Big Day Out or total disaster? It's in your hands
Plan and program your own music festival, using science concepts to work out everything from the headline acts to the optimal number of Portaloos.
Plan and program your own music festival, using science concepts to work out everything from the headline acts to the optimal number of Portaloos.
Sophia Brous wants you to hallucinate. Legally, of course, via the medium of performance.
The much-loved Trades Hall venue Bella Union will close after 12 years of programming events at multiple venues within the historic Carlton building.
What's on in the Canberra arts scene this week
They've got a cheek, this trio of defiant, whip-smart comediennes from three continents.
"As a playwright I make a pretty decent novelist," says Tim Winton. "I don't have any illusions about that."
Sydney Dance Company's double bill features some terrific dancing across both works.
With a little help from Airbnb, Phillip Adams' BalletLab is bucking the trend.
The title of Limitless Dance Company's second season, SE7EN, is a reference to the 'sinful entities inside all of us'.
This Spring Awakening fails on every level as tragedy. Humour might be the one way to save it, a surrender to travesty with a knowing smirk.
When Alex Harding's boy-meets-boy musical romance Only Heaven Knows premiered at the Stables Theatre in Kings Cross in May 1988, Sydney's gay community was in the grip of the AIDS crisis. Now it is being revived in a new age of conservatism.
Anna O'Byrne sings with enchanting beauty, and eventually crisp diction, as Eliza Doolittle, while Robyn Nevin is simply sublime as Henry Higgins' mother.
Economic exigency has dictated shorter and less adventurous OA Melbourne seasons recently, but this co-production with Covent Garden was refreshing.
Shining performances and some interesting artistic choices make this a splendid double bill from Opera Australia. ★★★★½
The tiny 115-seat Hayes Theatre is getting a big reputation for staging musicals with top talent. Coming soon to the theatre: opera diva Emma Matthews, and musical theatre stars David Campbell and Toby Francis.
US President Donald Trump wasn't there to roast in person at the White House correspondents' dinner, but that didn't stop the evening's entertainer, Hasan Minhaj.
What could be more provocative than prancing around naked on stage? Talking back to critics.
Soon to turn 50, Frank Woodley rightly considers himself a seasoned veteran of Australian comedy. But the anxiety never goes away.