Sign of the Times: City Ballet’s Ashly Isaacs Laces Up Her Sneakers
Ms. Isaacs has stepped into Robert Fairchild’s role in Justin Peck’s “The Times Are Racing” — a rare instance of gender-blind casting at City Ballet.
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In This Musical, Paris Woos His Helen With Groovy Moves
Our latest installment in the Instagram series #SpeakingInDance features Barton Cowperthwaite in "The Golden Apple," at City Center this week.
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CreditDolly Faibyshev for The New York Times Misty Copeland, a Ballerina With Real Acting Chops
Ms. Copeland takes on Kitri and Giselle this season. The key? Diving deep. “It’s making the character so much more important than the steps,” she says.
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CreditSasha Arutyunova for The New York Times Koma Alone (Except for All the Dancing Spirits in the Room)
In “The Ghost Festival” at Danspace Project, his first solo show, Koma pays homage to his dance ancestors.
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CreditEzra Hurwitz for The New York Times Watch Sara Mearns in an Exclusive Preview of Alexei Ratmansky’s New Ballet
Our latest installment in the Instagram series #SpeakingInDance features Ms. Mearns, the New York City Ballet principal dancer.
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CreditAdam Golfer for The New York Times Okwui Okpokwasili: Making Spaces Through Movement
Our latest installment in the Instagram series #SpeakingInDance features Okwui Okpokwasili's “Poor People’s TV Room.”
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CreditShawn Brackbill for The New York Times Dance Theater of Harlem: Where Swag Meets Louis XIV
Our latest installment in the Instagram series #SpeakingInDance features Chyrstyn Fentroy and Da’Von Doane of Dance Theater of Harlem.
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CreditSasha Arutyunova for The New York Times Dancing Balanchine: ‘Like Being the Most Abstract Piece of Art’
Our latest installment in the Instagram series #SpeakingInDance features Amar Ramasar of New York City Ballet.
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CreditJai Lennard for The New York Times The Percussive Spectacle of Stepping
Our latest installment in the Instagram series #SpeakingInDance features Step Afrika.
