The Turner Prize winner's new exhibition, which reflects his often angry reaction to politics, is set in the carefully manicured gallery Hauser and Wirth, in Somerset

Jed Leiber, Gerald Stiebel and Alan Philipp say their relatives were forced to sell Guelph Treasure in a coerced transaction for a fraction of its market value in 1935

Tracing the journey of the only marble by Michelangelo in Britain, which is a star attraction at the National Gallery's Michelangelo & Sebastiano show and is usually hidden away in a bulletproof box in a quiet corner of the Royal Academy's Sackler Landing

The project is titled Good Fences Make Good Neighbours

Statue became a fast favourite with tourists

A flag saying 'HE WILL NOT DIVIDE US' will fly and be live-streamed there for the duration of Trump's presidency

A dollop of whipped cream decorated with a cherry, fly and drone will replace David Shrigley's thumbs up.

Staff and visitors detained the suspect before he was arrested

Before his death this month, Howard Hodgkin was preparing the first ever exhibition devoted to his portraits. Paul Levy recalls the man who cared much more about his family and friends than being part of any movement

It gave away one billion page impressions to artists in 2016

The artist died peacefully in hospital in London

A series of figures, painted in sections by different artists and writers for charity, is based on the parlour game, Consequences, invented by the Surrealists, and has resulted in some fascinating collaborations

The British Museum is staging a blockbuster ‘The American Dream: Pop to the Present’, but why does the scholarly institution want to demean itself by using pop art as a selling point 

Apparently it's 'a real business venture, not an art stunt'

This week marked 30 years since Andy Warhol’s death, but the artist still manages to intrigue us from the grave, especially with his time capsules packed full of objects 

The upstairs rooms at the Royal Academy are crisp and boxy – like a tidy argument. The curators of this show try to do something similarly neat and compacted with painting in America during the 1930s, tidying it away into themes and moments. It doesn’t work. Does that matter, though? No.

‘This work is by an artist from a nation whose citizens are being denied entry to the United States’ 

Tim Steiner has a work of art inked on him, but he’s only the “temporary frame”.

It wasn't the most painstaking of redesigns