- published: 28 Sep 2014
- views: 55825
ProRes is a lossy video compression format developed by Apple Inc. for use in post-production that supports up to 5K. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2.
Only 4:4:4 RGB and YCbCr is lossless compression.
ProRes is a line of intermediate codecs, which means they are intended for use during video editing, and not for practical end-user viewing. The benefit of an intermediate codec is that it retains higher quality than end-user codecs while still requiring much less expensive disk systems compared to uncompressed video. It is comparable to Avid's DNxHD codec or CineForm which offer similar bitrates which are also intended to be used as intermediate codecs. ProRes 422 is a DCT-basedintra-frame-only codec and is therefore simpler to decode than distribution-oriented formats like H.264.
The apple tree (Malus domestica) is a deciduous tree in the rose family best known for its sweet, pomaceous fruit, the apple. It is cultivated worldwide as a fruit tree, and is the most widely grown species in the genus Malus. The tree originated in Central Asia, where its wild ancestor, Malus sieversii, is still found today. Apples have been grown for thousands of years in Asia and Europe, and were brought to North America by European colonists. Apples have religious and mythological significance in many cultures, including Norse, Greek and European Christian traditions.
Apple trees are large if grown from seed, but small if grafted onto roots (rootstock). There are more than 7,500 known cultivars of apples, resulting in a range of desired characteristics. Different cultivars are bred for various tastes and uses, including cooking, eating raw and cider production. Apples are generally propagated by grafting, although wild apples grow readily from seed. Trees and fruit are prone to a number of fungal, bacterial and pest problems, which can be controlled by a number of organic and non-organic means. In 2010, the fruit's genome was decoded as part of research on disease control and selective breeding in apple production.
Black and white is a form of visual representation that does not use color.
Black and white may also refer to:
Adobe Premiere Pro is a timeline-based video editing software application. It is part of the Adobe Creative Cloud, which includes video editing, graphic design, and web development programs.
Premiere Pro is used by broadcasters such as the BBC and CNN. It has been used to edit feature films, such as Gone Girl,Captain Abu Raed, and Monsters, and other venues such as Madonna's Confessions Tour.
Premiere Pro is the redesigned successor to Adobe Premiere, and was launched in 2003. Premiere Pro refers to versions released in 2003 and later, whereas Premiere refers to the earlier releases. Premiere was one of the first computer-based NLEs (non-linear editing system), with its first release on Mac in 1991. Up until version Premiere Pro 2.0 (CS2), the software packaging featured a galloping horse, in a nod to Eadweard Muybridge's work, "Sallie Gardner at a Gallop".
Premiere Pro supports high resolution video editing at up to 10,240 × 8,192resolution, at up to 32-bits per channel color, in both RGB and YUV. Audio sample-level editing, VST audio plug-in support, and 5.1 surround sound mixing are available. Premiere Pro's plug-in architecture enables it to import and export formats beyond those supported by QuickTime or DirectShow, supporting a wide variety of video and audio file formats and codecs on both MacOS and Windows. When used with Cineform's Neo line of plug-ins, it supports 3D editing with the ability to view 3D material using 2D monitors, while making individual left and right eye adjustments.
Comparison of Codecs AVCHD, Prores 422, and Prores HQ. created by www.kurtenbachfilm.de Bian Lian Mask Change: https://www.youtube.com/watch?v=o0slkmP8d9s
The difference between Apple ProRes422 and H.264. 0:10 Apple ProRes 422 HQ 0:20 Apple ProRes 422 0:30 Apple ProRes 422 LT 0:40 Apple ProRes 422 PROXY 0:50 H.264 検証 YoutubeにアップロードするオリジナルのProRes 422映像のクオリティは、そのまま忠実に反映されるのでしょうか。 YouTube ヘルプから「アップロードする動画の推奨エンコード設定(詳細)」によりますと、アップロードする動画の推奨ビットレートは以下のようです。 2160p(4k) 35~45 Mbps 1440p(2k) 16 Mbps 1080p 8 Mbps 720p 5 Mbps 480p 2.5 Mbps 360p 1 Mbps YouTubeにアップロードすると、自動的にオリジナルの画質はYouTube用に変換されます。 オリジナルのApple ProRes422の高画質は反映されないようです。 YouTube用にはH.264の軽いデーターでも十分のようです。 Apple ProRes について ( by Apple website ) Apple ProRes コーデックは、マルチストリームのリアルタイム編集での高いパフォーマンス、非常に優れたイメージ品質、および小さな保存サイズを実現します。Apple ProRes コーデックは、マルチコア処理を最大限に活用し、高速の低解像度デコードモードを備えています。 すべての Apple ProRes コーデックは、フル解像度であらゆるフレームサイズ (SD、HD、2K、4K、および 5K を含む) をサポートします。データレートは、コーデックのタイプ、イメージの内容...
In this tutorial I explain how to set up your sequence for footage that is ProRes 422 and how to export in the same format with minimal to zero quality loss in Adobe Premiere Pro Creative Cloud 2015 using a Mac.
shot with nikon d7200 and black magic pocket
A quick test of all of the Blackmagic Pocket Cinema Camera codecs from heavy grading to light grading. All footage was graded using the same settings.
Another in SloganMedia.Net 's series of videos teaching you the business owner how to make marketing videos yourself and save money. This week we are showing you how to convert h.264 files into Apple ProRes (HQ). To get on our email list and receive free valuable marketing & production insights from experts go to www.sloganmedia.net and send us a message with "free" in the subject line.
TEST COMPARATIF GH4 8bits VS ATOMOS NINJA ASSASSIN 8 et 10bits (ProRes 422). - Ma conclusion est que, comme prévu, on constate bien une différence notable au niveau des couleurs entre le ProRes422 10bits de l'ASSASSIN et le 8bits, surtout celui du GH4. De plus, c'est un excellent produit dans son ensemble. - ARTICLE/TEST COMPLET SUR MON BLOG : - ATOMOS NINJA ASSASSIN : http://www.lovinpix.com/fr/enregistreurs-video/7548-atomos-ninja-assassin-lecteur-enregistreur-moniteur-71-portable-4k-hdmi-0853815005735.html?scaid=03201525 - MUSIQUE : RIAD KLAI PROJECT / ALBUM "Système D" / MORCEAU "Heure d'été". Disponible ici sur iTunes : https://itunes.apple.com/fr/album/systeme-d/id350539469
Takayuki Yagishita from Limetec conducts a test comparing the 15 film simulation modes for the 4K movie recording of X-T2 with ATOMOS SHOGUN ProRes 4:2:2. The 15 modes are 15 modes PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, CLASSIC CHROME, PRO Neg.Hi, PRO Neg.Std, Black & White, Black & White+Ye Filter, Black & White+R Filter, Black & White+G Filter, Sepia, ACROS,ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter. X-T2 Product information: http://www.fujifilm.com/products/digital_cameras/x/fujifilm_x_t2/features/page_04.html X-T2 Special Conetents: http://fujifilm-x.com/cameras/x-t2/
Testing the new Blackmagic Ursa V2 sensor's new 4k 120fps capabilities in the ProRes 422 HQ codec. Footage is straight from the camera with no editing or modifications. Shot in FILM mode.
I made a color grading comparison with couple of the first shots made with the Blackmagic Pocket Cinema Camera. All videos were filmed in ProRes 422, 24p with a 180 degree shutter. I couldn't stabilise the Glidecam correctly, so some stabilisation were made in post. Equipment used: - Metabones Speedbooster EF - Canon 20mm 2.8 - Canon 50mm 1.4 - Circular ND filters - Glidecam HD2000 - Shoulder mount Software used: Adobe Premiere Pro CC Song used: Drainpuppet - You (Subsets remix)