![](http://web.archive.org./web/20170511050508im_/https://static01.nyt.com/images/2017/05/11/arts/11RACINGFLOATER/11RACINGFLOATER-videoLarge.jpg)
Sign of the Times: City Ballet’s Ashly Isaacs Laces Up Her Sneakers
Ms. Isaacs has stepped into Robert Fairchild’s role in Justin Peck’s “The Times Are Racing” — a rare instance of gender-blind casting at City Ballet.
Advertisement
Ms. Isaacs has stepped into Robert Fairchild’s role in Justin Peck’s “The Times Are Racing” — a rare instance of gender-blind casting at City Ballet.
By ALASTAIR MACAULAY
Our latest installment in the Instagram series #SpeakingInDance features Barton Cowperthwaite in "The Golden Apple," at City Center this week.
Ms. Copeland takes on Kitri and Giselle this season. The key? Diving deep. “It’s making the character so much more important than the steps,” she says.
By GIA KOURLAS
In “The Ghost Festival” at Danspace Project, his first solo show, Koma pays homage to his dance ancestors.
By GIA KOURLAS
Our latest installment in the Instagram series #SpeakingInDance features Ms. Mearns, the New York City Ballet principal dancer.
Our latest installment in the Instagram series #SpeakingInDance features Okwui Okpokwasili's “Poor People’s TV Room.”
Our latest installment in the Instagram series #SpeakingInDance features Chyrstyn Fentroy and Da’Von Doane of Dance Theater of Harlem.
Our latest installment in the Instagram series #SpeakingInDance features Amar Ramasar of New York City Ballet.
Our latest installment in the Instagram series #SpeakingInDance features Step Afrika.