Winning is a 1969 American motion picture starring Paul Newman and Joanne Woodward. A number of racecar drivers and people associated with racing appear in the film, including Bobby Unser, Tony Hulman, Bobby Grim, Dan Gurney, Roger McCluskey, and Bruce Walkup.

The film centers on professional racecar driver Frank Capua and his wife Elora (Newman and Woodward, who were married in real life). Frank spends too much time in the garage, pushing Elora into the arms of Newman's main rival on the track, Luther Erding (Robert Wagner).

During preparation for this film, Newman was trained for the motorsport by drivers, Bob Sharp and Lake Underwood, at a race track high performance driving school—which sparked Newman's enthusiasm for the sport and led to his participation as a competitor in sports car racing during the remainder of his life.

The film includes footage taken at the Indianapolis Motor Speedway, the legendary 2.5 mile track. Most of the footage is from the 1968 race. The accident during the first green flag is from the 1966 race.

In music, a song is a composition for voice or voices, performed by singing. A song may be accompanied by musical instruments, or it may be unaccompanied, as in the case of a cappella songs. The lyrics (words) of songs are typically of a poetic, rhyming nature, though they may be religious verses or free prose.

A song may be for a solo singer, a duet, trio, or larger ensemble involving more voices. Songs with more than one voice to a part are considered choral works. Songs can be broadly divided into many different forms, depending on the criteria used. One division is between "art songs", "pop songs", and "folk songs". Other common methods of classification are by purpose (sacred vs secular), by style (dance, ballad, Lied, etc.), or by time of origin (Renaissance, Contemporary, etc.).

A song is a piece of music for accompanied or unaccompanied voice or voices or, "the act or art of singing," but the term is generally not used for large vocal forms including opera and oratorio. However, the term is, "often found in various figurative and transferred sense (e.g. for the lyrical second subject of a sonata...)." The noun "song" has the same etymological root as the verb "to sing" and the Oxford English Dictionary (OED) defines the word to mean "that which is sung" or "a musical composition suggestive of song." The OED also defines the word to mean "a poem" or "the musical phrases uttered by some birds, whales, and insects, typically forming a recognizable and repeated sequence and used chiefly for territorial defence or for attracting mates."

A soundtrack can be recorded music accompanying and synchronized to the images of a motion picture, book, television program or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film or TV show; or the physical area of a film that contains the synchronized recorded sound.

In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially the dialogue, sound effects, and music in a film each has its own separate track (dialogue track, sound effects track, and music track), and these are mixed together to make what is called the composite track, which is heard in the film. A dubbing track is often later created when films are dubbed into another language. This is also known as a M & E track (music and effects) containing all sound elements minus dialogue which is then supplied by the foreign distributor in the native language of its territory.

The contraction soundtrack came into public consciousness with the advent of so-called "soundtrack albums" in the early 1950s. First conceived by movie companies as a promotional gimmick for new films, these commercially available recordings were labeled and advertised as "music from the original motion picture soundtrack." This phrase was soon shortened to just "original motion picture soundtrack." More accurately, such recordings are made from a film's music track, because they usually consist of the isolated music from a film, not the composite (sound) track with dialogue and sound effects.