Friday Roundup.

Gleeson-Gleeson II. Gleeson is a band out of Austin, Texas who have been working for the last 3 1/2 years to bring us their magnum opus, a 22-song double-album. And while the old joke is that most double albums would make nifty singles, this is an exception to that rule. Drawing from influences such as Big Star, Guided by Voices and Ray Davies (the first two of whom they cover on this disc with "Blue Moon" and "Smothered in Hugs" respectively), Gleeson reminds me a lot of Sloan in that they're willing to explore various subgenres of power pop. "Pro Tool" is a refreshing blast that recalls Superchunk, while the piano-and-strings-backed "Queen of Boulevards" has a Fountains of Wayne-meets-Queen vibe. Other standouts include the Fastball/Gin Blossoms-like "Out of My Mind", the baroque "Grace Under Pressure" which attempts to out-Jellyfish Jefllyfish, and the ballad "Think About the Song' which for some reason reminded me of The Hudson Brothers. As you can tell by all the artist names I've dropped here, these guys do power pop proud, and I'd call this double-disc one of the revelations of 2013. Take it all in at the Bandcamp stream below:

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Shane Lamb-Together We'll Get Through. Shane Lamb remains one of my favorite "popicana" artists, and his third album is another easy-to-listen-to collection. Opener "Wasting Our Time" is a rootsy number that would appeal to fans of Jeff Larson or The Jayhawks, "Pull Me In" has Ryan Adams feel to it, and "Crazy Horse's Heart" is the kind of well-crafted folk-pop gem that Lamb has made his signature. Overall, this disc is a bit more laid-back than his previous two releases, having shed the Tom Petty influence (although "Fallen Through" does sound somewhat like Petty's slower numbers), but is still a must if you enjoyed the first two.

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Midweek Roundup.

Shane Lamb-Better Here. Nashville's Shane Lamb is back with the followup to his excellent 2009 release Disengage, and damned if he didn't come up with another roots-pop gem. There's plenty to like here, starting with the opener "Adrenaline as Medicine", which has a strong Tom Petty vibe. Speaking of Petty, the outstanding title track is reminiscent of "Yer So Bad". "Can't You See" is a driving, pulsing rocker that's still melodic, and "It's True" has a Jayhawks-like pop sheen to it. But the real highlight here is the midtempo "I See Now", in which Lamb's gift for melody and angelic voice combine for a great rootsy pop tune. An easy top ten of 2011 to date.

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The Insomniacs-Just Enjoy It! Aside from Detroit, the first place that comes to mind for garage rock is New Jersey, and this Elizabethtown band does their state's tradition proud with Just Enjoy It!. From the cover, you can get a pretty good idea where these guys are coming from, with one backbeat anthem after another. So yeah, you've got catchy rocking numbers like "Yeah Yeah Yeah", the title track, and "Good for Nothing". But they show another side on the jangly "For the Last Time" and the dreamy "Hang in the Air", proving they're not one-dimensional garage rockers. A real breath of fresh air.

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A Popicana pair.

Shane Lamb-Disengage. Every year it seems like I come across a singer-songwriter who makes a great "Ryan Adams album". Of course I'm speaking of the Ryan Adams of Gold and Heartbreaker, not the Ryan Adams who became a parody of himself. In 2007 it was Jeremy Nail, last year it was Tyler Burkum, and this year it's Shane Lamb. Hailing from Nashville (where else?), Lamb mixes pop, classic rock and Americana, and comes through with one quality tune after another. "Free" grabs you right off the bat, with its memorable chorus, horns-and-organ backing, and some fine guitar work from Pat Buchanan, a name which may be familiar to many of you (no, not that Pat Buchanan). "I Would" is the kind of languid, midtempo number that you'd expect on a disc like this, and "To Get You Through" has a Jayhawks-style drive to it. Also don't miss the Springsteenesque "The Change in Me", a 2:10 slice of upbeat roots rock (complete with sax) that falls somewhere between "Working on the Highway" and "Stand on It".

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The Literary Greats-Ocean, Meet the Valley. I could have sworn I reviewed this Atlanta Houston band's 2007 excellent self-titled debut, but a search of the site revealed that I only listed it at #55 at year's end without further comment. I'll try to remedy that here on their newly released follow-up. They fit the Popicana/roots-rock mold as well, and there's no sign of a sophomore slump on this one. "That Mountain Yonder" might sound like the title of Del McCoury's latest bluegrass opus, but instead it's a meaty rocker with pop smarts (dig the "ooh-woo-ooh-ooh-ooo" refrains), and "Show Me the Coast" rocks with heart and melody. Other highlights include "Oh Abilene", which reminds me of some of the Black Crowes' moodier work, the excellent "Dreadnought", which tackles the fear of flying and comes up with the music to match it, and the pop-rockin' "Ruby Sapphire", a Signal Hill Transmission-type number. They definitely do live up to their name, as this disc has a literary, almost Southern Gothic, feel to it.

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