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Judith Mackrell
Judith Mackrell is the Guardian's dance critic
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The first UK company to perform Pina Bausch’s epic piece hurl themselves against exhaustion as they draw us into a world of hypnotic emotion
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Daniel Radcliffe and Joshua McGuire let the sparks fly in Tom Stoppard’s comedy, and ex-Riverdancer Breandán de Gallaí duets with Nick O’Connell
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In hit movies like 42nd Street, Berkeley liberated dance from the stage and placed it in a purely cinematic dimension with dizzyingly inventive routines
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Influential US choreographer first admired for her spare, subversive dances who underwent a radical shift as she was gripped by ‘a rapture to move’
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The company’s three works explore hothouse machismo, private headspace and colliding forces in Cuban society with power and urgency
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Christopher Luscombe’s frisky production tackles male domination of the stage, while a new mixed bill at the Barbican features Annabelle Lopez Ochoa
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Steven Cantor’s intimate film about the rebellious dancer exposes the pressures heaped on young prodigies – and has vital lessons for the industry
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Galván’s wild flamenco reinventions show mesmerising prowess – though not when he’s being pelted by paper balls
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With eight Royal Ballet dancers enacting the claustrophobic world of an incestuous couple, De Frutos weaves intricate physical poetry around Jean Cocteau’s text and Philip Glass’s limiting score
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A remarkable look at the Beslan school tragedy and a homage by Wayne McGregor to Virginia Woolf. Plus: The Glass Menagerie, Letters To Windsor House, Love, Travesties, Sampled and Cinderella
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The choreographer’s latest project explores the ‘intelligent body’, as her audience follow their own path through the Barbican’s Curve gallery
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Ahead of the Royal Ballet’s new production of Philip Glass’s dance opera, based on the poetic French novel, choreographer Javier De Frutos and his principal dancers talk incest, jealousy and revenge
Topics
Royal Ballet gambles on new talent and competitive spirit to invigorate classics