Teju Cole’s essays are brilliantly written—sharp, intelligent—and yield a pleasurable sweetness. His prose, in its variations, is impeccably where he wants it to be. His erudition is put to work humbly. But in encountering these essays, perhaps the most important quality to grasp is Cole’s deep sense of the seriousness of life, which is sustained in different registers throughout. Rotating through his compositions, and sometimes shouldering aside their announced subjects, is an array of thematic problems routinely confounding to the educated secular leftcentric urban readerships of today.
by Rafael Chirbes, translated from the Spanish by Margaret Jull Costa, with an afterword by Valerie Miles
Poverty in the West is suddenly, inescapably, around. It’s turning up as a deep problem here and there, even in electoral politics, and, clearly, dealing with poverty by the practice of ignoring it is reaching the limits of its usefulness. People at all levels are forced to deal with poverty …
by Horacio Castellanos Moya, translated from the Spanish by Katherine Silver
Horacio Castellanos Moya’s latest novel, The Dream of My Return, presents in compact and indelible form his tricks, his daring, his disgust, his humor.
The Laughing Monsters is a curious novel. Denis Johnson describes it as a “literary thriller,” which it technically is. A tale of derring-do, chicanery, and treason, it feels particularly apposite in the immediate geopolitical moment. Its main characters are parasites on the frenzy accompanying the current scramble for Africa. But …
One of the rarer pleasures that comes with reviewing works of fiction is happily losing one’s place, falling inadvertently into reading for personal pleasure and not as a proxy for potential readers. That’s what happened to me as I got into Caleb Crain’s debut novel, Necessary Errors—a bildungsroman, very well put together, polished, dry but tender, ferociously observed.… What gives Crain’s novel its appeal and force as a work of art? The question is worth asking, because certain qualities of the book stand counter to fashions prevailing in successful contemporary literary fiction.
Paul Theroux’s new novel, The Lower River, is set in contemporary Malawi. It’s a notable creation, but one that sits oddly in the Theroux oeuvre. At this point in Theroux’s long and prodigious literary career, each new work necessarily arrives against an established backdrop displaying familiar scenes from the author’s …
It’s hard to be fair to V.S. Naipaul. Fans who have gotten pleasure and enlightenment from the work of this supremely gifted literary artist face a daunting prospect. Here’s a new book, The Masque of Africa: Glimpses of African Belief, the latest of his exercises in forensic tourism in the …
James Ellroy’s astonishing creation, the Underworld USA Trilogy, is complete. Its concluding volume, Blood’s a Rover, has just been published. The three long thrillers that make up the trilogy (American Tabloid, 1995; The Cold Six Thousand, 2001; Blood’s a Rover, 2009) present a brutal counterhistory of America in the 1960s …