Deep Red

Profondo Rosso was Argento's return to the giallo after a brief hiatus from the genre. Many believe it is his best film. It also marks Argento's first collaboration with Goblin. It is definitely Goblin's finest moment. Their tense and turgid death funk adds an inscrutable dimension to some of the most twisted and stylish murder scenes ever shot.

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Tenebre

Tenebre, another Dario Argento horror classic. Like most Argento work, it marries a great soundtrack to amazing visuals and buckets of gooey red sangre. I found Tenebre to be a bit confusing and unclear about who the murderer is, but who fucking cares when you get flawless cinematography, beautiful interiors and more than a few stunning Italian babes. Oh, and that funky, creepy accompaniment of Goblin conspirators Simonetti, Morante, Pignatelli. Let's not forget about that, it's why we're here.

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Suspiria

Dario Argento's most notorious work, Suspiria, isn't so much a horror movie as it is a kinetic painting slathered in blood reds, ghostly blues and nauseating greens. Every frame, every shot is a work of fine art worthy of any museum. The sets, the lighting, and of course the blood are candy for the eye. Add Goblin's funky, tense, and flat-out unnerving score and it becomes a feast for the senses, at least two of them anyways. It's enough to make you not care that the plot is a little trite and the acting is a bit stiff, and bear in mind, I am talking about one of my all-time favorite films. I'm sure most of you already know of Suspiria's many merits and few shortcomings, and are more than familiar with the absolutely psychotic soundtrack, but let's just assume for a minute that there are some people out there that have either just been born in the last couple of weeks, or have lived their whole lives with their heads in their asses.

Witch!