- published: 27 Nov 2008
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An aria ([ˈaːrja]; Italian: air; plural: arie [ˈaːrje], or arias in common usage, diminutive form arietta [aˈrjetta]) in music was originally any expressive melody, usually, but not always, performed by a singer. The term became used almost exclusively to describe a self-contained piece for one voice, with or without orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, sharing features of the operatic arias of their periods.
The term, which derives from the Greek and Latin 'aer' (air) first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca' ). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; melodic madrigals, free of complex polyphony, were known as madrigale arioso.
Aria is a comic book metaseries published by Image Comics, written by Brian Holguin and drawn by Jay Anacleto. Its central concept is that 'mythic beings exist in the modern world,' a premise seen in numerous works of dark contemporary fantasy. There have been several Aria miniseries written over the course of 1999–2003, which have been collected in trade paperbacks.
The story opens in a New York bookshop, specializing in the esoteric. The shopowner, a sardonic young woman named Kildare, over the course of a day deals with a woman who found a sword in her flat, two goths who want to drink absinthe, and a man looking for a bargain-basement love potion. After work, she goes back to her flat, where she is greeted by a talking mirror and a fishtank full of tiny merpeople...
She goes to a club which caters to an unusual clientele, where it becomes apparent that the woman is a Fae noble. She meets a man named Pug, later revealed to be a dwarf, and the bartender Dion, who is none other than the Greek god Dionysus. On the way home, she is attacked by a group of shadowy creatures.
Aria is a Japanese manufacturer of acoustic and electric guitars and basses.
Aria was formed in Japan in 1956 by Shiro Arai as "Arai & Co., Inc".
They began retailing acoustic guitars in 1960, although the company did not start manufacturing their own until 1964. Aria arranged for Matsumoku, the musical instrument maker, to build the guitars for them under contract. Arai and Matsumoku started building acoustic guitars in 1964, and then electric guitars in 1966, using Arai, Aria, Aria Diamond, Diamond, and much less frequently, Arita brand names. The Aria brandname was changed to Aria Pro II in late 1975, though this has been used mostly (but not exclusively) for electric guitars and basses. All guitars were made in Japan until 1988, when production of less expensive models (Magna MAB/MAC and Integra IGB series) was switched to Korea. In the mid-1990s a few models (including the Fender Stratocaster-inspired Fullerton series guitars and the Steve Bailey 6-string fretless signature bass) were made in the United States.
Mix, mixes, mixture, or mixing may refer to:
WWFS (102.7 FM) is a New York City hot adult contemporary radio station owned and operated by CBS Radio. WWFS' studios are in the combined CBS Radio facility in the West Soho section of Manhattan, and its transmitter sits atop the Empire State Building.
WWFS is best remembered for its previous incarnation, rock music-formatted WNEW-FM. The station shared the WNEW call letters between 1958 and 1986 with former sister AM station WNEW (1130 kHz) and television station WNEW-TV (channel 5), with all being owned by Metromedia. After WNEW-TV was sold to the News Corporation in 1986 (and became WNYW), and the AM station was sold to Bloomberg L.P. in 1992 (and became WBBR), 102.7 FM retained the WNEW-FM callsign until it was changed in 2007. CBS Radio has since reused the WNEW call sign; the present-day WNEW-FM in the Washington, D.C., area is connected to this station only through their common ownership.
WWFS broadcasts in the HD Radio format.
The 102.7 FM frequency was first assigned in the mid-1940s as WNJR-FM from Newark, New Jersey. Intended to be a simulcasting sister to WNJR (1430 AM, now WNSW), the FM station never made it to the air despite being granted several extensions of its construction permit. WNJR gave up and turned in the FM license to the Federal Communications Commission (FCC) in 1953.
WMTX is a Hot AC radio station in Tampa, Florida known as "Mix 100.7". It plays a variety of current hits along with some hit music from the past, as far back as the 1980s. Owned by iHeartMedia, Inc., the station's studios are located in South Tampa and the transmitter site is in Riverview. WMTX also serves as the primary Emergency Alert System station for all of Tampa Bay.
In 1947, the station signed on the air as WDAE-FM, a contemporary music station. In 1976, the station flipped to beautiful music and the callsign changed to WAVV. During the WAVV years, the station's tagline was "Waves of Beautiful Music". In 1978, the callsign changed to WJYW during its beautiful music era. In 1982, the station flipped from beautiful music to adult contemporary and the callsign changed to WIQI (W-101). In 1986, the callsign changed to WUSA-FM (named after Washington D.C. TV station WUSA-TV), while still being named "W-101" before rebranding as simply "100.7 WUSA" in June 1994. In December 1996, after Gannett traded the station to Jacor, the station flipped to Top 40 and rebranded as "Kiss 100.7", with the call letters changing to WUKS. In 1998, during the Kiss 100.7 period, the callsign changed to WAKS. In 1999, the station was the home of the popular, locally syndicated Mason Dixon Morning Show. On August 28, 1999, at Midnight, the station underwent a sudden format change and became "Mix 100.7" without any fanfare from Tampa listeners, and the callsign changed to WMTX which was first used on 95.7 (now WBTP) as "Mix 96". Community outrage was highly noted in local newspapers and on other radio stations.
Originality is the aspect of created or invented works by as being new or novel, and thus can be distinguished from reproductions, clones, forgeries, or derivative works. An original work is one not received from others nor one copied from or based upon the work of others.. It is a work created with a unique style and substance. The term "originality" is often applied as a compliment to the creativity of artists, writers, and thinkers. The idea of originality as we know it was invented by Romanticism, with a notion that is often called romantic originality.
The concept of originality is culturally contingent. It became an ideal in Western culture starting from the 18th century. In contrast, at the time of Shakespeare it was common to appreciate more the similarity with an admired classical work, and Shakespeare himself avoided "unnecessary invention".
In law, originality has become an important legal concept with respect to intellectual property, where creativity and invention have manifest as copyrightable works. In the patent law of the United States and most other countries, only original inventions are subject to protection. In addition to being original, inventions submitted for a patent must also be useful and nonobvious.
Gouryella - Ligaya (Official Video) http://www.ferrycorsten.com http://www.vk.com/ferrycorsten http://www.twitter.com/ferrycorsten http://www.facebook.com/ferrycorsten http://www.instagram.com/ferrycorsten http://www.soundcloud.com/ferry-corsten http://www.beatport.com/artist/ferry-corsten/3815
Ligaya (Vocal Extended)をカラオケで歌詞とコラボしてみた
dreaMagic - Ligaya (Radio Edit) Out now in stores ! http://www.beatport.com/track/ligaya-original-mix/4593986 http://www.musicload.de/drea-magic/ligaya/musik/single/18007314_4 http://www.amazon.de/Ligaya/dp/B00E6SCIGQ
An aria ([ˈaːrja]; Italian: air; plural: arie [ˈaːrje], or arias in common usage, diminutive form arietta [aˈrjetta]) in music was originally any expressive melody, usually, but not always, performed by a singer. The term became used almost exclusively to describe a self-contained piece for one voice, with or without orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, sharing features of the operatic arias of their periods.
The term, which derives from the Greek and Latin 'aer' (air) first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca' ). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; melodic madrigals, free of complex polyphony, were known as madrigale arioso.
You're cruel, device
Your blood, like ice
One look, could kill
My pain, your thrill
I wanna love you but I better not touch
I wanna hold you but my senses tell me to stop
I wanna kiss you but I want it too much
I wanna taste you but your lips are venomous poison
You're poison running through my veins
You're poison
I don't wanna break these chains
Your mouth, so hot
Your web, I'm caught
Your skin, so wet
Black lace, on sweat
I hear you calling and its needles and pins
I wanna hurt you just to hear you screaming my name
Don't wanna touch you but you're under my skin
I wanna kiss you but your lips are venomous poison
You're poison running trough my veins
You're poison
I don't wanna break these chains
Running deep inside my veins
Poison burning deep inside my veins
One look, could kill
My pain, your thrill
I wanna love you but I better not touch
I wanna hold you but my senses tell me to stop
I wanna kiss you but I want it too much
I wanna taste you but your lips are venomous poison
You're poison running trough my veins
You're poison
I don't wanna break these chains
Poison
I wanna love you but I better not touch
I wanna hold you but my senses tell me to stop
I wanna kiss you but I want it too much
I wanna taste you but your lips are venomous poison
You're poison running trough my veins
You're poison
I don't wanna break these chains