Our man in Havana: Cuban twist to John Bell's Carmen revival
Theatre veteran John Bell is enjoying the challenge of directing Opera Australia's Cuban-inspired production of Carmen.
Theatre veteran John Bell is enjoying the challenge of directing Opera Australia's Cuban-inspired production of Carmen.
A weak understanding of historical context lets down an otherwise brilliantly designed production.
Will Eno has a gift for finding the peculiar in the ordinary, a pull towards exploring big questions through small lives.
A weak understanding of historical context lets down an otherwise brilliantly designed production.
Will Eno has a gift for finding the peculiar in the ordinary, a pull towards exploring big questions through small lives.
The strength is in the seriousness with which it approaches the story and in the visuals.
Now one of Asia's leading choreographers, Cheng Tsung-lung got his start selling shoes on the mean streets of Taipei.
There's plenty of dance on offer both to watch and to try as Australian Dance Week unfolds.
Graeme Murphy's Nutcracker remains one of the few attempts to tell Australian stories in ballet form.
Not quite a triple threat but Paulini proves an easy double in her musical theatre debut
Julie Lea Goodwin gets hitched to not one but two eligible men in Opera Australia's Two Weddings, One Bride.
Whitney Houston's pre-internet blockbuster film The Bodyguard now feels dated. The musical about to open in Sydney has updated it to include social media stalking.
Theatre veteran John Bell is enjoying the challenge of directing Opera Australia's Cuban-inspired production of Carmen.
Julie Lea Goodwin gets hitched to not one but two eligible men in Opera Australia's Two Weddings, One Bride.
The Johann Strauss operetta makes for a lighter night in the theatre.
US President Donald Trump wasn't there to roast in person at the White House correspondents' dinner, but that didn't stop the evening's entertainer, Hasan Minhaj.
What could be more provocative than prancing around naked on stage? Talking back to critics.
Soon to turn 50, Frank Woodley rightly considers himself a seasoned veteran of Australian comedy. But the anxiety never goes away.
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