Showing posts with label shoegaze. Show all posts
Showing posts with label shoegaze. Show all posts

Sunday, May 29, 2011

help a blogger out: musings, etc.

Been in a big shoegaze mood lately.  My Bloody Valentine's Loveless LP, the Glider and Tremolo EPs, and random other UK 'gaze acts have seen heavy iPhone play as of late.

One thing led to another, as it always does, and I ended up on the interweb search hunt for additions to my collection, following suggestions I've collected here and there for similar-veined bands and records.

Lilys, an American band, released in 1992 their debut LP In The Presence of Nothing, what some reckon could have been the followup to Loveless had Kevin Shields not lost the muse in 1992/1993.  It's a good record, not great, but does it deserve the exorbitant pricing for copies on the used market?  I don't know.  I also don't know why I had never heard this band before, as I'd have been all over this when it was current.  Thankfully lossless FLACs are available in the dark places on the internets, so I'm OK there.

Their followup EP, 1994's A Brief History of Amazing Letdowns, is fantastic.  Also long out-of-print; had I heard this in '94 I'd probably have given it a pass, but as my tastes and sensibilities have matured from my college days I completely "get" the record (a slice of brisk guitar indie with a powerpop/Big Star twist) now.  I'm also set for this as FLAC, so no assistance needed there.

Reading up on Lilys sent me down the Velocity Girl path as well.  Some of VG backed up main Lily Kurt on Lilys' '92 album, and VG was also a band I'd always meant to discover but never actually got around to it. 

Conceptually I should love VG: beautiful female vocals courtesy Sarah Shannon (doesn't hurt that she's quite the looker too!), noisy indie guitars, recorded by Bob Weston, etc. I also think the Sarah-sung "Shame" on Seam's debut LP Headsparks is the highlight of that record, so that was there too. 

So I tracked down some of the VG material available in the usual places, and it's kind of a mixed bag.  Their 6-song self-titled compilation (on great indie label Slumberland) of early 7" and associated material is amazing; however their debut full-length LP Copacetic suffers from the "too much filler" syndrome.  There are some transcendent moments on Copacetic: "Pretty Sister" is an amazing lead track that unfairly sets up huge expectations for the rest of the record, and "A Chang" is shoegaze through-and-through and well-executed.  Sadly none of the remaining tracks, as of now (granted I've only listened through a couple times), have left enough of a mark on me to get all bothered about, though it's early enough in the listening game that I'm willing to reserve judgement for now.

Their 1994 followup ¡Simpatico! - we'll not go there.  I understand the reasoning behind choosing Smiths producer John Porter to produce the record, but they're clearly shooting for the brass ring when their songwriting and style isn't there.  Bland indiepop watered down for the masses.

That said, also in '94 they released a 7" with the A-side being one of the best New Order covers I've ever heard, their take on New Order's "Your Silent Face".  GREAT version, though the "so why don't you piss off" phrase coming from Sarah's mouth just doesn't sound right, in that voice... (Grab a very clean transfer here, MP3)

So why this post?

I was initially going to blog my sudden fandom of Lilys/Velocity Girl when I realized 1) I'm not familiar enough with any of it yet to give it the justice it deserves, and 2) it gives me the chance to ask for help in general.

I love the VG self-titled compilation on Slumberland so much, I want it FLAC.  Can't find it anywhere on the internets.  Do I have a reader with this CD kind enough to FLAC it up and share?

Additionally, I do have a want-list of sorts of records, in general, that I seek out as FLAC but can't find.  Perhaps my readership can help?

Drop me a line at analogloyalist AT gmail DOT com if you have any of the below as FLAC.  Your help will be greatly appreciated!

ANALOG LOYALIST WANT LIST
MAY/JUNE 2011


no particular order

VELOCITY GIRL - self titled 6-song compilation on Slumberland
LILYS - Tone Bender EP (4-song Australian CD)
LILYS - Eccsame The Photon Band
BLEACH - Hard EP / Fast EP (both of 'em!)
INSPIRAL CARPETS - Cool As **** EP (US version on Rough Trade)
ARCWELDER - Jacket Made In Canada / This
CONSONANT - Consonant (self-titled debut LP)
DIDJITS - Hey Judester/Fizzjob
MY BLOODY VALENTINE - Glider and Tremolo EPs, and Loveless CD, UK Creation pressings
GUIDED BY VOICES - Static Airplane Jive

thanks for the assist!

edit: added VG's "Your Silent Face" blurb...

Saturday, May 22, 2010

let's begin again: Bedhead - WhatFunLifeWas

So it's been a while since I've posted anything new.

Life has intruded, ebbs and flows, but eventually settles down.

What also helps is discovering new music. Not new as in released-last-week, but new as in "why haven't I heard this before, and why is this NOT in my record collection?!?" music. Such as it is with today's feature, a record that 5 days ago I was completely unaware of and had no musical knowledge of. Oh I knew it existed, as an entry in a discography kind of way, but nothing more than that.



You see... I've been on a Kadane brothers blitz off and on for the past several months. Starting with their current project The New Year and working my way backwards, I've been discovering the utter musical genius that is the Texan brothers Matt and Bubba Kadane and the jawdroppingly-beautiful music they create.

I'm not so familiar with the brothers' backstory so I won't go into much detail (because I don't know it!), but starting in 1992 Matt and Bubba Kadane (both guitarists) began releasing records as Bedhead, and when that band ended in 1998 later formed The New Year - which is still active.

I really haven't a clue where to begin describing Bedhead, but today's record - Bedhead's debut LP from 1994 - sounds as if Slowdive raided J Mascis' guitar collection, added some Louisville, KY math rock to the blender, and threw away the effects pedals. It's perhaps the best shoegaze record I've ever heard, but it's not shoegaze. It's perhaps the best slowcore record I've ever heard, but it's not slowcore. It's not post-rock but they could post-rock Tortoise to the end. It's not math rock, it's not punk rock, but it's all those.

Where has this record been and why hasn't it been in my collection for the past 16 years?

Take the second track here "Haywire". The guitars are straight out of the 1990-1992 UK Midlands shoegaze scene, but the ending is completely and utterly mindblowing. The song sounds like it was recorded live to two-track (which wouldn't surprise me at all) which makes the record even more impressive, considering what they're able to do with the simple three guitars, bass and drums formula.

For a quick hit intro to Bedhead just check out "Bedside Table" - a track that gently glides along on lovely intertwined guitars, and ends in a chaotic fury that had to have been AMAZING live.

I'll stop now because I'm too busy swooning to "Crushing".

BEDHEAD
WhatFunLifeWas
1994 Trance Syndicate



01 Liferaft
02 Haywire
03 Bedside Table
04 The Unpredictable Landlord
05 Crushing
06 Unfinished
07 Powder
08 Foaming Love
09 To The Ground
10 Living Well
11 Wind Down

edit: Removed link.

Sunday, September 20, 2009

The Boo Radleys - Everything's Alright Forever

Is this 1992 LP by that other Liverpool band The Boo Radleys the best post-Loveless (My Bloody Valentine) shoegaze LP there is?

Perhaps.

I am not feeling too chatty tonight. That, or I'm simply not as deeply familiar with the band at hand tonight, or full of a wealth of useless nuggets as I am for other bands. But who says every post has to be my blathering?



Everything's Alright Forever is just a great, GREAT out of print record by a band that quickly escaped this classic sound just as the backlash started. When the UK press beat down the 'gazers, the Boos put out Giant Steps - a record that sounds like Britpop played by shoegazers, with a bit of the classic Rough Trade dubby catalog mixed in.

Giant Steps receives all the critical accolades, but this record is better. And the dynamics are utterly amazing - you can HEAR the volume swells.

Incidentally, I have an unused ticket (number 001) from November 1992 for the cancelled Sugar/Boo Radleys gig that was to be held at The Colorado College in Colorado Springs, Colorado. I ran the college's live music committee, I booked Sugar who were bringing along the Boos as support (they were both on Creation in the UK), and then the Colorado voters passed a hateful anti-gay-rights constitutional amendment that forced Bob Mould to cancel all Sugar gigs in the state. So the interview for the college paper I conducted with singer Sice that fall, which was never published due to the gig cancellation, remains unpublished. It was on micro-cassette and I no longer have the cassette, or a micro-cassette player even if I did have the tape, so his musings are forever lost to history. A damn shame because it was a great interview!

Regardless, I never got to see the Boos live so I hope they were as good as the record is!

THE BOO RADLEYS Everything's Alright Forever
(1992 Creation Records CRECD 120)

01 Spaniard
02 Towards The Light
03 Losing It (Song for Abigail)
04 Memory Babe
05 Skyscraper
06 I Feel Nothing
07 Room At The Top
08 Does This Hurt?
09 Sparrow
10 Smile Fades Fast
11 Firesky
12 Song For The Morning To Sing
13 Lazy Day
14 Paradise

one file! grab it here!