- published: 04 Mar 2015
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Anglican (or English) chant is a way to sing unmetrical texts, including psalms and canticles from the Holy Bible, by matching the natural speech-rhythm of the words to the notes of a simple harmonized melody. Today, this type of chant is sung in Anglican and Episcopal churches, as well as Roman Catholic,Lutheran,Presbyterian, and Reformed churches. Within Anglican and Episcopal churches, Anglican chant was previously in more widespread use but today is sung primarily in Anglican cathedrals and also in parish churches that have retained a choral liturgical tradition.
Anglican chant grew out of the plainchant tradition during the English Reformation. When singing a text in Anglican chant, the natural rhythm of the words as they would be spoken by a careful speaker governs how the music is fitted to the words. The majority of the words are freely and rhythmically chanted over the reciting notes, which are found in the first, fourth, eighth, eleventh (etc.) bars of the chant and with the other notes of the music appropriately fitted to the words at the end of each half-verse. The rhythm is based on the natural cadence of speech. Thus, the length of each of these notes bears little relation to the normal musical value of a note such as a minim or semi-breve.
A cathedral (French: cathédrale from Latin: cathedra, "seat" from the Greek kathedra (καθέδρα), seat, bench, from kata "down" + hedra seat, base, chair) is a Christian church which contains the seat of a bishop, thus serving as the central church of a diocese, conference, or episcopate. The counterpart term for such a church in German is Dom from Latin domus ecclesiae or domus episcopalis; also Italian Duomo, Dutch Domkerk and cognates in many other European languages. Churches with the function of "cathedral" are usually specific to those Christian denominations with an episcopal hierarchy, such as the Roman Catholic, Anglican, Orthodox, and some Lutheran and Methodist churches. Church buildings embodying the functions of a cathedral first appear in Italy, Gaul, Spain and North Africa in the 4th century, but cathedrals did not become universal within the Western Catholic Church until the 12th century, by which time they had developed architectural forms, institutional structures and legal identities distinct from parish churches, monastic churches and episcopal residences.
The Book of Psalms, Tehillim in Hebrew (תְּהִלִּים or תהילים meaning "Praises"), commonly referred to simply as Psalms or "the Psalms", is the first book of the Ketuvim ("Writings"), the third section of the Hebrew Bible, and a book of the Christian Old Testament. The title is derived from the Greek translation, ψαλμοί psalmoi, meaning "instrumental music" and, by extension, "the words accompanying the music." The book is an anthology of individual psalms, with 150 in the Jewish and Western Christian tradition and more in the Eastern Christian churches. Many of the psalms are linked to the name of King David, although his authorship is not accepted by modern Bible scholars.
The Book of Psalms is divided into five sections, each closing with a doxology (i.e., a benediction) – these divisions were probably introduced by the final editors to imitate the five-fold division of the Torah:
The Cathedral Church of the Holy Spirit, Guildford is the Anglican cathedral at Guildford, Surrey, England, designed by Sir Edward Maufe built between 1936 and 1961 and is the seat of the Diocese of Guildford.
Guildford was made a diocese in 1927, covering most of Surrey. Work on its consequent cathedral to be a lead centre of worship and community events venue began nine years later. The diocese chose Sir Edward Maufe as its architect and the foundation stone was laid by Dr Cosmo Gordon Lang, Archbishop of Canterbury in 1936. Construction was intended to be over many years to raise further funds, to achieve great height by incorporating exceptionally large arches and blocks of angular stone overlaid with brickwork and was suspended during Second World War — the building could not be consecrated until 17 May 1961. In the meanwhile Guildford's restored medieval Holy Trinity Church served as pro-cathedral. In 1952 Walter Boulton, who had ministered mostly in India, was made provost (head priest at the pro-cathedral and pastor of the parish), and revitalized the fund-raising for the new cathedral. When it was completed sufficiently for public worship, another cleric was chosen as first dean of the cathedral by the bishop, after consulting with various benefactors and influential clergy within Anglicanism.
A chant (from French chanter) is the rhythmic speaking or singing of words or sounds, often primarily on one or two main pitches called reciting tones. Chants may range from a simple melody involving a limited set of notes to highly complex musical structures, often including a great deal of repetition of musical subphrases, such as Great Responsories and Offertories of Gregorian chant. Chant may be considered speech, music, or a heightened or stylized form of speech. In the later Middle Ages some religious chant evolved into song (forming one of the roots of later Western music).
Chanting (e.g., mantra, sacred text, the name of God/Spirit, etc.) is a commonly used spiritual practice. Like prayer, chant may be a component of either personal or group practice. Diverse spiritual traditions consider chant a route to spiritual development.
Some examples include chant in African, Hawaiian, and Native American, and Australian Aboriginal cultures, Gregorian chant, Vedic chant, Qur'an reading, Islamic Dhikr, Baha'i chants, various Buddhist chants, various mantras, Jewish cantillation, and the chanting of psalms and prayers especially in Roman Catholic (see Gregorian chant or Taizé Community), Eastern Orthodox (see Byzantine chant or Znamenny chant, for examples), Lutheran, and Anglican churches (see Anglican Chant).
http://www.collegiumregale.cf -- links to ALL the responses, canticles, anthems and voluntaries!! Facebook ► https://www.facebook.com/pages/Collegium-Regale/766400800081314 Click SHOW MORE for more information on this broadcast... A compilation of the psalms taken from the 2014 broadcasts. 6 | 00:00 | Winchester College 7 | 03:01 | Winchester College 8 | 08:37 | Winchester College 12 | 11:41 | Liverpool Cathedral 13 | 14:20 | The Exon Singers (Tewkesbury Abbey) 14 | 16:54 | The Exon Singers (Tewkesbury Abbey) 15 | 20:15 | St David's Cathedral 18 | 22:38 | Charles Wood Summer School 24 | 36:11 | St David's Cathedral 32 | 39:31 | Christ Church Cathedral, Oxford 33 | 43:01 | Christ Church Cathedral, Oxford 34 | 48:14 | Edington Festival of Music 36 | 53:22 | Portsmouth Cathedral 37 | 57:13...
The choir of Kings College Cambridge, under the direction of Philip Ledger, sing the hundredth and thirtieth Psalm to an Anglican chant for choir and organ. This dark lament, a Penitential Psalm, is the De profundis used in liturgical prayers for the faithful departed in Western liturgical tradition. In deep sorrow the psalmist cries to God (1-2), asking for mercy (3-4). The psalmist's trust (5-6) becomes a model for the people (7-8). Text: 130 De profundis OUT of the deep have I called unto thee, O Lord : Lord, hear my voice. 2. O let thine ears consider well : the voice of my complaint. 3. If thou, Lord, wilt be extreme to mark what is done amiss : O Lord, who may abide it? 4. For there is mercy with thee : therefore shalt thou be feared. 5. I look for the Lord; my soul doth wait for ...
Guildford Cathedral Choir, directed by Barry Rose: Services at Guildford Cathedral and elsewhere, as stated, 1966-1974: (The "listings" thumbnail shows the Decani side of the choir during the rehearsal for Evensong at King's College, Cambridge, on 29 July 1967) 1. Psalm 149: "O sing unto the Lord a new song" (30 April 1970). Chant: John Lemon 2. Psalm 137: "By the waters of Babylon" (Peterborough Cathedral, 28 July 1967). Chant: Barry Rose 3. Psalm 100: "O be joyful in the Lord, all ye lands" (St Simon’s, St Helier, Jersey, 19 July 1972). Chant: Thomas Attwood 4. Psalm 130: "Out of the deep have I called" (Durham Cathedral, 27 July 1968). Chant: Samuel Sebastian Wesley 5. Psalm 126: "When the Lord turned again the captivity of Zion" (Arundel R. C. Cathedral, 25 July 1973). Chant: Eric...
The Choir of Gloucester Cathedral, under the direction of John Sanders, sing the sixty-ninth Psalm to an Anglican chant for choir and organ. In Psalm 69 ('Salvum Me Fac'), a gutting yet beautiful psalm of despair, the psalmist, having sunk deep into the mire of emotional and spiritual anguish, cries out to God for deliverance from his sorrow. [ Text: ] Save me, O God; for the waters are come in, even unto my soul.I stick fast in the deep mire, where no ground is; I am come into deep waters, so that the floods run over me. I am weary of crying; my throat is dry; my sight faileth me for waiting so long upon my God. They that hate me without a cause are more than the hairs of my head; they that are mine enemies, and would destroy me guiltless, are mighty. I paid them the things that ...
Guildford Cathedral Choir, directed by Barry Rose: Services at Guildford Cathedral and elsewhere, 1966-1974: (The "listings" thumbnail shows a rare colour photo of the choristers, this one from 1967) 1. Psalm 129: Many a time have they fought against me (27 April 1970). Chant: Ivor Atkins 2. Psalm 32: Blessed is he whose unrighteousness is forgiven (late 1964). Chant: George Garrett 3. Psalm 59: Deliver me from mine enemies (11 July 1968). Chant: Frederick Ouseley 4. Psalm 85: Lord, thou art become gracious unto thy land (16 February 1966). Chant: George Cooper Jr 5. Psalm 142: I cried unto the Lord with my voice (Wells Cathedral, 29 July 1969). Chant: John Stainer 6. Psalm 98: O sing unto the Lord a new song (St Simon’s, St Helier, Jersey, 19 July 1972). Chant: Richard Woodward 7. Psalm ...
A series of original Anglican Chants set to various psalms, played by me on the St John's College (University of Queensland, Australia) organ. Ten thousand views!? I'm really surprised this video has got this much attention, I never expected it to. Bear in mind I wrote this in 2010 and I've improved since then, I know there are errors in the music like consecutive fifths and octaves and accidentals could be better, so don't rage too hard in the comments. You can learn about how the text notation works here: http://www.scribd.com/doc/32744924/Anglican-Chant-How-to You can download the score here: http://www.scribd.com/doc/32745135/Ten-Anglican-Chants You can download the MP3 here: http://soundcloud.com/samplers1712/ten-anglican-chants Facebook: http://www.facebook.com/composer1992 My w...
The Choir of Exeter Cathedral, under the direction of Lucian Nethsingha, sing the eighty fourth Psalm to Anglican chant for choir and organ. The 84th psalm of the Book of Psalms, composed by sons of Korah. Paul Morgan (Organist) Text: Pslam 84 (Quam dilecta!) O HOW amiable are thy dwellings : thou Lord of hosts! 2. My soul hath a desire and longing to enter into the courts of the Lord : my heart and my flesh rejoice in the living God. 3. Yea, the sparrow hath found her an house, and the swallow a nest where she may lay her young : even thy altars, O Lord of hosts, my King and my God. 4. Blessed are they that dwell in thy house : they will be alway praising thee. 5. Blessed is the man whose strength is in thee : in whose heart are thy ways. 6. Who going through the vale of misery use it ...
The first twenty verses of Psalm 37, sung to two beautiful Anglican chants by the Rivelin Singers during their residency in Wells Cathedral, UK, in August 2012. (This is a live recording!) The chants are by Jonathan P Eyre (assistant director of music, Bradford Cathedral - also playing the organ in this recording) and Graham Barber (professor of performance studies, University of Leeds). The psalms were pointed and set, and the choir is conducted, by Fraser Wilson. Visit Soundcloud (http://soundcloud.com/wilsonsounds) for related noises... Download this setting in PDF format from http://alturl.com/2g6ro
Anglican Chant by Sir John Goss (27 December 1800 -- 10 May 1880) was an English organist, composer and teacher. Born to a musical family, Goss was a boy chorister of the Chapel Royal, London, and later a pupil of Thomas Attwood, organist of St Paul's Cathedral. After a brief period as a chorus member in an opera company he was appointed organist of a chapel in south London, later moving to more prestigious organ posts at St Luke's, Chelsea and finally St Paul's Cathedral, where he struggled to improve musical standards. As a composer, Goss wrote little for the orchestra, but was known for his vocal music, both religious and secular. Among his best-known compositions are his hymn tunes "Praise my Soul, the King of Heaven" and "See, Amid the Winter's Snow". The music critic of The Times d...
Anglican Chant: Psalm 23, By King's College Choir, Cambridge & Sir David Willcocks
I wrote this; an Anglican Chant setting in C Dorian.
The Choir of Gloucester Cathedral, under the direction of John Sanders, sing the sixty-ninth Psalm to an Anglican chant for choir and organ. In Psalm 69 .
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The Holy Sacrifice of the Mass Solemnity of Saints Peter and Paul - Mass during the Day Wednesday, June 29th, 2016 - 6:15 P.M. Incarnation Catholic Church Orlando, FL ____________________________ Music information: Opening hymn: The Longest Hymn in the World ;) JK: "For All The Saints" - The Hymnal 1940, #126 Offertory anthem: "Great Is Thy Faithfulness" Communion anthem: Psalm 34 (Anglican chant) Recessional hymn: "How Firm a Foundation" - The Hymnal 1940, #564
The Choral Service of Evensong for All Saints' Sunday, November 6, 2016, sung by the Parish Choir of St. Peter's by-the-Sea Episcopal Church, Bay Shore, NY. Program: Introit: O quam gloriosum - Victoria Hymn:Who are these like stars appearing Preces: Richard Ayleward Phos hilaron: Christ, mighty Savior Psalm 148, Anglican Chant by Thomas Norris Magnificat (Evening Service in F) Harold Friedell Nunc dimittis Harold Friedell Responses: Ayleward Anthem: These Men that are Robed in White - Raymond Chenault Anthem: And I Saw a New Heaven - Edgar Bainton Office Hymn: Abide with me
Introit: Victoria, Hosanna filio David Psalm 111 (plainsong) Psalm 112 (simplified Anglican chant) Psalm 113 (plainsong) Lesson: Isaiah 64:1-9 Office Hymn: Conditor alme siderum Magnificat: setting by Hassler Motet: Handl, Veni redemptor gentium Hymn: Veni Emmanuel
The Holy Sacrifice of the Mass The Fifth Sunday after Epiphany Readings for the Fifth Sunday in Ordinary Time, Year A Sunday, February 5th, 2017 - 10:15 A.M. The Rev. Fr. William P. "Doc" Holiday, Pastor, Celebrant, and Homilist Incarnation Catholic Church Orlando, FL ________________ Music information: Opening hymn: "How Bright Appears the Morning Star" - The Hymnal 1940, #329 - Tune: FRANKFORT Offertory anthem: "The Call" - Ralph Vaughan Williams Communion anthem: Psalm 112, Anglican chant - William Jacobs Communion hymns: "Teach Me, My God and King" - The Hymnal 1940, #476 - Tune: SANDYS "Nearer, My God, To Thee" - The Hymnal 1940, #465 - Tune: BETHANY Closing hymn: "Lamp of Our Feet, Whereby We Trace" - The Hymnal 1940, #400 - Tune: GRAEFENBERG
The Holy Sacrifice of the Mass "Gaudete Sunday" The Third Sunday of Advent Sunday, December 11th, 2016 - 10:15 A.M. The Rev. Fr. William P. "Doc" Holiday, Pastor, Celebrant, and Homilist Incarnation Catholic Church Orlando, FL ________________ Music information: Opening hymn: "Hark! A Thrilling Voice is Sounding" - The Hymnal 1940, #9 - Tune: MERTON Offertory anthem: "There Shall a Star Come Out of Jacob" - Felix Mendelssohn Communion anthem: Psalm 110, Anglican chant - James Turle Communion hymn: "Watchman, Tell Us of the Night" - The Hymnal 1940, #440, Second Tune - Tune: ABERYSTWYTH Closing hymn: "Lo, He Comes With Clouds Descending" - The Hymnal 1940, #5, First Tune - Tune: ST. THOMAS
The Holy Sacrifice of the Mass The Solemnity of Our Lord Jesus Christ, King of the Universe Sunday, November 20th, 2016 - 10:15 A.M. The Rev. Fr. William P. "Doc" Holiday, Pastor, Celebrant, and Homilist Incarnation Catholic Church Orlando, FL ________________ Music information: Opening hymn: "All Hail the Power of Jesus' Name" - The Hymnal 1940, #355, First Tune - Tune: CORONATION Offertory anthem: "Worthy Is the Lamb" from "Messiah" - George Frideric Handel Communion anthem: Psalm 2, Anglican chant - Edwin George Monk / Scott Whitmore Communion hymn: "Am I a Soldier of the Cross" - The Hymnal 1940, #550 - Tune: MARLOW Closing hymn: "Crown Him With Many Crowns" - The Hymnal 1940, #352 - Tune: DIADEMATA
The Holy Sacrifice of the Mass The Ninth Sunday after Trinity Readings for the Seventeenth Sunday in Ordinary Time, Year C Sunday, July 24th, 2016 - 10:15 A.M. Fr. William P. "Doc" Holiday, Pastor, Celebrant, and Homilist Incarnation Catholic Church Orlando, FL ____________________________ Music information: Opening hymn: "Before Thy Throne, O God, We Kneel" - The Hymnal 1940, #499 - Tune: ST. PETERSBURG Offertory anthem: "O, My God, Bestow Thy Tender Mercy" - Giovanni Battista Pergolesi Communion anthem: Anglican Chant: Psalm 138 - James Turle Communion hymn: "What a Friend We Have in Jesus" - The Hymnal 1940, #422 - Tune: ERIE "Jesus, Lead the Way" - The Hymnal 1940, #425 - Tune: ROCHELLE Closing hymn: "Lead On, O King Eternal" - The Hymnal 1940, #554 - Tune: LANCASHIRE
The Holy Sacrifice of the Mass The Second Sunday after Trinity Readings for the Tenth Sunday in Ordinary Time, Year C Sunday, June 5th, 2016 - 10:15 A.M. Incarnation Catholic Church Orlando, FL ____________________________ Music information: Opening hymn: "God, My King, Thy Might Confessing" - The Hymnal 1940, #280 Offertory anthem: "Great Redeemer, We Adore Thee" - Camille Saint-Saëns, arr. Keely Communion anthem: "Psalm 124" - G.M. Garrett (Anglican chant) Communion hymn: "Father of Mercy" - The Hymnal 1940, #238 Choral Communion hymn: "Come, Risen Lord, and Deign to Be Our Guest" - The Hymnal 1940, #207 Closing hymn: "Come, My Soul, Thou Must Be Waking" - The Hymnal 1940, #154 (Tune 1)
In October 2013, I attended my first choir rehearsal at an Anglican church in Edmonton, Canada. I joined with no knowledge of the Anglican faith, being a lapsed Roman Catholic who had been attending (and was married in) a United church. Thus, at that pivotal moment, I was exposed to the rich and varied musical heritage of Anglicanism, which has profoundly affected my music to this day. However, despite the wealth of glorious hymns and anthems, it was undeniably the harmonized chant, with its endless possibilities and abstract simplicity, which inspired me the greatest. This book, the Modern Psalter, is the culmination of a fifteen-month effort to compose 150 Anglican psalm chants in my own contemporary musical language. What began as a personal experiment (with little forethought) became...
The Holy Sacrifice of the Mass The Eighteenth Sunday after Trinity Readings for the Twenty-Sixth Sunday in Ordinary Time, Year C Sunday, September 25th, 2016 - 10:15 A.M. The Rev. Fr. William P. "Doc" Holiday, Pastor, Celebrant, and Homilist Mr. Patrick McCain, Seminarian of the Personal Ordinariate of the Chair of St. Peter delivering exhortation after homily Incarnation Catholic Church Orlando, FL ________________ Music information: Opening hymn: "Immortal, Invisible, God Only Wise" - The Hymnal 1940, #301 - Tune: ST. DENIO Offertory anthem: "Canticle of Praise" - Tune: LOBE DEN HERREN, arr. Edward B. Jurey Communion anthem: Psalm 146 - Anglican chant - Edwin George Monk Communion hymn: "Blest are the Pure in Heart" - The Hymnal 1940, #418 - Tune: FRANCONIA Closing hymn: "God...