The sophomore album from the brilliant producer turns the tools of footwork into an overwhelming piece of musical architecture, an epic treatise on where rhythm comes from and where it can go.
The new album from Tigers Jaw is their major label debut, but it’s also the debut of a major label, as the first release on producer Will Yip’s new Atlantic imprint Black Cement.
After a seven year pause, Elizabeth Powell’s new album as Land of Talk still sounds like a direct line to her consciousness, full of unpredictable songwriting twists and poetically opaque lyrics.
The baile funk artist known as MC Bin Laden is becoming a real-deal pop star in his native Brazil. His first U.S. release collects his biggest hits from the last three years, and shows why.
Mike Hadreas details his daily listening habits: rowing with Mr. Mister, rehearsing with Bobby Darin, driving his Honda with Sia, and more.
At this point, Gary, Indiana is a steel town best known for its merciless decay. But it’s also the home of Jerrilynn Patton, a producer at the vanguard of electronic music who makes tracks that pulse with a quick and steady heartbeat.
The Toronto post-rock band returns with their first album in eight years. It’s the well-oiled sound of a band pushing the boundaries of a genre littered with tropes, without succumbing to any of them.
This collaboration from Amsterdam’s Jonny Nash and Suzanne Kraft is a work of profound tranquility. In the right frame of mind, its meditative miniatures come springing vividly to life.
The fifth album from the hypnotic Moon Duo is their breeziest to date. Its combination of sweetness and substance is blissed-out and pillowy, like soft-core shoegaze.
Dave Hartley’s latest album is his most ambitious record yet, one that takes him out of his bedroom and places him out on the open road with deep shades of mysterious Laurel Canyon folk-rock.