Live Sounds of Freedom

Crucial live collection from the last of the Island reggae masters.
Captured in full flight, the classic Uhuru line-up perform some wonderful vocal harmonies supported by the monster rhythm section of Sly and Robbie.

The hits are there ('Shine Eye Gal', 'General Penitentiary' and 'Guess Who's Coming To Dinner'), along with great album tracks, highlighted by an up-beat, bubbly version of 'Sinsemilla', and an excellent return to the early track 'I Love King Selassie', benefiting enormously from the addition of Puma's voice, off-setting perfectly Simpson and Rose's symbiotic harmonies.
Rastafari!
Black Uhuru - Tear It Up (1982)

Shine Eye Gal
Plastic Smile
Abortion
General Penitentiary
Guess Who's Coming To Dinner
I Love King Selassie
Sinsemilla
Leaving For Zion

Decent vinyl rip @320kbs
For best effect remove pauses when burning.
Unify yourself here

Got a light, Bud?

I've been listening to a fair bit of Black Uhuru lately, inspired in part by some recent posts from the Dust Devil over at YoungMossTongue; including an album I have wanted to replace for a long time: Black Sounds of Freedom. Fantastic.

So here is the procrastinator's anthem, Sinsemilla, and in my humble opinion, Black Uhuru's greatest release.

Black Uhuru began their career in Jamaica in the late seventies; they mainly sang civil rights' songs (Uhuru is Swahili for freedom), but soon broadened into more conventional reggae territory; however, with the addition of Puma Jones's voice, their sound was soon to become uniquely distinctive.

They created some fantastic music throughout their career, but their early albums are those that really shine.

And once Michael Rose had departed in 85, well, Duckie and co did go on, but the dynamic of sound was never the same.

Rose's voice on this album is quite phenomenal, the way he gargles those vowels - his delivery on 'There is Fire' is extraordinary - far superior to any stereotypical French rural accent.

The rhythm section here is the wonderful pairing of Robbie Shakespeare and Sly Dunbar, and their sound had evolved into the tightest of units; seamlessly woven into a single entity, really showcased well on this release.

Indeed, I believe Sinsemilla is Sly and Robbie's finest moment.

The bass and percussion just bubbles, boiling mud-like; creating a buoyant foundation for piano, guitar, voice and desk.

I say desk, because as with so many reggae cuts, the desk, the mix and the production is just as much an integral part of the band's identity in sound as the musicianship; and Sly and Robbie, with their hands on the knobs, were masters of the genre.

And let's face it, reggae isn't the easiest of genres to be entirely original; but Black Uhuru created a unique and identifiable sound.

It still sounds vital and timeless now.

For nothing has really followed it.

The Punky Reggae Party is dead.

Long live the Punky Reggae Party.

Black Uhuru - Sinsemilla (1980)

Happiness
World is Africa

Push Push

There is Fire

No Loafing (Sit and Wonder)

Sinsemilla

Endurance

Vampire

Nice cassette rip @ 256kbs

Score some Sinsemilla here