Showing posts with label roy harper. Show all posts
Showing posts with label roy harper. Show all posts
Thursday 24 May 2012
Cockaigne
The passionate cries of Albion's residual voice screamed out in opposition to the Iron Lady's whim.
Mainly quiet times publicly for RH - highly unfashionable during those yuppie years - privately: enthused, energised, with plenty to moan about.
'Short and Sweet' in all its glory, as Roy intended (pop version emerged on Gilmour's first L.P.); 'Hangman' heavier than Anathema could ever Hope for or muster.
Solo and with others, a fine encapsulation of the alternative voice of Merry England.
O, for one of those days.
Roy Harper - In Between Every Line (1986)
One of Those Days in England
Short and Sweet
Referendum
Highway Blues
True Story
The Game
One Man Rock and Roll Band
Hangman
Decent vinyl rip @320kbs (some crackle and pop, mainly during the quiet bits)
Cop Lines here
Going back even further; RH on top form; exemplified by neat compilation from early recordings; original post here, with new link.
Saturday 12 February 2011
Bardic Beat
The first time I saw Roy Harper perform he was perched between two of Landseer's lions, singing 'I Hate the White Man'.
It was an anti-Windscale demo back in nineteen seventy-something or other; Trafalgar Square was heaving.
The next time I caught him was at nineteen seventy-eight's Knebworth Festival, where he played during every change over, keeping the restless, angry, hippie-styled crowd amused until the next big act.
He proceeded to get more and more wasted as the day went on.
His final appearance, which surprised even him I think by its length (Genesis were apparently waiting for absolute darkness before beginning their set; you know, just so everyone could really appreciate the lasers and the nuances of their exquisite light show), was highlighted by the inebriated bard falling, mid-song, backwards off his stool; soles to the sky: roaring with laughter.
Genesis were a bit of a disappointment after that!
This compilation samples Harper's work from the early seventies, highlighting his balladeering spirit and his slightly eccentric, rather twisted take on Englishness and the English folk tradition.
The collection therefore concentrates on his shorter songs; and I guess for a sampler that's only to be expected.
So I've played around with it a bit; adding the full thirteen minute version of Stormcock's magnificent 'Me and My Woman' - seeing as how I'm not limited by groove length - allowing Harper's mosaic-styled, genre crossing compositional technique, often adopted for his longer songs, to be heard.
I've also changed a couple of the originally selected versions of tracks; choosing live versions of 'South Africa' and 'When an Old Cricketer Leaves the Crease' (both from Unhinged) over the original studio takes, for no other reason other than quality (I'm sorry if that offends any purists. Get your own blog, innit).
So, if you only know Roy Harper as the bloke who sang the vocal for Floyd's 'Have a Cigar', or the geezer Led Zep dedicate what is probably their most unlistenable song to, why not check this out?
And if you know Roy Harper's music a little more intimately, this is a great compilation to accompany any wine-sodden, log-fire-hugging winter's eve; whether of Albion or Abroad.
Roy Harper - 1970-1975 (1978)
Don't You Grieve
I Hate the White Man
Tom Tiddler's Ground
Me and My Woman
Little Lady
South Africa
Forbidden Fruit
I'll See You Again
Commune
Another Day
When an Old Cricketer Leaves the Crease
Home (with Ian Anderson. Unique to this comp)
Immaculate Vinyl & CD rips @320kbs
Cuddle up with Roy here
It was an anti-Windscale demo back in nineteen seventy-something or other; Trafalgar Square was heaving.
The next time I caught him was at nineteen seventy-eight's Knebworth Festival, where he played during every change over, keeping the restless, angry, hippie-styled crowd amused until the next big act.
He proceeded to get more and more wasted as the day went on.
His final appearance, which surprised even him I think by its length (Genesis were apparently waiting for absolute darkness before beginning their set; you know, just so everyone could really appreciate the lasers and the nuances of their exquisite light show), was highlighted by the inebriated bard falling, mid-song, backwards off his stool; soles to the sky: roaring with laughter.
Genesis were a bit of a disappointment after that!
This compilation samples Harper's work from the early seventies, highlighting his balladeering spirit and his slightly eccentric, rather twisted take on Englishness and the English folk tradition.
The collection therefore concentrates on his shorter songs; and I guess for a sampler that's only to be expected.
So I've played around with it a bit; adding the full thirteen minute version of Stormcock's magnificent 'Me and My Woman' - seeing as how I'm not limited by groove length - allowing Harper's mosaic-styled, genre crossing compositional technique, often adopted for his longer songs, to be heard.
I've also changed a couple of the originally selected versions of tracks; choosing live versions of 'South Africa' and 'When an Old Cricketer Leaves the Crease' (both from Unhinged) over the original studio takes, for no other reason other than quality (I'm sorry if that offends any purists. Get your own blog, innit).
So, if you only know Roy Harper as the bloke who sang the vocal for Floyd's 'Have a Cigar', or the geezer Led Zep dedicate what is probably their most unlistenable song to, why not check this out?
And if you know Roy Harper's music a little more intimately, this is a great compilation to accompany any wine-sodden, log-fire-hugging winter's eve; whether of Albion or Abroad.
Roy Harper - 1970-1975 (1978)
Don't You Grieve
I Hate the White Man
Tom Tiddler's Ground
Me and My Woman
Little Lady
South Africa
Forbidden Fruit
I'll See You Again
Commune
Another Day
When an Old Cricketer Leaves the Crease
Home (with Ian Anderson. Unique to this comp)
Immaculate Vinyl & CD rips @320kbs
Cuddle up with Roy here
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