Why?
Because picking my favorite live JD tracks is proving harder than I thought. That and it takes a lot of time that I've not had lately. So instead, I've got a better treat for the loyalists.
As you know (or should know), Joy Division ceased as a living, breathing entity when singer Ian Curtis removed himself from existence early in the morning on May 18, 1980 - the day before the band was to fly to New York to start their first US tour. Having long had an internal pact to cease trading under the Joy Division name if any member was to leave the band (probably not expecting the harsh finality of Ian's leaving, but there you go), the band found themselves in another "having to change the name again" situation.
So after an appropriately short mourning period, the survivors regrouped and punched the big red RESET button. Finding themselves bereft of Ian-less material, they wrote a few new songs, tightened up a couple new "unrecorded" Joy Division tracks that had just been written in the weeks prior to Ian's death as "bridge" tracks, and played a few mostly-unannounced gigs in July/September 1980, prior to flying to the US for a very brief East Coast tour and recording session in late September.
As Joy Division, they were close with Sheffield's Cabaret Voltaire, having shared several gigs and compilation records with the Cabs. At some point, JD was going to work with the Cabs in the Cabs' own Western Works Studio in Sheffield, but this opportunity had not yet come to pass at the time of Ian's death.
Suddenly with no lead singer and a wide-open new beginning, the survivors (now known as New Order) took the Cabs up on their offer and decamped to Western Works on 7 September 1980, just two days after their third gig post-Ian. Safely away from the spotlight, and with no Martin Hannett to impose his will on the session, the band laid down several tracks with the Cabs' Chris Watson engineering.
(Due to a date mixup dating back to the early 1980s, this session had long been thought to have taken place in early July 1980. It was only with the release of Joy Division/New Order manager Rob Gretton's notebooks in 2008 that we learn this happened on 7 September 1980, and not July as previously thought. Which makes sense in a way, these are a lot of tracks to write from scratch in the few short weeks between Ian's death and early July.)
These tracks show the band's emotions - both musical and lyrical - laid out to bare themselves to the world. Hesitant yet brave, restrained yet oddly forward-looking, New Order find themselves seeking the path at this very early stage - a path that would not be truly explored publicly for at least another 12 months - that would lead them out of the Joy Divsion shadow into completely new realms of songcraft.
This material has been circulating amongst New Order fans since the early 1980s but never before heard by the general public in this release-ready quality.
Kind souls, who wish to remain anonymous rescued this material from a 1/4" reel of tape that was up for auction on eBay, advertised as something else, and it was only in the reel transfer that it was discovered what this reel actually contained. It's been theorized that if this is not the master reel itself from the studio mixdown sessions, it's at the very least a direct, professional copy of it. The band could release this today, as-is. So I am honored to present it here.
First we have two different mixes - but the same base recording - of "Dreams Never End". The first version is the common version that had already circulated - albeit in much poorer quality - amongst the fans. The second version, however, is a heretofore-unknown alternate mix featuring much louder guitars than the original take - but besides that, it's identical to the first take. Both takes slower than the version eventually recorded for the debut LP in 1981, this track even moreso sounds like bassist (and singer on this track) Peter Hook's own little memorial to Ian. "A long farewell to your love and soul" indeed.
Then we have the musically very JD-like "Homage", with Bernard Sumner on hesitant vocals, laying bare his emotions for all to see. It's blatantly obvious why this track didn't survive past September 1980 - all you have to do is listen to the very bare, emotional lyrics. Notably, you can understand them for the first time ever:
This smile the unborn child reaction's taken, forsaken
These scenes pervaded me in a way that
People seldom see
This is the only time that I thought I had
Seen the signs and I wait, I'll never know
In this room
The blind pass through
In this room
I think of you
In this room
In this room
Darkness will vanish soon
I awake, always in this room
All days will fall and rise
Helplessly, I watch these figures cry
This sense of needless rejection
Always the sense of reason
Carelessly lead me astray
In this room
The blind pass through
In this room
I think of you
In this room
Father, please don't forsake me now
In this room
Father, please don't forsake me now
In this room
People always ask for dreams
Revelation in a dream
A life that is so scared
This is the only time that I
Thought I had seen the signs
Well, I did... I'll never know
In this room
I think of you
In this room
I think of you
In this room
Father, please don't forsake me now
In this room
Father, please don't forsake me now
In this room
Father, please don't forsake me now
The next track is drummer Steve Morris' turn on lead vocals with a very interesting take on "Ceremony", one of the last two Joy Division tracks written just prior to Ian's death. Famously having no written lyrics they could use (if Ian wrote them down, they weren't available to the survivors at the time), New Order had to run the Joy Division rehearsal recording of this track (which you can hear in the previous post on the blog) through an equalizer to attempt to pick out Ian's lyrics. Considering that even with modern audio software it's nearly impossible to extract Ian's vocals, or at least make them clearer, it's impressive what they were able to pull out of it. Steve sings lead on the verses, with Hooky taking over a chorus as well. Interestingly enough, when the time came three weeks later to record this track "officially" in New Jersey's Eastern Artists Recording Studio with producer Martin Hannett, the lyrics Bernard Sumner sang started off markedly different - which makes one wonder if they were rewritten by New Order.
Steve continues on with the lead vocals on "Truth" which, even at this early stage, is remarkably similar to what they'd end up doing with the track when recording it for their debut LP in 1981 (except with Bernard on vocals). I particularly like this version though, it's much more poignant, fragile and spacious - as it should be - than the released variant.
And then we have the biggest revelation of the reel: A heretofore-unknown new New Order track, or rather, a collaboration with the Cabs and New Order, featuring none other than NO manager Rob Gretton on lead vocals! This has been confirmed by a New Order member directly to your humble blogger, and furthermore, this same member revealed that it was entitled "Are You Ready Are You Ready Are You Ready For This?" and was just one of two collaborations they recorded with the Cabs, with the other (still unknown) sounding much more New Order-ry than this track. What is special about "Are You Ready" though is that, Rob's vocals aside, musically it shows the band taking great liberties with the established Joy Division sound - and the early New Order sound - and is very much so a signpost to the musical path the band would further explore starting with fall 1981's "Everything's Gone Green".
I feel this material is too important to release as MP3 so please enjoy it lossless as FLAC (two RAR files as usual).
01 Dreams Never End (mix 1, quieter guitars)
02 Dreams Never End (mix 2, louder guitars)
03 Homage
04 Ceremony
05 Truth
06 Are You Ready Are You Ready Are You Ready For This?
Files here (2012 version; see neworderarchive.blogspot.com for details.
edit: 8 May 2009 followup
enjoy!
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