Anger, sadness and despair: musical still resonates
An all-star new production of Alex Harding's gay musical reaffirms its place in the canon of Australian queer theatre.
An all-star new production of Alex Harding's gay musical reaffirms its place in the canon of Australian queer theatre.
Hello, Dolly! is a great example of The Production Company's ethos of prioritising performing talent over bells and whistles.
Time to debate the lyrics to 'Ironic' again.
This Spring Awakening fails on every level as tragedy. Humour might be the one way to save it, a surrender to travesty with a knowing smirk.
When Alex Harding's boy-meets-boy musical romance Only Heaven Knows premiered at the Stables Theatre in Kings Cross in May 1988, Sydney's gay community was in the grip of the AIDS crisis. Now it is being revived in a new age of conservatism.
Anna O'Byrne​ sings with enchanting beauty, and eventually crisp diction, as Eliza Doolittle, while Robyn Nevin​ is simply sublime as Henry Higgins' mother.
It's the sort of compliment any actress would love to hear, especially from Julie Andrews.
This musical show never quite allows the balancing and the flying and the hula-hooping to overpower the young man's journey of discovery.
Audiences can enjoy a mix of disco, circus and cabaret in Velvet, now on at The Playhouse.
Technical issues on show's opening night in Melbourne force dramatic response.
It's not for lack of talent that Gale Edwards' revamped production doesn't quite gel.
Not quite a triple threat but Paulini proves an easy double in her musical theatre debut
Julie Lea Goodwin gets hitched to not one but two eligible men in Opera Australia's Two Weddings, One Bride.
Whitney Houston's pre-internet blockbuster film The Bodyguard now feels dated. The musical about to open in Sydney has updated it to include social media stalking.
 Marcia Hines plays a super-sequinned kind of fairy godmother in Velvet and you can't help but thinking if your life was transported into some kind of disco underworld there'd be no better woman to have at your side.
Supa Productions brings this blend of puppets and people to the stage and warns it might be best to leave the children at home.
Movie reboot musical has the gloss and gleam but loses something in translation
Aladdin's flawless technical wizardry and gorgeous visual delights offer a taste of Broadway at its best. ★★★★½
Aladdin composer Alan Menken reveals the secrets behind writing a Disney song
Hard-working star talks about growing up black in the US, Southern American food and playing Aladdin.
The classic musical returns in a new production by Free-Rain that seeks to emphasise the emotions of the story based on Victor Hugo's novel.
After the success of Tim Minchin's hit musicals Matilda and Groundhog Day, another Australian is heading to Broadway.
Much of the appeal of this new Australian musical about the women who work in a department store lies in the exploration of the social history of the times.
Jerry Herman's Broadway hit has seen a wide range of performers play the title role as well as some tantalising might-have-beens.
This production of the dark, cynical Kander and Ebb musical is energetic and hard to resist.
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