday's singing style. He said of her, "Her singing almost changed my music tastes and my musical life, because she was the first girl singer I'd come across who actually sang like an improvising jazz genius." Hammond compared Holiday favorably to Armstrong and said she had a good sense of lyric content at her young age.
In 1935, Billie Holiday had a small role as a woman being abused by her lover in Duke Ellington's short Symphony in Black: A Rhapsody of Negro Life. In her scene, she sang the song "Saddest Tale."
Billie's accompanied by Ben Webster (Tenor Sax); Barney Kessel (Guitar); Harry "Sweets" Edison (Trumpet); Jimmy Rowles (Piano); Red Mitchell (Bass); and Larry Bunker (Drums). Recorded January 7th, 1957 (20507-1).
Tony Bennett recorded the classic pop standard Body And Soul, with Amy Winehouse at Abbey Road Studios in London March, 2011. The duet proceeds will be donated to her charity "The Amy Winehouse Foundation."
One of the most famous and influential takes was recorded by Coleman Hawkins and His Orchestra on October 11, 1939, at their only recording session for Bluebird, a subsidiary of RCA Victor. The recording is unusual in that the song's melody is only hinted at in the recording; Hawkins' two-choruses of improvisation over the tune's chord progression constitute almost the entire take. Because of this, as well as the imaginative use of harmony and break from traditional swing cliches, the recording is recognised as part of the "early tremors of bebop". In 2004, the Library of Congress entered it into the National Recording Registry
To this day, "Body and Soul" is the most recorded jazz standard.
My days have grown so lonely
For you I cry, for you dear only
Why haven't you seen it
I'm all for you body and soul
I spend my days in longin'
I'm wondering why it's me you're wronging
I tell you I mean it
I'm all for you body and soul
I can't believe it
It's hard to conceive it
That you'd throw away romance
Are you pretending
It looks like the ending
Unless I can have one more chance to prove, dear
My life a hell you're making
You know I'm yours for just the taking
I'd gladly surrender
Myself to you body and soul
What lies before me
A future that's stormy
A winter that's gray and cold
Unless there's magic the end will be tragic
And therefor a tale that's been told so often
My life revolves about you
What earthly good am I without you
Oh I tell you I mean it
I'm all for you body and soul
- published: 27 Jul 2011
- views: 849618
Body and Soul
Body and Soul may refer to:
Film and television
Songs
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Body_and_Soul
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Billie Holiday
Eleanora Fagan (April 7, 1915 – July 17, 1959), professionally known as Billie Holiday, was an American jazz musician and singer-songwriter with a career spanning nearly thirty years. Nicknamed "Lady Day" by her friend and music partner Lester Young, Holiday had a seminal influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. Holiday was known for her vocal delivery and improvisation skills, which made up for her limited range and lack of formal music education.
After a turbulent childhood, Holiday began singing in nightclubs around Harlem. After being heard by producer John Hammond, who commended her voice, Holiday was signed to Brunswick Records in 1935. Collaborations with Teddy Wilson yielded the hit "What a Little Moonlight Can Do", which would later become a jazz standard. Throughout the 1930s and 1940s, Holiday booked mainstream success with labels such as Columbia Records and Decca Records. By the late 1940s, however, Holiday was beset with legal troubles and drug abuse. After a short prison sentence, Holiday performed a sold-out concert at Carnegie Hall. However, due to her drug and alcohol problems, her reputation deteriorated.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Billie_Holiday
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Body
Body or BODY may refer to:
Physical entities
Music
Literature and publishing
Film and television
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Body
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Soul
The soul in many religions, philosophical and mythological traditions, is the incorporeal and immortal essence of a living being. According to Abrahamic religions, only human beings have immortal souls. For example, the Catholic theologian Thomas Aquinas attributed "soul" (anima) to all organisms but argued that only human souls are immortal. Other religions (most notably Jainism and Hinduism) teach that all biological organisms have souls, while some teach that even non-biological entities (such as rivers and mountains) possess souls. This latter belief is called animism.
Greek philosophers such as Socrates, Plato and Aristotle understood that the psyche (ψυχή) must have a logical faculty, the exercise of which was the most divine of human actions. At his defense trial, Socrates even summarized his teaching as nothing other than an exhortation for his fellow Athenians to excel in matters of the psyche since all bodily goods are dependent on such excellence (The Apology 30a–b).
Anima mundi is the concept of a "world soul" connecting all living organisms on the planet.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Soul
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Libby Holman
Libby Holman (May 23, 1904 – June 18, 1971) was an American torch singer and stage actress who also achieved notoriety for her complex and unconventional personal life.
Early life
Elizabeth Lloyd Holzman was born May 23, 1904, in Cincinnati, Ohio to a Jewish lawyer and stockbroker, Alfred Holzman (August 20, 1867 - June 14, 1947) and his wife, Rachel Florence Workum Holzman (October 17, 1873 - April 22, 1966). Their other children were daughter Marion H. Holzman (January 25, 1901 - December 13, 1963) and son Alfred Paul Holzman (March 9, 1909 - April 19, 1992).
In 1904, the wealthy family grew destitute after Holman's uncle Ross Holzman embezzled nearly $1 million of their stock brokerage business. At some point, Alfred changed the family name from Holzman to Holman. She graduated from Hughes High School on June 11, 1920, at the age of 16. She graduated from the University of Cincinnati on June 16, 1923, with a Bachelor of Arts degree. Holman later subtracted two years from her age, insisting she was born in 1906, the year she gave the Social Security Administration as the year of her birth.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Libby_Holman
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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3:11Helen Morgan - Body and Soul (1930)
Helen Morgan - Body and Soul (1930)Helen Morgan - Body and Soul (1930)
"Body and Soul" Words and Music by Edward Heyman, Robert Sour, Frank Eyton and John Green Performed by Helen Morgan with orchestra conducted by Leonard Joy Recorded September 12, 1930, New York Helen Morgan (1900 - 1941) was born in Danville, Illinois. She worked for a while in mail order houses and in other mercantile establishments before trying her hand at show business. Her first experiences with the stage were without any particular distinction and to make something happen she entered a beauty contest and won it. The contest was won in Canada and those in the Dominion to whom it mattered much were somewhat chagrined when her birthplace was revealed. That didn't matter to Miss Morgan; all that mattered was that she'd had her first break. By the early 1920s she had firmly established her reputation as a top-flight night-club singer, both in America and abroad. In Europe, at a Command Performance before the Duke of Windsor (then the Prince of Wales), a member of the Royal household approached her and warned her not to sing any vulgar songs. She replied, "If I did, you'd have to teach them to me." Returning to the States after that triumphant European jaunt, Miss Morgan appeared in "Show Boat", the Ferber-Kern masterpiece which was to become her most successful and famous venture. Until her untimely death at the age of forty-one, Helen Morgan graced many Broadway shows, radio programs and Hollywood films. -
3:22Ruth Etting - Body and Soul (1930)
Ruth Etting - Body and Soul (1930)Ruth Etting - Body and Soul (1930)
"Body and Soul" Music by Johnny Green Lyrics by Robert Sour and Frank Eyton Vocal by Ruth Etting Recorded September 29, 1930 , New York Ruth Etting was born Nov. 23, 1897 in David City, Nebraska. She attended the Chicago Academy of Fine Arts; originally intended to be a fashion designer; At 17 she got a job in a Chicago night club working on costumes. Debut in chorus of revue at the Marigold Gardens Theatre, Chicago, 1925. She sang on early radio eventually winning title of "Chicago's Sweetheart." New York stage debut in the 1927 edition of Ziegfeld Follies (New Amsterdam), August 16, 1927. Appeared in the same theatre, December 4, 1928, in "Whoopee" with Eddie Cantor. Several other reviews including the "Ziegfeld Follies of 1931." Debut in London in "Transatlantic Rhythm" at the Adelphi, October 1, 1934. Made several films, the best-remembered being "Roman Scandals", 1933. Composed several popular songs, "Wistful and Blue" and "When You're With Somebody Else' and "Maybe, Who Knows," being among them. Doris Day played the role of Etting in the 1955 movie "Love Me or Leave Me." James Cagney co-starred. Of the top 1000 all-time jazz songs this tune is ranked No. 1 by JazzStandards.com. "Body and Soul" was written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Libby Holman introduced it in the revue Three's a Crowd and was a soundtrack theme in the 1947 film named for the song. "Body and Soul" became a jazz standard, with hundreds of versions performed and recorded by dozens of artists. In this performance, Ruth sings the verse which is rarely heard in contemporary versions of this song. -
3:13Annette Hanshaw - Body And Soul 1930
Annette Hanshaw - Body And Soul 1930Annette Hanshaw - Body And Soul 1930
(from "Three's A Crowd") 10-7-1930 - Harmony Records 1224-H This Song Peaked At #12 On US Music Charts In 1930. Annette Hanshaw (October 18, 1901 - March 13, 1985) was one of the first great female jazz singers. In the late 1920s and into the 1930s. Body and Soul is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Rising quickly to popularity, Libby Holman introduced it in the revue Three's a Crowd and it was used as the theme to the 1947 film, Body and Soul. Like many pop songs of the time, it became a jazz standard, with hundreds of versions performed and recorded by dozens of artists. As with many pop standards, there are variations on the lyrics, primarily between renditions by male and female performers. Classic vocal recordings include those of Ella Fitzgerald, Annette Hanshaw, Billie Holiday and Frank Sinatra. -
3:10Paul Whiteman Orchestra - Body And Soul 1930 Jack Fulton
Paul Whiteman Orchestra - Body And Soul 1930 Jack FultonPaul Whiteman Orchestra - Body And Soul 1930 Jack Fulton
Columbia 2297 - This Song Peaked On US Billboard At #1 In 1930 (15 weeks) - Vocals: Jack Fulton Paul Samuel Whiteman (March 28, 1890 -- December 29, 1967) was an American bandleader and orchestral director. Body and Soul is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Rising quickly to popularity, Libby Holman introduced it in the revue Three's a Crowd and it was used as the theme to the 1947 film, Body and Soul. Like many pop songs of the time, it became a jazz standard, with hundreds of versions performed and recorded by dozens of artists. -
2:58Billie Holiday - Body And Soul (1940)
Billie Holiday - Body And Soul (1940)Billie Holiday - Body And Soul (1940)
Billie Holiday (April 7, 1915 -- July 17, 1959) was an american jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Billie Holiday had a seminal influence on jazz and pop singing. -
3:17Sarah Vaughan with Clifford Brown - Body And Soul (EmArcy Records 1954)
Sarah Vaughan with Clifford Brown - Body And Soul (EmArcy Records 1954)Sarah Vaughan with Clifford Brown - Body And Soul (EmArcy Records 1954)
"Body and Soul" is a popular jazz song featured on Billie Holidays album with the same title. "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence. It was first performed in London by her. It was first published in England. Libby Holman introduced it in the U.S. in the 1930 Broadway revue Three's a Crowd. Louis Armstrong was the first jazz musician to record "Body and Soul". The tune grew quickly in popularity, and by the end of 1930 at least eleven groups had recorded it. "Body and Soul" remains a jazz standard, with hundreds of versions performed and recorded by dozens of artists. Tony Bennett recorded the classic pop standard Body And Soul, with Amy Winehouse at Abbey Road Studios in London March, 2011. The duet proceeds will be donated to her charity "The Amy Winehouse Foundation." One of the most famous and influential takes was recorded by Coleman Hawkins and His Orchestra on October 11, 1939, at their only recording session for Bluebird, a subsidiary of RCA Victor. The recording is unusual in that the song's melody is only hinted at in the recording; Hawkins' two-choruses of improvisation over the tune's chord progression constitute almost the entire take. Because of this, as well as the imaginative use of harmony and break from traditional swing cliches, the recording is recognised as part of the "early tremors of bebop". In 2004, the Library of Congress entered it into the National Recording Registry To this day, "Body and Soul" is the most recorded jazz standard. Sarah's accompanied by Leader/Arranger: Ernie Wilkins, Clifford Brown (trumpet), Herbie Mann (flute), Paul Quinichette (tenor), Jimmy Jones (piano), Joe Benjamin (bass), and Roy Haynes (drums). Recorded in New York, December 18, 1954. (EmArcy Records) My days have grown so lonely For you I sigh, for you, dear, only Why haven't you seen it? I'm all for you, body and soul I spent my days in longin' And wond'ring why it's me you're wrongin' I tell you, I mean it I'm all for you, body and soul I can't believe it, it's hard to conceive it That you'd turn away romance Are you pretending? It looks like the ending Unless I could have one more chance to prove, dear My life a wreck you're making You know I'm yours just for the taking I'd gladly, you know I surrender myself to you, body and soul -
3:22Libby Holman - Body And Soul 1930
Libby Holman - Body And Soul 1930Libby Holman - Body And Soul 1930
Brunswick 4910 - This Song Peaked At #3 On US Music Charts In 1930. Song written by Edward Heyman, Robert Sour, Frank Eyton & Johnny Green. Libby Holman (May 23, 1904 -- June 18, 1971) was an American torch singer and stage actress who also achieved notoriety for her complex and unconventional personal life. Holman enjoyed a variety of intimate relationships with both men and women throughout her lifetime. Her famous lesbian lovers included the DuPont heiress Louisa d'Andelot Carpenter, actress Jeanne Eagels and modernist writer Jane Bowles. Carpenter was to play a significant part throughout Holman's lifetime. They raised their children and lived together and were openly accepted by their theater companions. She scandalized some by dating much younger men, such as fellow American actor Montgomery Clift, whom she mentored . Holman took an interest in one fan, Zachary Smith Reynolds, the heir to the R. J. Reynolds's tobacco company. He was smitten with her from the start, despite their seven-year age difference. They met in Baltimore, Maryland in April 1930 after Reynolds saw Holman's performance in a road company staging of the play The Little Show. Reynolds begged friend Dwight Deere Wiman, who was the show's producer, for an introduction to Holman. Reynolds pursued her all around the world in his plane. With the persuasion of her former lover, Louisa d'Andelot Carpenter, Holman and Reynolds, who went by his middle name, married on Sunday, November 29, 1931 in the parlor of Monroe, Michigan. Reynolds wanted Holman to abandon her acting career, she consented by taking a one-year leave of absence. During this time, however, his conservative family was unable to bear Holman and her group of theater friends, who at her invitation often visited Reynolda, the family estate near Winston-Salem, North Carolina. Accusations and arguments among them were common. In 1932, during a 21st birthday party Reynolds gave at Reynolda for his friend and flying buddy Charles Gideon Hill, Jr., a first cousin to Reynolds's first wife Anne Ludlow Cannon Reynolds, Holman revealed to her husband that she was pregnant. A tense argument ensued. Moments later, a shot was heard. Friends soon discovered Reynolds bleeding and unconscious with a gunshot wound to the head. Authorities initially ruled the shooting a suicide, but a coroner's inquiry ruled it a murder. Holman and Albert Bailey "Ab" Walker, a friend of Reynolds's and a supposed lover of Holman's, were indicted for murder. Louisa Carpenter paid Holman's $25,000 bail in Wentworth, North Carolina, appearing in such mannish clothes that bystanders and reporters thought she was a man. The Reynolds family contacted the local authorities and had the charges dropped for fear of scandal. Holman gave birth to the couple's child, Christopher Smith "Topper" Reynolds, on January 10, 1933. Journalist Milt Machlin investigated the death of Smith Reynolds and argued that Reynolds committed suicide. In his account Holman was a victim of the anti-Semitism of local authorities, and the district attorney involved with the case later told Machlin that she was innocent. -
3:08Body and Soul 1930 Leo Reisman
Body and Soul 1930 Leo ReismanBody and Soul 1930 Leo Reisman
Body and Soul 1930 Leo Reisman Orchestra From the Musical "Three's A Crowd" -
6:27Billie Holiday & Her Orchestra - Body And Soul (Verve Records 1957)
Billie Holiday & Her Orchestra - Body And Soul (Verve Records 1957)Billie Holiday & Her Orchestra - Body And Soul (Verve Records 1957)
"Body and Soul" is a popular jazz song featured on Billie Holidays album with the same title. "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence. It was first performed in London by her. It was first published in England. Libby Holman introduced it in the U.S. in the 1930 Broadway revue Three's a Crowd. Louis Armstrong was the first jazz musician to record "Body and Soul". The tune grew quickly in popularity, and by the end of 1930 at least eleven groups had recorded it. "Body and Soul" remains a jazz standard, with hundreds of versions performed and recorded by dozens of artists. Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Holiday had a seminal influence on jazz and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. In Harlem she started singing in various night clubs. Holiday took her professional pseudonym from Billie Dove, an actress she admired, and the musician Clarence Holiday, her probable father. At the outset of her career, she spelled her last name "Halliday," the birth-surname of her father, but eventually changed it to "Holiday," his performing name. The young singer teamed up with a neighbor, tenor sax player Kenneth Hollan. From 1929 to 1931, they were a team, performing at clubs such as the Grey Dawn, Pod's and Jerry's on 133rd Street, and the Brooklyn Elks' Club. Benny Goodman recalled hearing Holiday in 1931 at The Bright Spot. As her reputation grew, Holiday played at many clubs, including Mexico's and The Alhambra Bar and Grill where Charles Linton, a vocalist who later worked with Chick Webb, first met her. It was also during this period that she connected with her father, who was playing with Fletcher Henderson's band. By the end of 1932 at the age of 17, Billie Holiday replaced the singer Monette Moore at a club called Covan's on West 132nd Street. The producer John Hammond, who loved Monette Moore's singing and had come to hear her, first heard Holiday in early 1933. Hammond arranged for Holiday to make her recording debut, at age 18, in November 1933 with Benny Goodman, singing two songs: "Your Mother's Son-In-Law" and "Riffin' the Scotch," the latter being her first hit. "Son-in-Law" sold 300 copies, but "Riffin' the Scotch," released on November 11, sold 5,000 copies. Hammond was quite impressed by Holiday's singing style. He said of her, "Her singing almost changed my music tastes and my musical life, because she was the first girl singer I'd come across who actually sang like an improvising jazz genius." Hammond compared Holiday favorably to Armstrong and said she had a good sense of lyric content at her young age. In 1935, Billie Holiday had a small role as a woman being abused by her lover in Duke Ellington's short Symphony in Black: A Rhapsody of Negro Life. In her scene, she sang the song "Saddest Tale." Billie's accompanied by Ben Webster (Tenor Sax); Barney Kessel (Guitar); Harry "Sweets" Edison (Trumpet); Jimmy Rowles (Piano); Red Mitchell (Bass); and Larry Bunker (Drums). Recorded January 7th, 1957 (20507-1). Tony Bennett recorded the classic pop standard Body And Soul, with Amy Winehouse at Abbey Road Studios in London March, 2011. The duet proceeds will be donated to her charity "The Amy Winehouse Foundation." One of the most famous and influential takes was recorded by Coleman Hawkins and His Orchestra on October 11, 1939, at their only recording session for Bluebird, a subsidiary of RCA Victor. The recording is unusual in that the song's melody is only hinted at in the recording; Hawkins' two-choruses of improvisation over the tune's chord progression constitute almost the entire take. Because of this, as well as the imaginative use of harmony and break from traditional swing cliches, the recording is recognised as part of the "early tremors of bebop". In 2004, the Library of Congress entered it into the National Recording Registry To this day, "Body and Soul" is the most recorded jazz standard. My days have grown so lonely For you I cry, for you dear only Why haven't you seen it I'm all for you body and soul I spend my days in longin' I'm wondering why it's me you're wronging I tell you I mean it I'm all for you body and soul I can't believe it It's hard to conceive it That you'd throw away romance Are you pretending It looks like the ending Unless I can have one more chance to prove, dear My life a hell you're making You know I'm yours for just the taking I'd gladly surrender Myself to you body and soul What lies before me A future that's stormy A winter that's gray and cold Unless there's magic the end will be tragic And therefor a tale that's been told so often My life revolves about you What earthly good am I without you Oh I tell you I mean it I'm all for you body and soul -
5:14Body and Soul John Green 1930 Alto Sax
Body and Soul John Green 1930 Alto SaxBody and Soul John Green 1930 Alto Sax
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Helen Morgan - Body and Soul (1930)
"Body and Soul" Words and Music by Edward Heyman, Robert Sour, Frank Eyton and John Green Performed by Helen Morgan with orchestra conducted by Leonard Joy Recorded September 12, 1930, New York Helen Morgan (1900 - 1941) was born in Danville, Illinois. She worked for a while in mail order houses and in other mercantile establishments before trying her hand at show business. Her first experiences with the stage were without any particular distinction and to make something happen she entered a beauty contest and won it. The contest was won in Canada and those in the Dominion to whom it mattered much were somewhat chagrined when her birthplace was revealed. That didn't matter to Miss Morgan; all that mattered was that she'd had her first break. By the early 1920s she had firmly...
published: 04 Apr 2010 -
Ruth Etting - Body and Soul (1930)
"Body and Soul" Music by Johnny Green Lyrics by Robert Sour and Frank Eyton Vocal by Ruth Etting Recorded September 29, 1930 , New York Ruth Etting was born Nov. 23, 1897 in David City, Nebraska. She attended the Chicago Academy of Fine Arts; originally intended to be a fashion designer; At 17 she got a job in a Chicago night club working on costumes. Debut in chorus of revue at the Marigold Gardens Theatre, Chicago, 1925. She sang on early radio eventually winning title of "Chicago's Sweetheart." New York stage debut in the 1927 edition of Ziegfeld Follies (New Amsterdam), August 16, 1927. Appeared in the same theatre, December 4, 1928, in "Whoopee" with Eddie Cantor. Several other reviews including the "Ziegfeld Follies of 1931." Debut in London in "Transatlantic Rhythm" at t...
published: 06 Aug 2009 -
Annette Hanshaw - Body And Soul 1930
(from "Three's A Crowd") 10-7-1930 - Harmony Records 1224-H This Song Peaked At #12 On US Music Charts In 1930. Annette Hanshaw (October 18, 1901 - March 13, 1985) was one of the first great female jazz singers. In the late 1920s and into the 1930s. Body and Soul is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Rising quickly to popularity, Libby Holman introduced it in the revue Three's a Crowd and it was used as the theme to the 1947 film, Body and Soul. Like many pop songs of the time, it became a jazz standard, with hundreds of versions performed and recorded by dozens of artists. As with many pop standards, there are variations on the lyrics, primarily between renditions by male and female performers. Classic vocal recordings include ...
published: 05 May 2011 -
Paul Whiteman Orchestra - Body And Soul 1930 Jack Fulton
Columbia 2297 - This Song Peaked On US Billboard At #1 In 1930 (15 weeks) - Vocals: Jack Fulton Paul Samuel Whiteman (March 28, 1890 -- December 29, 1967) was an American bandleader and orchestral director. Body and Soul is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Rising quickly to popularity, Libby Holman introduced it in the revue Three's a Crowd and it was used as the theme to the 1947 film, Body and Soul. Like many pop songs of the time, it became a jazz standard, with hundreds of versions performed and recorded by dozens of artists.
published: 31 May 2011 -
Billie Holiday - Body And Soul (1940)
Billie Holiday (April 7, 1915 -- July 17, 1959) was an american jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Billie Holiday had a seminal influence on jazz and pop singing.
published: 05 May 2014 -
Sarah Vaughan with Clifford Brown - Body And Soul (EmArcy Records 1954)
"Body and Soul" is a popular jazz song featured on Billie Holidays album with the same title. "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence. It was first performed in London by her. It was first published in England. Libby Holman introduced it in the U.S. in the 1930 Broadway revue Three's a Crowd. Louis Armstrong was the first jazz musician to record "Body and Soul". The tune grew quickly in popularity, and by the end of 1930 at least eleven groups had recorded it. "Body and Soul" remains a jazz standard, with hundreds of versions performed and recorded by dozens of artists. Tony Bennett recorded the classic pop standard Body And Soul, with Amy Winehouse at Abbey Road Studios in London March, 2011. The duet proceeds will be donated to ...
published: 25 Jul 2011 -
Libby Holman - Body And Soul 1930
Brunswick 4910 - This Song Peaked At #3 On US Music Charts In 1930. Song written by Edward Heyman, Robert Sour, Frank Eyton & Johnny Green. Libby Holman (May 23, 1904 -- June 18, 1971) was an American torch singer and stage actress who also achieved notoriety for her complex and unconventional personal life. Holman enjoyed a variety of intimate relationships with both men and women throughout her lifetime. Her famous lesbian lovers included the DuPont heiress Louisa d'Andelot Carpenter, actress Jeanne Eagels and modernist writer Jane Bowles. Carpenter was to play a significant part throughout Holman's lifetime. They raised their children and lived together and were openly accepted by their theater companions. She scandalized some by dating much younger men, such as fellow American actor ...
published: 14 Aug 2011 -
Body and Soul 1930 Leo Reisman
Body and Soul 1930 Leo Reisman Orchestra From the Musical "Three's A Crowd"
published: 24 Mar 2011 -
Billie Holiday & Her Orchestra - Body And Soul (Verve Records 1957)
"Body and Soul" is a popular jazz song featured on Billie Holidays album with the same title. "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence. It was first performed in London by her. It was first published in England. Libby Holman introduced it in the U.S. in the 1930 Broadway revue Three's a Crowd. Louis Armstrong was the first jazz musician to record "Body and Soul". The tune grew quickly in popularity, and by the end of 1930 at least eleven groups had recorded it. "Body and Soul" remains a jazz standard, with hundreds of versions performed and recorded by dozens of artists. Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical part...
published: 27 Jul 2011 -
Body and Soul John Green 1930 Alto Sax
published: 18 Dec 2016
Helen Morgan - Body and Soul (1930)
- Order: Reorder
- Duration: 3:11
- Updated: 04 Apr 2010
- views: 33469
"Body and Soul"
Words and Music by Edward Heyman, Robert Sour, Frank Eyton and John Green
Performed by Helen Morgan
with orchestra conducted by Leonard Joy
...
"Body and Soul"
Words and Music by Edward Heyman, Robert Sour, Frank Eyton and John Green
Performed by Helen Morgan
with orchestra conducted by Leonard Joy
Recorded September 12, 1930, New York
Helen Morgan (1900 - 1941) was born in Danville, Illinois. She worked for a while in mail order houses and in other mercantile establishments before trying her hand at show business. Her first experiences with the stage were without any particular distinction and to make something happen she entered a beauty contest and won it. The contest was won in Canada and those in the Dominion to whom it mattered much were somewhat chagrined when her birthplace was revealed. That didn't matter to Miss Morgan; all that mattered was that she'd had her first break.
By the early 1920s she had firmly established her reputation as a top-flight night-club singer, both in America and abroad. In Europe, at a Command Performance before the Duke of Windsor (then the Prince of Wales), a member of the Royal household approached her and warned her not to sing any vulgar songs. She replied, "If I did, you'd have to teach them to me." Returning to the States after that triumphant European jaunt, Miss Morgan appeared in "Show Boat", the Ferber-Kern masterpiece which was to become her most successful and famous venture.
Until her untimely death at the age of forty-one, Helen Morgan graced many Broadway shows, radio programs and Hollywood films.
https://wn.com/Helen_Morgan_Body_And_Soul_(1930)
"Body and Soul"
Words and Music by Edward Heyman, Robert Sour, Frank Eyton and John Green
Performed by Helen Morgan
with orchestra conducted by Leonard Joy
Recorded September 12, 1930, New York
Helen Morgan (1900 - 1941) was born in Danville, Illinois. She worked for a while in mail order houses and in other mercantile establishments before trying her hand at show business. Her first experiences with the stage were without any particular distinction and to make something happen she entered a beauty contest and won it. The contest was won in Canada and those in the Dominion to whom it mattered much were somewhat chagrined when her birthplace was revealed. That didn't matter to Miss Morgan; all that mattered was that she'd had her first break.
By the early 1920s she had firmly established her reputation as a top-flight night-club singer, both in America and abroad. In Europe, at a Command Performance before the Duke of Windsor (then the Prince of Wales), a member of the Royal household approached her and warned her not to sing any vulgar songs. She replied, "If I did, you'd have to teach them to me." Returning to the States after that triumphant European jaunt, Miss Morgan appeared in "Show Boat", the Ferber-Kern masterpiece which was to become her most successful and famous venture.
Until her untimely death at the age of forty-one, Helen Morgan graced many Broadway shows, radio programs and Hollywood films.
- published: 04 Apr 2010
- views: 33469
Ruth Etting - Body and Soul (1930)
- Order: Reorder
- Duration: 3:22
- Updated: 06 Aug 2009
- views: 67574
"Body and Soul"
Music by Johnny Green
Lyrics by Robert Sour and Frank Eyton
Vocal by Ruth Etting
Recorded September 29, 1930 , New York
Ruth Etting was ...
"Body and Soul"
Music by Johnny Green
Lyrics by Robert Sour and Frank Eyton
Vocal by Ruth Etting
Recorded September 29, 1930 , New York
Ruth Etting was born Nov. 23, 1897 in David City, Nebraska. She attended the Chicago Academy of Fine Arts; originally intended to be a fashion designer; At 17 she got a job in a Chicago night club working on costumes. Debut in chorus of revue at the Marigold Gardens Theatre, Chicago, 1925. She sang on early radio eventually winning title of "Chicago's Sweetheart." New York stage debut in the 1927 edition of Ziegfeld Follies (New Amsterdam), August 16, 1927. Appeared in the same theatre, December 4, 1928, in "Whoopee" with Eddie Cantor. Several other reviews including the "Ziegfeld Follies of 1931." Debut in London in "Transatlantic Rhythm" at the Adelphi, October 1, 1934. Made several films, the best-remembered being "Roman Scandals", 1933. Composed several popular songs, "Wistful and Blue" and "When You're With Somebody Else' and "Maybe, Who Knows," being among them. Doris Day played the role of Etting in the 1955 movie "Love Me or Leave Me." James Cagney co-starred.
Of the top 1000 all-time jazz songs this tune is ranked No. 1 by JazzStandards.com. "Body and Soul" was written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Libby Holman introduced it in the revue Three's a Crowd and was a soundtrack theme in the 1947 film named for the song. "Body and Soul" became a jazz standard, with hundreds of versions performed and recorded by dozens of artists.
In this performance, Ruth sings the verse which is rarely heard in contemporary versions of this song.
https://wn.com/Ruth_Etting_Body_And_Soul_(1930)
"Body and Soul"
Music by Johnny Green
Lyrics by Robert Sour and Frank Eyton
Vocal by Ruth Etting
Recorded September 29, 1930 , New York
Ruth Etting was born Nov. 23, 1897 in David City, Nebraska. She attended the Chicago Academy of Fine Arts; originally intended to be a fashion designer; At 17 she got a job in a Chicago night club working on costumes. Debut in chorus of revue at the Marigold Gardens Theatre, Chicago, 1925. She sang on early radio eventually winning title of "Chicago's Sweetheart." New York stage debut in the 1927 edition of Ziegfeld Follies (New Amsterdam), August 16, 1927. Appeared in the same theatre, December 4, 1928, in "Whoopee" with Eddie Cantor. Several other reviews including the "Ziegfeld Follies of 1931." Debut in London in "Transatlantic Rhythm" at the Adelphi, October 1, 1934. Made several films, the best-remembered being "Roman Scandals", 1933. Composed several popular songs, "Wistful and Blue" and "When You're With Somebody Else' and "Maybe, Who Knows," being among them. Doris Day played the role of Etting in the 1955 movie "Love Me or Leave Me." James Cagney co-starred.
Of the top 1000 all-time jazz songs this tune is ranked No. 1 by JazzStandards.com. "Body and Soul" was written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Libby Holman introduced it in the revue Three's a Crowd and was a soundtrack theme in the 1947 film named for the song. "Body and Soul" became a jazz standard, with hundreds of versions performed and recorded by dozens of artists.
In this performance, Ruth sings the verse which is rarely heard in contemporary versions of this song.
- published: 06 Aug 2009
- views: 67574
Annette Hanshaw - Body And Soul 1930
- Order: Reorder
- Duration: 3:13
- Updated: 05 May 2011
- views: 7062
(from "Three's A Crowd") 10-7-1930 - Harmony Records 1224-H
This Song Peaked At #12 On US Music Charts In 1930.
Annette Hanshaw (October 18, 1901 - March 13, ...
(from "Three's A Crowd") 10-7-1930 - Harmony Records 1224-H
This Song Peaked At #12 On US Music Charts In 1930.
Annette Hanshaw (October 18, 1901 - March 13, 1985) was one of the first great female jazz singers. In the late 1920s and into the 1930s.
Body and Soul is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Rising quickly to popularity, Libby Holman introduced it in the revue Three's a Crowd and it was used as the theme to the 1947 film, Body and Soul.
Like many pop songs of the time, it became a jazz standard, with hundreds of versions performed and recorded by dozens of artists.
As with many pop standards, there are variations on the lyrics, primarily between renditions by male and female performers. Classic vocal recordings include those of Ella Fitzgerald, Annette Hanshaw, Billie Holiday and Frank Sinatra.
https://wn.com/Annette_Hanshaw_Body_And_Soul_1930
(from "Three's A Crowd") 10-7-1930 - Harmony Records 1224-H
This Song Peaked At #12 On US Music Charts In 1930.
Annette Hanshaw (October 18, 1901 - March 13, 1985) was one of the first great female jazz singers. In the late 1920s and into the 1930s.
Body and Soul is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Rising quickly to popularity, Libby Holman introduced it in the revue Three's a Crowd and it was used as the theme to the 1947 film, Body and Soul.
Like many pop songs of the time, it became a jazz standard, with hundreds of versions performed and recorded by dozens of artists.
As with many pop standards, there are variations on the lyrics, primarily between renditions by male and female performers. Classic vocal recordings include those of Ella Fitzgerald, Annette Hanshaw, Billie Holiday and Frank Sinatra.
- published: 05 May 2011
- views: 7062
Paul Whiteman Orchestra - Body And Soul 1930 Jack Fulton
- Order: Reorder
- Duration: 3:10
- Updated: 31 May 2011
- views: 11773
Columbia 2297 - This Song Peaked On US Billboard At #1 In 1930 (15 weeks) - Vocals: Jack Fulton
Paul Samuel Whiteman (March 28, 1890 -- December 29, 1967) was ...
Columbia 2297 - This Song Peaked On US Billboard At #1 In 1930 (15 weeks) - Vocals: Jack Fulton
Paul Samuel Whiteman (March 28, 1890 -- December 29, 1967) was an American bandleader and orchestral director.
Body and Soul is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Rising quickly to popularity, Libby Holman introduced it in the revue Three's a Crowd and it was used as the theme to the 1947 film, Body and Soul.
Like many pop songs of the time, it became a jazz standard, with hundreds of versions performed and recorded by dozens of artists.
https://wn.com/Paul_Whiteman_Orchestra_Body_And_Soul_1930_Jack_Fulton
Columbia 2297 - This Song Peaked On US Billboard At #1 In 1930 (15 weeks) - Vocals: Jack Fulton
Paul Samuel Whiteman (March 28, 1890 -- December 29, 1967) was an American bandleader and orchestral director.
Body and Soul is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Rising quickly to popularity, Libby Holman introduced it in the revue Three's a Crowd and it was used as the theme to the 1947 film, Body and Soul.
Like many pop songs of the time, it became a jazz standard, with hundreds of versions performed and recorded by dozens of artists.
- published: 31 May 2011
- views: 11773
Billie Holiday - Body And Soul (1940)
- Order: Reorder
- Duration: 2:58
- Updated: 05 May 2014
- views: 46115
Billie Holiday (April 7, 1915 -- July 17, 1959) was an american jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young,...
Billie Holiday (April 7, 1915 -- July 17, 1959) was an american jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Billie Holiday had a seminal influence on jazz and pop singing.
https://wn.com/Billie_Holiday_Body_And_Soul_(1940)
Billie Holiday (April 7, 1915 -- July 17, 1959) was an american jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Billie Holiday had a seminal influence on jazz and pop singing.
- published: 05 May 2014
- views: 46115
Sarah Vaughan with Clifford Brown - Body And Soul (EmArcy Records 1954)
- Order: Reorder
- Duration: 3:17
- Updated: 25 Jul 2011
- views: 98161
"Body and Soul" is a popular jazz song featured on Billie Holidays album with the same title. "Body and Soul" was written in New York City for the British actre...
"Body and Soul" is a popular jazz song featured on Billie Holidays album with the same title. "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence. It was first performed in London by her. It was first published in England. Libby Holman introduced it in the U.S. in the 1930 Broadway revue Three's a Crowd. Louis Armstrong was the first jazz musician to record "Body and Soul". The tune grew quickly in popularity, and by the end of 1930 at least eleven groups had recorded it. "Body and Soul" remains a jazz standard, with hundreds of versions performed and recorded by dozens of artists.
Tony Bennett recorded the classic pop standard Body And Soul, with Amy Winehouse at Abbey Road Studios in London March, 2011. The duet proceeds will be donated to her charity "The Amy Winehouse Foundation."
One of the most famous and influential takes was recorded by Coleman Hawkins and His Orchestra on October 11, 1939, at their only recording session for Bluebird, a subsidiary of RCA Victor. The recording is unusual in that the song's melody is only hinted at in the recording; Hawkins' two-choruses of improvisation over the tune's chord progression constitute almost the entire take. Because of this, as well as the imaginative use of harmony and break from traditional swing cliches, the recording is recognised as part of the "early tremors of bebop". In 2004, the Library of Congress entered it into the National Recording Registry
To this day, "Body and Soul" is the most recorded jazz standard.
Sarah's accompanied by Leader/Arranger: Ernie Wilkins, Clifford Brown (trumpet), Herbie Mann (flute), Paul Quinichette (tenor), Jimmy Jones (piano), Joe Benjamin (bass), and Roy Haynes (drums). Recorded in New York, December 18, 1954. (EmArcy Records)
My days have grown so lonely
For you I sigh, for you, dear, only
Why haven't you seen it?
I'm all for you, body and soul
I spent my days in longin'
And wond'ring why it's me you're wrongin'
I tell you, I mean it
I'm all for you, body and soul
I can't believe it, it's hard to conceive it
That you'd turn away romance
Are you pretending? It looks like the ending
Unless I could have one more chance to prove, dear
My life a wreck you're making
You know I'm yours just for the taking
I'd gladly, you know I surrender myself to you, body and soul
https://wn.com/Sarah_Vaughan_With_Clifford_Brown_Body_And_Soul_(Emarcy_Records_1954)
"Body and Soul" is a popular jazz song featured on Billie Holidays album with the same title. "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence. It was first performed in London by her. It was first published in England. Libby Holman introduced it in the U.S. in the 1930 Broadway revue Three's a Crowd. Louis Armstrong was the first jazz musician to record "Body and Soul". The tune grew quickly in popularity, and by the end of 1930 at least eleven groups had recorded it. "Body and Soul" remains a jazz standard, with hundreds of versions performed and recorded by dozens of artists.
Tony Bennett recorded the classic pop standard Body And Soul, with Amy Winehouse at Abbey Road Studios in London March, 2011. The duet proceeds will be donated to her charity "The Amy Winehouse Foundation."
One of the most famous and influential takes was recorded by Coleman Hawkins and His Orchestra on October 11, 1939, at their only recording session for Bluebird, a subsidiary of RCA Victor. The recording is unusual in that the song's melody is only hinted at in the recording; Hawkins' two-choruses of improvisation over the tune's chord progression constitute almost the entire take. Because of this, as well as the imaginative use of harmony and break from traditional swing cliches, the recording is recognised as part of the "early tremors of bebop". In 2004, the Library of Congress entered it into the National Recording Registry
To this day, "Body and Soul" is the most recorded jazz standard.
Sarah's accompanied by Leader/Arranger: Ernie Wilkins, Clifford Brown (trumpet), Herbie Mann (flute), Paul Quinichette (tenor), Jimmy Jones (piano), Joe Benjamin (bass), and Roy Haynes (drums). Recorded in New York, December 18, 1954. (EmArcy Records)
My days have grown so lonely
For you I sigh, for you, dear, only
Why haven't you seen it?
I'm all for you, body and soul
I spent my days in longin'
And wond'ring why it's me you're wrongin'
I tell you, I mean it
I'm all for you, body and soul
I can't believe it, it's hard to conceive it
That you'd turn away romance
Are you pretending? It looks like the ending
Unless I could have one more chance to prove, dear
My life a wreck you're making
You know I'm yours just for the taking
I'd gladly, you know I surrender myself to you, body and soul
- published: 25 Jul 2011
- views: 98161
Libby Holman - Body And Soul 1930
- Order: Reorder
- Duration: 3:22
- Updated: 14 Aug 2011
- views: 10039
Brunswick 4910 - This Song Peaked At #3 On US Music Charts In 1930.
Song written by Edward Heyman, Robert Sour, Frank Eyton & Johnny Green.
Libby Holman (May ...
Brunswick 4910 - This Song Peaked At #3 On US Music Charts In 1930.
Song written by Edward Heyman, Robert Sour, Frank Eyton & Johnny Green.
Libby Holman (May 23, 1904 -- June 18, 1971) was an American torch singer and stage actress who also achieved notoriety for her complex and unconventional personal life. Holman enjoyed a variety of intimate relationships with both men and women throughout her lifetime. Her famous lesbian lovers included the DuPont heiress Louisa d'Andelot Carpenter, actress Jeanne Eagels and modernist writer Jane Bowles. Carpenter was to play a significant part throughout Holman's lifetime. They raised their children and lived together and were openly accepted by their theater companions. She scandalized some by dating much younger men, such as fellow American actor Montgomery Clift, whom she mentored .
Holman took an interest in one fan, Zachary Smith Reynolds, the heir to the R. J. Reynolds's tobacco company. He was smitten with her from the start, despite their seven-year age difference. They met in Baltimore, Maryland in April 1930 after Reynolds saw Holman's performance in a road company staging of the play The Little Show. Reynolds begged friend Dwight Deere Wiman, who was the show's producer, for an introduction to Holman. Reynolds pursued her all around the world in his plane. With the persuasion of her former lover, Louisa d'Andelot Carpenter, Holman and Reynolds, who went by his middle name, married on Sunday, November 29, 1931 in the parlor of Monroe, Michigan. Reynolds wanted Holman to abandon her acting career, she consented by taking a one-year leave of absence. During this time, however, his conservative family was unable to bear Holman and her group of theater friends, who at her invitation often visited Reynolda, the family estate near Winston-Salem, North Carolina. Accusations and arguments among them were common.
In 1932, during a 21st birthday party Reynolds gave at Reynolda for his friend and flying buddy Charles Gideon Hill, Jr., a first cousin to Reynolds's first wife Anne Ludlow Cannon Reynolds, Holman revealed to her husband that she was pregnant. A tense argument ensued. Moments later, a shot was heard. Friends soon discovered Reynolds bleeding and unconscious with a gunshot wound to the head. Authorities initially ruled the shooting a suicide, but a coroner's inquiry ruled it a murder. Holman and Albert Bailey "Ab" Walker, a friend of Reynolds's and a supposed lover of Holman's, were indicted for murder.
Louisa Carpenter paid Holman's $25,000 bail in Wentworth, North Carolina, appearing in such mannish clothes that bystanders and reporters thought she was a man. The Reynolds family contacted the local authorities and had the charges dropped for fear of scandal. Holman gave birth to the couple's child, Christopher Smith "Topper" Reynolds, on January 10, 1933.
Journalist Milt Machlin investigated the death of Smith Reynolds and argued that Reynolds committed suicide. In his account Holman was a victim of the anti-Semitism of local authorities, and the district attorney involved with the case later told Machlin that she was innocent.
https://wn.com/Libby_Holman_Body_And_Soul_1930
Brunswick 4910 - This Song Peaked At #3 On US Music Charts In 1930.
Song written by Edward Heyman, Robert Sour, Frank Eyton & Johnny Green.
Libby Holman (May 23, 1904 -- June 18, 1971) was an American torch singer and stage actress who also achieved notoriety for her complex and unconventional personal life. Holman enjoyed a variety of intimate relationships with both men and women throughout her lifetime. Her famous lesbian lovers included the DuPont heiress Louisa d'Andelot Carpenter, actress Jeanne Eagels and modernist writer Jane Bowles. Carpenter was to play a significant part throughout Holman's lifetime. They raised their children and lived together and were openly accepted by their theater companions. She scandalized some by dating much younger men, such as fellow American actor Montgomery Clift, whom she mentored .
Holman took an interest in one fan, Zachary Smith Reynolds, the heir to the R. J. Reynolds's tobacco company. He was smitten with her from the start, despite their seven-year age difference. They met in Baltimore, Maryland in April 1930 after Reynolds saw Holman's performance in a road company staging of the play The Little Show. Reynolds begged friend Dwight Deere Wiman, who was the show's producer, for an introduction to Holman. Reynolds pursued her all around the world in his plane. With the persuasion of her former lover, Louisa d'Andelot Carpenter, Holman and Reynolds, who went by his middle name, married on Sunday, November 29, 1931 in the parlor of Monroe, Michigan. Reynolds wanted Holman to abandon her acting career, she consented by taking a one-year leave of absence. During this time, however, his conservative family was unable to bear Holman and her group of theater friends, who at her invitation often visited Reynolda, the family estate near Winston-Salem, North Carolina. Accusations and arguments among them were common.
In 1932, during a 21st birthday party Reynolds gave at Reynolda for his friend and flying buddy Charles Gideon Hill, Jr., a first cousin to Reynolds's first wife Anne Ludlow Cannon Reynolds, Holman revealed to her husband that she was pregnant. A tense argument ensued. Moments later, a shot was heard. Friends soon discovered Reynolds bleeding and unconscious with a gunshot wound to the head. Authorities initially ruled the shooting a suicide, but a coroner's inquiry ruled it a murder. Holman and Albert Bailey "Ab" Walker, a friend of Reynolds's and a supposed lover of Holman's, were indicted for murder.
Louisa Carpenter paid Holman's $25,000 bail in Wentworth, North Carolina, appearing in such mannish clothes that bystanders and reporters thought she was a man. The Reynolds family contacted the local authorities and had the charges dropped for fear of scandal. Holman gave birth to the couple's child, Christopher Smith "Topper" Reynolds, on January 10, 1933.
Journalist Milt Machlin investigated the death of Smith Reynolds and argued that Reynolds committed suicide. In his account Holman was a victim of the anti-Semitism of local authorities, and the district attorney involved with the case later told Machlin that she was innocent.
- published: 14 Aug 2011
- views: 10039
Body and Soul 1930 Leo Reisman
- Order: Reorder
- Duration: 3:08
- Updated: 24 Mar 2011
- views: 1577
Body and Soul 1930
Leo Reisman Orchestra
From the Musical "Three's A Crowd"
- published: 24 Mar 2011
- views: 1577
Billie Holiday & Her Orchestra - Body And Soul (Verve Records 1957)
- Order: Reorder
- Duration: 6:27
- Updated: 27 Jul 2011
- views: 849618
"Body and Soul" is a popular jazz song featured on Billie Holidays album with the same title. "Body and Soul" was written in New York City for the British actre...
"Body and Soul" is a popular jazz song featured on Billie Holidays album with the same title. "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence. It was first performed in London by her. It was first published in England. Libby Holman introduced it in the U.S. in the 1930 Broadway revue Three's a Crowd. Louis Armstrong was the first jazz musician to record "Body and Soul". The tune grew quickly in popularity, and by the end of 1930 at least eleven groups had recorded it. "Body and Soul" remains a jazz standard, with hundreds of versions performed and recorded by dozens of artists.
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Holiday had a seminal influence on jazz and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo.
In Harlem she started singing in various night clubs. Holiday took her professional pseudonym from Billie Dove, an actress she admired, and the musician Clarence Holiday, her probable father. At the outset of her career, she spelled her last name "Halliday," the birth-surname of her father, but eventually changed it to "Holiday," his performing name. The young singer teamed up with a neighbor, tenor sax player Kenneth Hollan. From 1929 to 1931, they were a team, performing at clubs such as the Grey Dawn, Pod's and Jerry's on 133rd Street, and the Brooklyn Elks' Club. Benny Goodman recalled hearing Holiday in 1931 at The Bright Spot. As her reputation grew, Holiday played at many clubs, including Mexico's and The Alhambra Bar and Grill where Charles Linton, a vocalist who later worked with Chick Webb, first met her. It was also during this period that she connected with her father, who was playing with Fletcher Henderson's band.
By the end of 1932 at the age of 17, Billie Holiday replaced the singer Monette Moore at a club called Covan's on West 132nd Street. The producer John Hammond, who loved Monette Moore's singing and had come to hear her, first heard Holiday in early 1933. Hammond arranged for Holiday to make her recording debut, at age 18, in November 1933 with Benny Goodman, singing two songs: "Your Mother's Son-In-Law" and "Riffin' the Scotch," the latter being her first hit. "Son-in-Law" sold 300 copies, but "Riffin' the Scotch," released on November 11, sold 5,000 copies. Hammond was quite impressed by Holiday's singing style. He said of her, "Her singing almost changed my music tastes and my musical life, because she was the first girl singer I'd come across who actually sang like an improvising jazz genius." Hammond compared Holiday favorably to Armstrong and said she had a good sense of lyric content at her young age.
In 1935, Billie Holiday had a small role as a woman being abused by her lover in Duke Ellington's short Symphony in Black: A Rhapsody of Negro Life. In her scene, she sang the song "Saddest Tale."
Billie's accompanied by Ben Webster (Tenor Sax); Barney Kessel (Guitar); Harry "Sweets" Edison (Trumpet); Jimmy Rowles (Piano); Red Mitchell (Bass); and Larry Bunker (Drums). Recorded January 7th, 1957 (20507-1).
Tony Bennett recorded the classic pop standard Body And Soul, with Amy Winehouse at Abbey Road Studios in London March, 2011. The duet proceeds will be donated to her charity "The Amy Winehouse Foundation."
One of the most famous and influential takes was recorded by Coleman Hawkins and His Orchestra on October 11, 1939, at their only recording session for Bluebird, a subsidiary of RCA Victor. The recording is unusual in that the song's melody is only hinted at in the recording; Hawkins' two-choruses of improvisation over the tune's chord progression constitute almost the entire take. Because of this, as well as the imaginative use of harmony and break from traditional swing cliches, the recording is recognised as part of the "early tremors of bebop". In 2004, the Library of Congress entered it into the National Recording Registry
To this day, "Body and Soul" is the most recorded jazz standard.
My days have grown so lonely
For you I cry, for you dear only
Why haven't you seen it
I'm all for you body and soul
I spend my days in longin'
I'm wondering why it's me you're wronging
I tell you I mean it
I'm all for you body and soul
I can't believe it
It's hard to conceive it
That you'd throw away romance
Are you pretending
It looks like the ending
Unless I can have one more chance to prove, dear
My life a hell you're making
You know I'm yours for just the taking
I'd gladly surrender
Myself to you body and soul
What lies before me
A future that's stormy
A winter that's gray and cold
Unless there's magic the end will be tragic
And therefor a tale that's been told so often
My life revolves about you
What earthly good am I without you
Oh I tell you I mean it
I'm all for you body and soul
https://wn.com/Billie_Holiday_Her_Orchestra_Body_And_Soul_(Verve_Records_1957)
"Body and Soul" is a popular jazz song featured on Billie Holidays album with the same title. "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence. It was first performed in London by her. It was first published in England. Libby Holman introduced it in the U.S. in the 1930 Broadway revue Three's a Crowd. Louis Armstrong was the first jazz musician to record "Body and Soul". The tune grew quickly in popularity, and by the end of 1930 at least eleven groups had recorded it. "Body and Soul" remains a jazz standard, with hundreds of versions performed and recorded by dozens of artists.
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Holiday had a seminal influence on jazz and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo.
In Harlem she started singing in various night clubs. Holiday took her professional pseudonym from Billie Dove, an actress she admired, and the musician Clarence Holiday, her probable father. At the outset of her career, she spelled her last name "Halliday," the birth-surname of her father, but eventually changed it to "Holiday," his performing name. The young singer teamed up with a neighbor, tenor sax player Kenneth Hollan. From 1929 to 1931, they were a team, performing at clubs such as the Grey Dawn, Pod's and Jerry's on 133rd Street, and the Brooklyn Elks' Club. Benny Goodman recalled hearing Holiday in 1931 at The Bright Spot. As her reputation grew, Holiday played at many clubs, including Mexico's and The Alhambra Bar and Grill where Charles Linton, a vocalist who later worked with Chick Webb, first met her. It was also during this period that she connected with her father, who was playing with Fletcher Henderson's band.
By the end of 1932 at the age of 17, Billie Holiday replaced the singer Monette Moore at a club called Covan's on West 132nd Street. The producer John Hammond, who loved Monette Moore's singing and had come to hear her, first heard Holiday in early 1933. Hammond arranged for Holiday to make her recording debut, at age 18, in November 1933 with Benny Goodman, singing two songs: "Your Mother's Son-In-Law" and "Riffin' the Scotch," the latter being her first hit. "Son-in-Law" sold 300 copies, but "Riffin' the Scotch," released on November 11, sold 5,000 copies. Hammond was quite impressed by Holiday's singing style. He said of her, "Her singing almost changed my music tastes and my musical life, because she was the first girl singer I'd come across who actually sang like an improvising jazz genius." Hammond compared Holiday favorably to Armstrong and said she had a good sense of lyric content at her young age.
In 1935, Billie Holiday had a small role as a woman being abused by her lover in Duke Ellington's short Symphony in Black: A Rhapsody of Negro Life. In her scene, she sang the song "Saddest Tale."
Billie's accompanied by Ben Webster (Tenor Sax); Barney Kessel (Guitar); Harry "Sweets" Edison (Trumpet); Jimmy Rowles (Piano); Red Mitchell (Bass); and Larry Bunker (Drums). Recorded January 7th, 1957 (20507-1).
Tony Bennett recorded the classic pop standard Body And Soul, with Amy Winehouse at Abbey Road Studios in London March, 2011. The duet proceeds will be donated to her charity "The Amy Winehouse Foundation."
One of the most famous and influential takes was recorded by Coleman Hawkins and His Orchestra on October 11, 1939, at their only recording session for Bluebird, a subsidiary of RCA Victor. The recording is unusual in that the song's melody is only hinted at in the recording; Hawkins' two-choruses of improvisation over the tune's chord progression constitute almost the entire take. Because of this, as well as the imaginative use of harmony and break from traditional swing cliches, the recording is recognised as part of the "early tremors of bebop". In 2004, the Library of Congress entered it into the National Recording Registry
To this day, "Body and Soul" is the most recorded jazz standard.
My days have grown so lonely
For you I cry, for you dear only
Why haven't you seen it
I'm all for you body and soul
I spend my days in longin'
I'm wondering why it's me you're wronging
I tell you I mean it
I'm all for you body and soul
I can't believe it
It's hard to conceive it
That you'd throw away romance
Are you pretending
It looks like the ending
Unless I can have one more chance to prove, dear
My life a hell you're making
You know I'm yours for just the taking
I'd gladly surrender
Myself to you body and soul
What lies before me
A future that's stormy
A winter that's gray and cold
Unless there's magic the end will be tragic
And therefor a tale that's been told so often
My life revolves about you
What earthly good am I without you
Oh I tell you I mean it
I'm all for you body and soul
- published: 27 Jul 2011
- views: 849618
Body and Soul John Green 1930 Alto Sax
- Order: Reorder
- Duration: 5:14
- Updated: 18 Dec 2016
- views: 1470
- published: 18 Dec 2016
- views: 1470
-
Body and soul - COVER
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green. Photograph copyright of MishaG9.
published: 13 Jan 2017 -
Body and Soul
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green. Enrico Scanu: voice Simone Longoni: guitar
published: 20 Jun 2016 -
"Body and Soul" (by Johnny Green)
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green. Госы 4-го курса
published: 16 Jun 2016 -
Body and Soul
Jazz of the Midnight Sun performs "Body and Soul," the popular song and jazz standard written in 1930. Lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green.
published: 20 Dec 2015 -
Body and Soul - Solo Guitar Series #3
Body and Soul is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Classic vocal recordings include those of Ella Fitzgerald, Billie Holiday, Carly Simon and Frank Sinatra.
published: 19 Feb 2016 -
Body & Soul Johny Green 1930 Karaoke
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green. "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence, who introduced it to London audiences. Published in England, it was first performed in the United States by Libby Holman in the 1930 Broadway revue Three's a Crowd. In Britain, the orchestras of Jack Hylton and Ambrose recorded the ballad first in the same week in February 1930. In the United States, the tune grew quickly in popularity, and by the end of 1930 at least eleven American bands had recorded it. Louis Armstrong was the first jazz musician to record "Body and Soul", in October 1930 but it was Paul Whiteman and Jack Fulton who popul...
published: 06 Dec 2016 -
Maria Sancti & Boston - Body and Soul
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green. Vocal: Maria Sancti Piano: Boston Gunawan
published: 20 Sep 2016 -
'Body & Soul' on the Pianola
Messing around between recording the piano rolls - a classic 1930 song - 'Body and Soul'.
published: 01 Sep 2011 -
Body and Soul by Kathy White & Nick Funicelli
Kathy White-Vocals; Nick Funicelli-Guitar~~ "Body and Soul" is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Classic vocal recordings include those of Ella Fitzgerald, Billie Holiday, Carly Simon and Frank Sinatra.
published: 28 Jun 2015 -
Body and Soul - Solo Guitar - Daniel Espiliz
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green. This is a version I came up with inspired on the solo guitar playing of the Great Jazz Guitar Player Joe Pass. Hope you enjoy it.
published: 01 May 2016
Body and soul - COVER
- Order: Reorder
- Duration: 3:04
- Updated: 13 Jan 2017
- views: 1
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green. Photog...
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green. Photograph copyright of MishaG9.
https://wn.com/Body_And_Soul_Cover
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green. Photograph copyright of MishaG9.
- published: 13 Jan 2017
- views: 1
Body and Soul
- Order: Reorder
- Duration: 2:30
- Updated: 20 Jun 2016
- views: 7
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green.
Enric...
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green.
Enrico Scanu: voice
Simone Longoni: guitar
https://wn.com/Body_And_Soul
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green.
Enrico Scanu: voice
Simone Longoni: guitar
- published: 20 Jun 2016
- views: 7
"Body and Soul" (by Johnny Green)
- Order: Reorder
- Duration: 6:57
- Updated: 16 Jun 2016
- views: 16
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green.
Госы ...
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green.
Госы 4-го курса
https://wn.com/Body_And_Soul_(By_Johnny_Green)
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green.
Госы 4-го курса
- published: 16 Jun 2016
- views: 16
Body and Soul
- Order: Reorder
- Duration: 6:42
- Updated: 20 Dec 2015
- views: 132
Jazz of the Midnight Sun performs "Body and Soul," the popular song and jazz standard written in 1930. Lyrics by Edward Heyman, Robert Sour and Frank Eyton; and...
Jazz of the Midnight Sun performs "Body and Soul," the popular song and jazz standard written in 1930. Lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green.
https://wn.com/Body_And_Soul
Jazz of the Midnight Sun performs "Body and Soul," the popular song and jazz standard written in 1930. Lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green.
- published: 20 Dec 2015
- views: 132
Body and Soul - Solo Guitar Series #3
- Order: Reorder
- Duration: 5:04
- Updated: 19 Feb 2016
- views: 230
Body and Soul is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Classic vocal recordings include those of Ella Fitz...
Body and Soul is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Classic vocal recordings include those of Ella Fitzgerald, Billie Holiday, Carly Simon and Frank Sinatra.
https://wn.com/Body_And_Soul_Solo_Guitar_Series_3
Body and Soul is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Classic vocal recordings include those of Ella Fitzgerald, Billie Holiday, Carly Simon and Frank Sinatra.
- published: 19 Feb 2016
- views: 230
Body & Soul Johny Green 1930 Karaoke
- Order: Reorder
- Duration: 5:08
- Updated: 06 Dec 2016
- views: 54
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green.
"Body ...
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green.
"Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence, who introduced it to London audiences. Published in England, it was first performed in the United States by Libby Holman in the 1930 Broadway revue Three's a Crowd. In Britain, the orchestras of Jack Hylton and Ambrose recorded the ballad first in the same week in February 1930. In the United States, the tune grew quickly in popularity, and by the end of 1930 at least eleven American bands had recorded it. Louis Armstrong was the first jazz musician to record "Body and Soul", in October 1930 but it was Paul Whiteman and Jack Fulton who popularized it in United States.
https://wn.com/Body_Soul_Johny_Green_1930_Karaoke
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green.
"Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence, who introduced it to London audiences. Published in England, it was first performed in the United States by Libby Holman in the 1930 Broadway revue Three's a Crowd. In Britain, the orchestras of Jack Hylton and Ambrose recorded the ballad first in the same week in February 1930. In the United States, the tune grew quickly in popularity, and by the end of 1930 at least eleven American bands had recorded it. Louis Armstrong was the first jazz musician to record "Body and Soul", in October 1930 but it was Paul Whiteman and Jack Fulton who popularized it in United States.
- published: 06 Dec 2016
- views: 54
Maria Sancti & Boston - Body and Soul
- Order: Reorder
- Duration: 4:34
- Updated: 20 Sep 2016
- views: 27
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green.
Vocal...
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green.
Vocal: Maria Sancti
Piano: Boston Gunawan
https://wn.com/Maria_Sancti_Boston_Body_And_Soul
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green.
Vocal: Maria Sancti
Piano: Boston Gunawan
- published: 20 Sep 2016
- views: 27
'Body & Soul' on the Pianola
- Order: Reorder
- Duration: 1:47
- Updated: 01 Sep 2011
- views: 674
Messing around between recording the piano rolls - a classic 1930 song - 'Body and Soul'.
Messing around between recording the piano rolls - a classic 1930 song - 'Body and Soul'.
https://wn.com/'Body_Soul'_On_The_Pianola
Messing around between recording the piano rolls - a classic 1930 song - 'Body and Soul'.
- published: 01 Sep 2011
- views: 674
Body and Soul by Kathy White & Nick Funicelli
- Order: Reorder
- Duration: 6:16
- Updated: 28 Jun 2015
- views: 25
Kathy White-Vocals; Nick Funicelli-Guitar~~
"Body and Soul" is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Clas...
Kathy White-Vocals; Nick Funicelli-Guitar~~
"Body and Soul" is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Classic vocal recordings include those of Ella Fitzgerald, Billie Holiday, Carly Simon and Frank Sinatra.
https://wn.com/Body_And_Soul_By_Kathy_White_Nick_Funicelli
Kathy White-Vocals; Nick Funicelli-Guitar~~
"Body and Soul" is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Classic vocal recordings include those of Ella Fitzgerald, Billie Holiday, Carly Simon and Frank Sinatra.
- published: 28 Jun 2015
- views: 25
Body and Soul - Solo Guitar - Daniel Espiliz
- Order: Reorder
- Duration: 6:06
- Updated: 01 May 2016
- views: 1266
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green. This i...
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green. This is a version I came up with inspired on the solo guitar playing of the Great Jazz Guitar Player Joe Pass.
Hope you enjoy it.
https://wn.com/Body_And_Soul_Solo_Guitar_Daniel_Espiliz
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton; and music by Johnny Green. This is a version I came up with inspired on the solo guitar playing of the Great Jazz Guitar Player Joe Pass.
Hope you enjoy it.
- published: 01 May 2016
- views: 1266
back
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3:11
Helen Morgan - Body and Soul (1930)
"Body and Soul"
Words and Music by Edward Heyman, Robert Sour, Frank Eyton and John Green...
published: 04 Apr 2010
Helen Morgan - Body and Soul (1930)
Helen Morgan - Body and Soul (1930)
- Report rights infringement
- published: 04 Apr 2010
- views: 33469
3:22
Ruth Etting - Body and Soul (1930)
"Body and Soul"
Music by Johnny Green
Lyrics by Robert Sour and Frank Eyton
Vocal by R...
published: 06 Aug 2009
Ruth Etting - Body and Soul (1930)
Ruth Etting - Body and Soul (1930)
- Report rights infringement
- published: 06 Aug 2009
- views: 67574
3:13
Annette Hanshaw - Body And Soul 1930
(from "Three's A Crowd") 10-7-1930 - Harmony Records 1224-H
This Song Peaked At #12 On US...
published: 05 May 2011
Annette Hanshaw - Body And Soul 1930
Annette Hanshaw - Body And Soul 1930
- Report rights infringement
- published: 05 May 2011
- views: 7062
3:10
Paul Whiteman Orchestra - Body And Soul 1930 Jack Fulton
Columbia 2297 - This Song Peaked On US Billboard At #1 In 1930 (15 weeks) - Vocals: Jack F...
published: 31 May 2011
Paul Whiteman Orchestra - Body And Soul 1930 Jack Fulton
Paul Whiteman Orchestra - Body And Soul 1930 Jack Fulton
- Report rights infringement
- published: 31 May 2011
- views: 11773
2:58
Billie Holiday - Body And Soul (1940)
Billie Holiday (April 7, 1915 -- July 17, 1959) was an american jazz singer and songwriter...
published: 05 May 2014
Billie Holiday - Body And Soul (1940)
Billie Holiday - Body And Soul (1940)
- Report rights infringement
- published: 05 May 2014
- views: 46115
3:17
Sarah Vaughan with Clifford Brown - Body And Soul (EmArcy Records 1954)
"Body and Soul" is a popular jazz song featured on Billie Holidays album with the same tit...
published: 25 Jul 2011
Sarah Vaughan with Clifford Brown - Body And Soul (EmArcy Records 1954)
Sarah Vaughan with Clifford Brown - Body And Soul (EmArcy Records 1954)
- Report rights infringement
- published: 25 Jul 2011
- views: 98161
3:22
Libby Holman - Body And Soul 1930
Brunswick 4910 - This Song Peaked At #3 On US Music Charts In 1930.
Song written by Edwar...
published: 14 Aug 2011
Libby Holman - Body And Soul 1930
Libby Holman - Body And Soul 1930
- Report rights infringement
- published: 14 Aug 2011
- views: 10039
3:08
Body and Soul 1930 Leo Reisman
Body and Soul 1930
Leo Reisman Orchestra
From the Musical "Three's A Crowd"
published: 24 Mar 2011
Body and Soul 1930 Leo Reisman
Body and Soul 1930 Leo Reisman
- Report rights infringement
- published: 24 Mar 2011
- views: 1577
6:27
Billie Holiday & Her Orchestra - Body And Soul (Verve Records 1957)
"Body and Soul" is a popular jazz song featured on Billie Holidays album with the same tit...
published: 27 Jul 2011
Billie Holiday & Her Orchestra - Body And Soul (Verve Records 1957)
Billie Holiday & Her Orchestra - Body And Soul (Verve Records 1957)
- Report rights infringement
- published: 27 Jul 2011
- views: 849618
5:14
Body and Soul John Green 1930 Alto Sax
published: 18 Dec 2016
Body and Soul John Green 1930 Alto Sax
Body and Soul John Green 1930 Alto Sax
- Report rights infringement
- published: 18 Dec 2016
- views: 1470
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3:04
Body and soul - COVER
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward ...
published: 13 Jan 2017
Body and soul - COVER
Body and soul - COVER
- Report rights infringement
- published: 13 Jan 2017
- views: 1
2:30
Body and Soul
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward ...
published: 20 Jun 2016
Body and Soul
Body and Soul
- Report rights infringement
- published: 20 Jun 2016
- views: 7
6:57
"Body and Soul" (by Johnny Green)
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward ...
published: 16 Jun 2016
"Body and Soul" (by Johnny Green)
"Body and Soul" (by Johnny Green)
- Report rights infringement
- published: 16 Jun 2016
- views: 16
6:42
Body and Soul
Jazz of the Midnight Sun performs "Body and Soul," the popular song and jazz standard writ...
published: 20 Dec 2015
Body and Soul
Body and Soul
- Report rights infringement
- published: 20 Dec 2015
- views: 132
5:04
Body and Soul - Solo Guitar Series #3
Body and Soul is a popular song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton...
published: 19 Feb 2016
Body and Soul - Solo Guitar Series #3
Body and Soul - Solo Guitar Series #3
- Report rights infringement
- published: 19 Feb 2016
- views: 230
5:08
Body & Soul Johny Green 1930 Karaoke
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward ...
published: 06 Dec 2016
Body & Soul Johny Green 1930 Karaoke
Body & Soul Johny Green 1930 Karaoke
- Report rights infringement
- published: 06 Dec 2016
- views: 54
4:34
Maria Sancti & Boston - Body and Soul
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward ...
published: 20 Sep 2016
Maria Sancti & Boston - Body and Soul
Maria Sancti & Boston - Body and Soul
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- published: 20 Sep 2016
- views: 27
1:47
'Body & Soul' on the Pianola
Messing around between recording the piano rolls - a classic 1930 song - 'Body and Soul'....
published: 01 Sep 2011
'Body & Soul' on the Pianola
'Body & Soul' on the Pianola
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- published: 01 Sep 2011
- views: 674
6:16
Body and Soul by Kathy White & Nick Funicelli
Kathy White-Vocals; Nick Funicelli-Guitar~~
"Body and Soul" is a popular song written in ...
published: 28 Jun 2015
Body and Soul by Kathy White & Nick Funicelli
Body and Soul by Kathy White & Nick Funicelli
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- published: 28 Jun 2015
- views: 25
6:06
Body and Soul - Solo Guitar - Daniel Espiliz
"Body and Soul" is a popular song and jazz standard written in 1930 with lyrics by Edward ...
published: 01 May 2016
Body and Soul - Solo Guitar - Daniel Espiliz
Body and Soul - Solo Guitar - Daniel Espiliz
- Report rights infringement
- published: 01 May 2016
- views: 1266
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Edit WorldNews.com 07 Apr 2017
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Edit DNA India 08 Apr 2017
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