Already a Saint, Ed Kuepper could be bestowed another honour
There is a push for one of Brisbane's fathers of punk to be immortalised in the neighbourhood of his youth after an ABC doco piqued a resident's interest.
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Cameron Atfield
Cameron Atfield is a senior reporter at the Brisbane Times
Pixies show Brisbane they're still the most important band of a generation
The Pixies didn't leave time to draw breath at the Riverstage on Thursday night.
Valley entertainment precinct goes the way of the Triffid
Council decision to include the Triffid in entertainment precinct is music to the ears of the venue's owner, former Powderfinger bassist John Collins.
Rumour has it deputy mayor still not happy over Adele shows
Brisbane City Council's consternation over this weekend's Adele concerts has continued, with deputy mayor Adrian Schrinner blasting the promoters' decision to hold the shows at the Gabba.
Icehouse shines, unlike the lacklustre Brisbane crowd
After 40 years as the front-man for legendary Australian band Icehouse (née Flowers), Iva Davies has that confidence in spades.
Adele concerts at Gabba create bus headache for Brisbane council
The superstar's concerts are shaping up as a logistical nightmare as council scrambles to source enough drivers.
Springsteen kid's schoolmates don't know who's The Boss, father says
The father of a boy plucked from the crowd at last Thursday's Bruce Springsteen show at the Brisbane Entertainment Centre has revealed it was the third time his son had jammed on stage with The Boss.
Bliss n Eso's success clouded by tragedy
Bliss n Eso has been a mainstay on the Australian hip-hop scene since the early 2000s, building on some early success to take home an ARIA Award and tour with American rapper 50 Cent.
Rogue One may be most important Star Wars story yet
Rogue One may not be afforded an episodic number, but it is perhaps the Star Wars franchise's most important episode to date.
Real Coldplay emerges away from the fireworks
It's this band, pared back to the basics, that makes one wonder how they turned into the powerhouse they are today – perhaps the last true stadium band to emerge before the increasing fragmentation of the music industry.
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