Carlos

Carlos may refer to:

Place names

In the United States:

Other

Silence

Silence is the lack of audible sound or presence of sounds of very low intensity. By analogy, the word silence can also refer to any absence of communication or hearing, including in media other than speech and music. Silence is also used as total communication, in reference to nonverbal communication and spiritual connection. Silence also refers to no sounds uttered by anybody in a room or area. Silence is an important factor in many cultural spectacles, as in rituals.

In discourse analysis, speakers use brief absences of speech to mark the boundaries of prosodic units. Silence in speech can be due to hesitation, stutters, self-correction—or a deliberate slowing of speech to clarify or aid the processing of ideas. These are short silences. Longer pauses in language occur in interactive roles, reactive tokens, or turn-taking.

According to cultural norms, silence can be positive or negative. For example, in a Christian Methodist faith organization, silence and reflection during the sermons might be appreciated by the congregation, while in a Southern Baptist church, silence might mean disagreement with what is being said, or perhaps disconnectedness from the congregated community.

Depeche Mode

Depeche Mode /dᵻˌpɛʃˈmoʊd/ are an English electronic band formed in 1980 in Basildon, Essex. The group's original line-up consisted of Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (keyboards, guitar, vocals, chief songwriter after 1981), Andy Fletcher (keyboards), and Vince Clarke (keyboards, chief songwriter from 1980 until 1981). Depeche Mode released their debut record in 1981, Speak & Spell, bringing the band onto the British new wave scene. Clarke left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next thirteen years.

The band's last albums of the 1980s, Black Celebration and Music for the Masses, established them as a dominant force on the mainstream electronic music scene. A highlight of this era was the band's concert at the Pasadena Rose Bowl, where they drew a crowd in excess of 60,000 people. In the new decade, Depeche Mode released Violator, a mainstream success. The subsequent album, Songs of Faith and Devotion, and the supporting Devotional Tour exacerbated tensions within the band to the point where Alan Wilder quit in 1995, leading to intense media and fan speculation that the band would split. Now a trio once again, the band released Ultra in 1997, recorded at the height of Gahan's near-fatal drug abuse, Gore's alcoholism and seizures and Fletcher's depression. The release of Exciter confirmed Depeche Mode's willingness to remain together, the subsequent, and very successful, Exciter Tour being their first tour in support of an original album in eight years since the Devotional Tour, although the band had toured in 1998 to support The Singles 86–98 compilation album.

Silence (disambiguation)

Silence is a relative or total lack of sound.

Silence may also refer to:

Music

Bands and artists

Albums

Songs

The Sound of Silence

"The Sound of Silence" is a song by the American music duo Simon & Garfunkel. The song was written by Paul Simon over the period of several months between 1963–64. A studio audition led to the duo signing a record deal with Columbia Records, and the song was recorded in March 1964 at Columbia Studios in New York City for inclusion on their debut studio album, Wednesday Morning, 3 A.M..

Released in October 1964, the album was a commercial failure and led to the duo breaking apart, with Paul Simon returning to England and Art Garfunkel to his studies at Columbia University. In spring 1965, the song began to attract airplay at radio stations in Boston, Massachusetts and throughout Florida. The growing airplay led Tom Wilson, the song's producer, to remix the track, overdubbing electric instrumentation with the same musicians who backed Bob Dylan's "Like a Rolling Stone". Simon & Garfunkel were not informed of the song's remix until after its release. The single was released in September 1965.