- published: 06 Oct 2007
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Norman McLaren, CC, CQ (11 April 1914 – 27 January 1987) was a Scottish-born British/Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound.
His awards included an Oscar for the Best Documentary in 1952 for Neighbours, a Silver Bear for best short documentary at the 1956 Berlin International Film Festival Rythmetic and a 1969 BAFTA Award for Best Animated Film for Pas de deux.
McLaren was born in Stirling, Scotland and studied set design at the Glasgow School of Art. His early experiments with film and animation included actually scratching and painting the film stock itself, as he did not have ready access to a camera. His earliest extant film, Seven Till Five (1933), a "day in the life of an art school" was influenced by Eisenstein and displays a strongly formalist attitude.
la minimale esisteva già negli anni '40
Short film by Norman Mclaren. Made in 1952 I don't own any right on this movie.
An introduction to the hand-drawn sounds of Norman McLaren. Prepared by Don Peters and Lorne Batchelor. 1951.
Enter a hypnotic world of movement and light in this entrancing film that harnesses the power of cinema to trace the movements of ballet. Dancers Margaret Mercier and Vincent Warren create a dream-like effect in this award-winning Norman McLaren film, complete with the revolutionary visual effects one expects from this master filmmaker.
This experimental short film by Norman McLaren is a playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects. Directed by Norman McLaren - 1955
Norman McLaren (11 April 1914 -- 27 January 1987) was a Scottish-born Canadian animator and film director known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including drawn on film animation, visual music, abstract film, pixilation and graphical sound. His awards included an Oscar for the Best Documentary in 1952 for Neighbours, a Silver Bear for best short documentary at the 1956 Berlin International Film Festival Rythmetic and a 1969 BAFTA Award for Best Animated Film for Pas de deux. -wikipedia
Animation de génie signée Norman McLaren et Evelyn Lambart. Le trio Oscar Peterson interprète quelques pièces de son répertoire, alors que les cinéastes transcrivent ces sons avec, comme seuls guides, leur talent et leur libre imagination. Titres inscrits en plusieurs langues, sans commentaire. Animation sans paroles.
in the title
This short animation explores the “canon”, a form of musical "round" in which each singer picks up the words and tune of a song after the preceding singer. Through a combination of animation and live action, this lively musical film demonstrates, without dialogue, the many patterns that a canon can take depending on the number of participants and the length of the piece of music in question. Directed by Norman McLaren & Grant Munro - 1964
Rythmetic es un corto canadiense del año 1956, dirigido por Norman McLaren y Evelyn Lambart. En el sexto Festival Internacional de Cine de Berlín ganó el Oso de Plata.
Six experimental animated films by Norman McLaren. Also featured is a lot of early synthesized music by the likes of Maurice Blackburn 1. 0:00 2. Dots 7:45 3. Blinkity Blank 10:17 Two Bagatelles (1951): 4. On the Lawn 15:56 5. In the backyard 17:00 6. Rythmetic 18:39 If you know the title of the first film please tell me so I can add it here
In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skillfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of experimentation. Directed by Norman McLaren - 1983
Masters Of Animation Volume 1: USA, Canada "A series by John Halas The world's best animation. A Series of four programs produced and directed by John Halas. Over 10 years in the making, Masters of Animation represents the peak achievements of 7,000 artists from 13 countries. Produced and directed by John Halas, former president of the International Animated Film Association and award-winning animator, ht eseries provides an opportunity to experience the exciting diversity of the world's leading animation artists. In addition, the viewers are treated to examples of state of the tart animation technology. Volume 1 USA By the 1920's animation was firmly established in the United States. In this program such animation greats as Chuck Jones, Barrie Nelson and Leo Salkin discuss their work. E...
En el marco de la Primera Bienal de Diseño FADU, realizamos el taller McLaren, utilizando la técnica de dibujo directo sobre soporte fílmico 16mm. 300 estudiantes participaron en esta actividad que comenzó con una presentación de la obra de Norman McLaren. La empresa Pizzini apoyó la actividad proveyendo marcadores indelebles.
If you wish to acquire broadcast quality material of this reel or want to know more about our Public Domain collection, contact us at info@footagefarm.co.uk Animation Evelyn Lambart, Norman McLaren 17:01:23 Boy practicing violin by piano in 1950s living room in front of floral drapes & floral lampshade. MCU grimacing. 17:01:42 Line of boys in short pants w/ baseball bats & ball going to play game; stand outside suburban house window. Boy stops playing & comes to window; climbs out & leaves w/ boys walking thru grass & arriving at playground. Captains use bat to decide who is up first in softball game. Third pitch hit & gets to first. Violinsts mother comes & takes him away for violin lessen. He's upset. Boys confer, plot. 17:03:41 Mother gives boy violin, he leaves carrying case....
with art from Vincent Collins, Disney's Dumbo, Anthony Francisco Schepperd, Len Lye, and Norman McLaren.
Latest version, with an interview with the elders. This version includes a lengthy interview with four of the elders of the families in the village in which they explain what the masks mean, and why the celebration is important to the village. There are also additional comments by Norman Skougstad, who carried out substantial research in the area in the middle 1970s.
Salone del Conservatorio "Nino Rota" 22 Maggio 2015 Space Is The Place 2015 3ed. "IMPRO/VISIONS" Sonorizzazione dei cortometraggi d' animazione di Norman McLaren Attraverso la proiezione del proprio immaginario sul proprio strumento i suoni prendono forma, diventano materia e producono sensazioni tangibili. La visione è il motore nella mente del musicista, diventa fine nella mente di chi ascolta. Piano Solo Impro: Antonio Vantaggiato 0:25 Roberto William Guglielmi 5:55 Nicolò Petrafesa 10:35 Luisa Tucciariello 15:33 Michele Russo 21:12 Simone De Venuto 29:08 Progetto realizzato dagli studenti del corsi di Jazz del Conservatorio "Nino Rota" di Monopoli.
ARCHIVING FAILURE: FILM, HISTORY AND UNFINISHED PROJECTS [PANEL] Mod. Orit HALPERN, The New School University Notebooks, raw film reels and ephemera as Research-creation (Process) Monika Kin GAGNON, Concordia University Mechanography, Film and Education Mark HAYWARD, York University Right before the first boom: The lost stereoscopy of Norman McLaren and the National Film Board of Canada Alison Reiko LOADER, Concordia University Filming Simondon: Cultural Hysteresis and Technological Humanism Ghislain THIBAULT, Wilfrid Laurier University
An introduction to the hand-drawn sounds of Norman McLaren. Prepared by Don Peters and Lorne Batchelor. 1951.
Film d'animation montrant McLaren qui tente de souhaiter la bienvenue à l'auditoire lors d'un festival de films. Un microphone qui possède sa vie et sa volonté l'en empêche. McLaren finira par animera les objets de façon magique.
The current exhibition (May 16 – June 16, 2007) at Chelsea Space explores the intriguing associations between the work of Scottish-Canadian animator Norman McLaren (1914-1987) and British-based Japanese designer Shin Azumi (born 1965). The exhibition has been curated by Jane Won, who gives us an introduction to the exhibition. Chelsea space, London, May 16, 2007. More videos on contemporary art, design, architecture: http://vernissage.tv Connect: http://www.facebook.com/vernissagetv http://twitter.com/vernissagetv Browse our Archive: http://vernissage.tv/archive/posts/ Find Artists, Designers, Architects: http://vernissage.tv/archive/artists/ Art TV pioneer Vernissage TV provides you with an authentic insight into the world of contemporary fine arts, design and architecture. With its ...
Toronto psych band Absolutely Free hypnotically re-scores Norman McLaren's 1971 NFB animated visual film Synchromy. The band performed under the night sky to projections of the original visuals. In collaboration with the National Film Board of Canada, Toronto International Film Festival, Arts & Crafts, and Chart Attack. Absolutely Free is Michael Claxton, Matt King, Moshe Rozenberg Editing by Ryan Parker Programmed by Nobu Adilman Produced by Jonathan Shedletzky Filmed by Ryan Parker & Jacob Morris http://chartattack.com http://nfb.ca http://tiff.net http://arts-crafts.ca Featuring excerpts from Synchromy A film by Norman McLaren © National Film Board of Canada, 1971 Special thanks to Claude Joli-Cœur Jérôme Dufour James Roberts Joanne Leduc Michael Fukushima Julie Roy Cecilia Ramire...
In this episode of Lightbox Skwigly meets Marie-Josée Saint-Pierre, a Concordia University graduate who founded MJSTP Films in 2004 and has since built up an impressive, award-winning filmography including "Passages", "The Sapporo Project" and "McLaren’s Negatives" which picked up over twenty awards and took festivals by storm. Her recent film "Jutra" is an animated documentary exploring the life and work of "Mon Oncle Antoine" director and "A Chairy Tale" co-director (with Norman McLaren) Claude Jutra, executed through the painstaking assemblage of animation and archival footage of the filmmaker himself. Having been selected as part of the Cannes Directors’ Fortnight last year, amongst its recent achievements is a Canadian Screen Awards win for Best Short Documentary. The film has also be...
Musician, designer and artist were amongst his many talents - Malcolm McLaren chats to Respected TV presenter and journalist Gloria Hunniford about his Mayoral candidacy to become the new Mayor of London. First Transmitted on Channel 5 in January 2000 If you would like to license a clip from this interview please e mail archive@fremantlemedia.com
Former F1 driver Johnny Herbert previews a must win race for Lewis Hamilton from Canada Follow Betsafe in social media for the most entertaining sports content: https://www.facebook.com/BetsafeOfficial https://twitter.com/Betsafe https://instagram.com/Betsafe https://www.snapchat.com/add/TeamBetsafe https://www.betsafe.com
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music written and produced by Johan Troch. © 2011 Adagio Productions. available on: http://johantroch.bandcamp.com/track/... A slow-motion study by Norman McLaren of the pas-de deux adagio, one of the most exacting and difficult dances of classical ballet. A ballet originally choreographed by the Russian ballet master Asaf Messerer is performed for this film by the internationally known Canadian pair, David and Anna-Marie Holmes. A film to heighten the aesthetic appreciation of classical ballet and to afford observation of the technique and mechanics of the adagio movements. Directed by Norman McLaren. 1971. © National Film Board of Canada
la minimale esisteva già negli anni '40
Short film by Norman Mclaren. Made in 1952 I don't own any right on this movie.
An introduction to the hand-drawn sounds of Norman McLaren. Prepared by Don Peters and Lorne Batchelor. 1951.
Enter a hypnotic world of movement and light in this entrancing film that harnesses the power of cinema to trace the movements of ballet. Dancers Margaret Mercier and Vincent Warren create a dream-like effect in this award-winning Norman McLaren film, complete with the revolutionary visual effects one expects from this master filmmaker.
This experimental short film by Norman McLaren is a playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects. Directed by Norman McLaren - 1955
Norman McLaren (11 April 1914 -- 27 January 1987) was a Scottish-born Canadian animator and film director known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including drawn on film animation, visual music, abstract film, pixilation and graphical sound. His awards included an Oscar for the Best Documentary in 1952 for Neighbours, a Silver Bear for best short documentary at the 1956 Berlin International Film Festival Rythmetic and a 1969 BAFTA Award for Best Animated Film for Pas de deux. -wikipedia
Animation de génie signée Norman McLaren et Evelyn Lambart. Le trio Oscar Peterson interprète quelques pièces de son répertoire, alors que les cinéastes transcrivent ces sons avec, comme seuls guides, leur talent et leur libre imagination. Titres inscrits en plusieurs langues, sans commentaire. Animation sans paroles.
in the title
This short animation explores the “canon”, a form of musical "round" in which each singer picks up the words and tune of a song after the preceding singer. Through a combination of animation and live action, this lively musical film demonstrates, without dialogue, the many patterns that a canon can take depending on the number of participants and the length of the piece of music in question. Directed by Norman McLaren & Grant Munro - 1964
Rythmetic es un corto canadiense del año 1956, dirigido por Norman McLaren y Evelyn Lambart. En el sexto Festival Internacional de Cine de Berlín ganó el Oso de Plata.
with art from Vincent Collins, Disney's Dumbo, Anthony Francisco Schepperd, Len Lye, and Norman McLaren.
A detailed retrospective of the animation film at the National Film Board of Canada, of the techniques employed, and of the men and women who used and sometimes invented them. Documentary footage explains the techniques, and clips from NFB films illustrate the often spectacular results. Topics include Norman McLaren, hand-drawn-on-film and pixillation techniques, the "sing-along" animated songs of the 1940s, Alexandre Alexeieff's pinscreen, and Evelyn Lambart's fairytale improvisations. (Awards: New York; San Francisco; Salerno.)
ARCHIVING FAILURE: FILM, HISTORY AND UNFINISHED PROJECTS [PANEL] Mod. Orit HALPERN, The New School University Notebooks, raw film reels and ephemera as Research-creation (Process) Monika Kin GAGNON, Concordia University Mechanography, Film and Education Mark HAYWARD, York University Right before the first boom: The lost stereoscopy of Norman McLaren and the National Film Board of Canada Alison Reiko LOADER, Concordia University Filming Simondon: Cultural Hysteresis and Technological Humanism Ghislain THIBAULT, Wilfrid Laurier University
Masters of Animation∞ ∞ ▸▸http://bit.ly/2e13eT7 Subscribe to Our LiveJournal News : ▸▸http://bit.ly/2e13eT7 A showcase of the best animation from the USA, The National F-ilM Board of Canada, and The CBC-Radio Canada/Canadian Independent Animators includes interviews with Chuck Jones, Barrie Nelson, Leo Salkin, master animator Norman McLaren, Caroline Leaf, and Don Arioli. Other artists represented by their works include Walt Disney, the Hubleys, Joanna Priestley, Derek Lamb, Ishu Patel, Frederic Back, and Andre Theroux. Thanks For Watch, Like, and Subscribe : For more LiveJournal follow: More episodes: ▸▸http://bit.ly/2e13eT7 Facebook:http://www.facebook.com/DionysiosServaasSD Twitter: http://twitter.com/DionysiosServaasSD LiveJournal: http://www.LiveJournal.it »––––»Thanks «–––—«
Salone del Conservatorio "Nino Rota" 22 Maggio 2015 Space Is The Place 2015 3ed. "IMPRO/VISIONS" Sonorizzazione dei cortometraggi d' animazione di Norman McLaren Attraverso la proiezione del proprio immaginario sul proprio strumento i suoni prendono forma, diventano materia e producono sensazioni tangibili. La visione è il motore nella mente del musicista, diventa fine nella mente di chi ascolta. Piano Solo Impro: Antonio Vantaggiato 0:25 Roberto William Guglielmi 5:55 Nicolò Petrafesa 10:35 Luisa Tucciariello 15:33 Michele Russo 21:12 Simone De Venuto 29:08 Progetto realizzato dagli studenti del corsi di Jazz del Conservatorio "Nino Rota" di Monopoli.
www.pathfestival.it The U.S.-born producer was trained in cello, viola, and violin growing up, but after re-situating herself in London, adopted electronic production as a more personally apropos expressive practice. Her debut full length Needs Contiunuum (2013) on cult label No Pain In Pop, recorded in the months preceding the birth of her 1rst child, emerged in her own words as “both a product and champion of immutable, organic cyclical rhythms and disorientating psycho-physical disequilibria”. That year also registered a second release on the label with Brooklyn A/V artist Torn Hawk aka Luke Wyatt, entitled Cowboys (For Karen), which he described as “suite of deformations”. On releases for No Pain in Pop and Opal Tapes Karen creates digital psychedelia, toying with kosmische repetit...
Masters Of Animation Volume 1: USA, Canada "A series by John Halas The world's best animation. A Series of four programs produced and directed by John Halas. Over 10 years in the making, Masters of Animation represents the peak achievements of 7,000 artists from 13 countries. Produced and directed by John Halas, former president of the International Animated Film Association and award-winning animator, ht eseries provides an opportunity to experience the exciting diversity of the world's leading animation artists. In addition, the viewers are treated to examples of state of the tart animation technology. Volume 1 USA By the 1920's animation was firmly established in the United States. In this program such animation greats as Chuck Jones, Barrie Nelson and Leo Salkin discuss their work. E...
1966 TV movie version of the classic Lerner and Loew musical. This version has some songs restored that were cut from the 1954 MGM film with Gene Kelly and Cyd Charisse. Stars Robert Goulet, Peter Falk and Sally Anne Howes. It is, in fact, an old tale that originated from Germany by Friedrich Gerstäcker, later translated by Charles Brandon Schaeffer, about the mythical village of Germelshausen that fell under an magic curse. Because of Germany's poor image on the world stage at the time, it was felt that another country would be better accepted. At one point, it was to be set in Italy, but was shot down. Ireland was desired, but do to political differences, also shot down. Finally, the only acceptable setting was Scotland, for all that were involved in the staging of the fable. In the fil...
The School of Community and Public Affairs at Concordia University is hosting a public panel to discuss the future of biking in Montreal. There will be kiosks and a light buffet followed by a panel discussion. The event will bring together various groups and associations active in urban biking. This will be an opportunity to learn about the various community and city wide projects to promote biking and increase safety through awareness, policy and infrastructure. Panelists include: Aref Salem, Team Denis Coderre City Councillor, District Saint-Laurent- Norman-McLaren Member of the executive committee Responsible for Transport Marianne Giguère, Projet Montréal Borough Councillor, De Lorimier district She sits on the Contract Review Committee at City Hall and is Projet Montréal’s Urban ag...
Vingt-cinq ans après les saisons originales de Twin Peaks, le “film de David Lynch” est devenu un genre en soi. Alors comment sortir de l’écueil de l’autocitation avec cette troisième saison ? Pour comprendre d’où vient Twin Peaks, retour dans cet épisode spécial sur la carrière et la filmographie de David Lynch, plus complexe que la caricature qu’il a lui même bâti au cours des ans. Animé par Thomas Rozec, Julien Dupuy, Yannick Dahan, Rafik Djoumi et Stéphane Moïssakis. RÉFÉRENCES CITÉES DANS L’ÉMISSION Eraserhead, Labyrinth Man (David Lynch, 1977), Elephant Man (David Lynch, 1980), Dune (David Lynch, 1984), Blue Velvet (David Lynch, 1986), Sailor et Lula (1990), Twin Peaks (David Lynch, 1990), Twin Peaks : Fire Walk with Me (David Lynch, 1992), Lost Highway (David Lynch, 1997), Une hi...