- published: 18 Jul 2016
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William Marcel "Buddy" Collette (August 6, 1921 – September 19, 2010) was an American tenor saxophonist, flautist, and clarinetist. He was highly influential in the West coast jazz and West Coast blues mediums, also collaborating with saxophonist Dexter Gordon, drummer Chico Hamilton, and his lifelong friend, bassist Charles Mingus.
Collette took up the alto saxophone at age 12 and led his first group, which included Britt Woodman on trombone and Charles Mingus on bass. At 17 he started playing professionally. After serving as a U.S. Navy band leader, he played with the Stars of Swing (featuring Woodman, Mingus and Lucky Thompson). Along with saxophonist Dexter Gordon, bassist Charles Mingus and drummer Chico Hamilton, he helped keep bebop alive in Los Angeles' historic Central Avenue neighborhood. In the early 1950s he worked as a studio musician and performed on Groucho Marx's television program, You Bet Your Life.
In 1955, he became a founding member of Chico Hamilton's quintet. The unusually instrumented quintet also featured guitarist Jim Hall and cellist (and pianist) Fred Katz, and performed chamber jazz. A year later, Collette recorded Man of Many Parts, his first album as a bandleader.
West Coast may refer to:
Collette is a surname or given name, and may refer to:
Nice Day is an EP by His Name Is Alive, released by 4AD in the UK in 1997.
After the completion of the tour for Stars on ESP, His Name Is Alive leader Warren Defever found himself with a steady lineup for perhaps the first time in the band's history; veteran vocalist Karin Oliver and drummer Trey Many, along with newer members: vocalist Lovetta Pippen and bassist Chad Gilchrist, along with Defever himself on guitar, and newer vocalist Erika Hoffman (who sings on four of the six tracks). As a result, Defever was anxious to make a new recording and quickly recorded the tracks for this EP in late 1996. It would be almost a year later, in October 1997, before it was released. Apparently this irked Defever somewhat, as the booklet for the 1999 compilation Always Stay Sweet features a copy of a fax that Defever sent to 4AD urging them to hurry up and release the EP.
While originally intended as a mail-order only release of 1,000 copies, the CD EP was soon re-pressed and sold in stores. The tracks were also appended to a reissue of Stars on ESP in 1998.
Buddy may refer to:
Buddy Collette And His Trio ♠ Calm, Cool And Collette ♠ (1957 Full Album - LP HQ audio)
Buddy Collette Quartet - A Nice Day
Buddy Collette - Now and Then
Buddy Collette "Swinging Shepherds" 1958 STEREO West Coast Jazz FULL ALBUM Bud Shank
バディー・コレット BUDDY COLLETTE Quartet: CLUB DATE 1991; Hunt And Peck-Someone I Never Knew-Magali-Andre
Buddy Collette ♠ Nice Day ♠ West Coast Jazz (1957 LP HQ Full Album)
the girl from ipanema (1964) FULL ALBUM buddy collette
Buddy Collette interviewed for " A true jazz legend"
Buddy Collette Quintet - My Funny Valentine
hi flutin' (1957) FULL ALBUM herbie mann buddy collette cool jazz
Calm, Cool, and Collette from 1957 features Collette backed by his working trio of Dick Shreve on piano, John F. Goodman on bass, and Bill Dolney on drums, none of whom became particularly well- known. The album is awash is light-footed tracks that generate congenial warmness without much heat. This feathery approach is fine for skippy numbers like "The Continental" and a melancholy "If She Had Stayed," but too docile for "They Can't Take That Away From Me" and a "Night in Tunisia" handled with kid gloves. Still, this is Collette at his best, playing mild, appealing jazz with more sax that is usual for him. By DAVID RICKERT 1 Winston Walks 0:00 2 If She Had Stayed 2:59 3 They Can't Take That Away From You 6:37 4 Undecided 10:30 5 Flute In "D" 13:52 6 The Continental 18:48 7 Three And On...
Buddy Collette Quartet - A Nice Day (1956) Personnel: Buddy Collette (clarinet), Don Friedman (piano), John Goodman (bass), Joe Peters (drums) from the album 'NICE DAY WITH BUDDY COLLETTE' (Contemporary Records)
free mixes of this kind of jazz, soul, gospel and brazilian music on http://modernsunrecords.wordpress.com/
Some meaty morsels from the back cover: ["TYPE OF MUSIC: Warm, woodsy sounds from four flutes and rhythm. The flutes are directed by Buddy Collette, known best, perhaps, for his work with Chico Hamilton. With him are Bud Shank, Paul Horn, and Harry Klee. HIGHLIGHTS: Collette's expressive *Short Story*... The knowing interplay between the four flutists, as they switch to the various instruments in the flute family... The two *Improvisations,* which came off beautifully smooth the first time through... Paul Horn's two scriptings, *Pony Tale* and *The Four Winds Blow.* 0:00 PONY TALE 4:32 MACHITO 8:26 SHORT STORY 11:51 FLUTE DIET 16:37 IMPROVISATION (WITH CONGA) 19:05 THE FUNKY SHEPHERDS 23:58 TASTY DISH 28:22 IMPROVISATION (UNACCOMPANIED) 30:36 THE FOUR WINDS BLOW Recorded March 5 and M...
バディー・コレット BUDDY COLLETTE (reeds)/ LARRY NASH (p)/ RICHARD REID (b)/ MEL LEE (ds) Hunt And Peck/ Someone I Never Knew/ Emaline's Theme/ Magali/ Andre バディー・コレット BUDDY COLLETTE Quartet: CLUB DATE 1991; Hunt And Peck-Someone I Never Knew-Emaline's Theme-Magali-Andre 070229
Like many of his fellow West Coast musicians, Buddy Collette was proficient on multiple instruments. He could play alto and tenor sax, but tended toward the clarinet and the flute for most of his recording career. His solo records were as light and effortless as most jam form the West Coast tended to be at the time, and they are very pleasant, if a bit toothless at times. There's no doubt that Collette was a main figure of the West Coast scene and this set collects some fine work. A Nice Day With Buddy Collette from 1956 is Collette's finest record. Although there's a lack of consistency due to different rhythm sections on multiple sessions, top-notch playing from the likes of Leroy Vinnegar and Shelly Manne prove that Collette is a tougher customer than we've come to expect. "A Nice Day...
"The Girl from Ipanema and other favorites featuring Buddy Collette," on CROWN Records, 1964, in scratchy, a little warped Mono. Budget label Jazz featuring the great Buddy Collette on some tracks. Howard Roberts on guitar. Reportedly a reissue of an album titled "Bossa Nova."
www.orangethenblue.com Low res Excerpt: Interview of Buddy Collette with K.Ellington Mingus Subject: Charles Mingus at the Monterey Jazz Festival 1964 A true jazz legend Documentary on the legacy of Charles Mingus Help us build at www.orangethenblue.com
Buddy Collette (fl,as,ts,cl), Gerald Wilson (tp), Al Viola (g), Wilfred Middlebrooks (b), Earl Palmer (ds) Album:" Buddy Collette / Buddy's Best " Recorded: 1957
"Hi Flutin'," Herbie Mann with Buddy Collette, on PREMIER Records, (1957?), High Fidelity. Early reissue of 1957 Cool/West Coast Jazz session. Mann and Collette share the winds, Jimmy Rowles on piano, celeste; Buddy Clark, bass; Mel Lewis, drums.
バディー・コレット BUDDY COLLETTE (reeds)/ LARRY NASH (p)/ RICHARD REID (b)/ MEL LEE (ds) Hunt And Peck/ Someone I Never Knew/ Emaline's Theme/ Magali/ Andre バディー・コレット BUDDY COLLETTE Quartet: CLUB DATE 1991; Hunt And Peck-Someone I Never Knew-Emaline's Theme-Magali-Andre 070229
Cannonball Adderley, Buddy Collette - Sessions, Live (Calliope CAL 3014) Nat Adderley (cornet) Cannonball Adderley (alto saxophone) Junior Mance (piano) Sam Jones (bass) Specs Wright (drums) KABC-TV, Stars Of Jazz #25. 1956-#26, December 17, 1956 Review by Ken Dryden During the mid-'70s, the short-lived Calliope label issued a series of poorly packaged and badly labeled LP anthologies of live jazz, which contained a lot of great performances taken from television broadcasts of the latter half of the 1950s. Composer credits and supporting musicians, as always, aren't mentioned, though most of the participants on the nine tracks heard on this album are identifiable. Side one is mostly taken up by Cannonball Adderley's fine quintet. The alto saxophonist had just made his recording debut...
A legend in American Jazz, Buddy Collette was mentor to Charlie Mingus and played with Ellington,Basie, Parker - all the great ones. Buddy was one of those rare talents that helped define what can be done with a saxaphone in LA's famed central avenue 1930's jazz scene.
"Hi Flutin'," Herbie Mann with Buddy Collette, on PREMIER Records, (1957?), High Fidelity. Early reissue of 1957 Cool/West Coast Jazz session. Mann and Collette share the winds, Jimmy Rowles on piano, celeste; Buddy Clark, bass; Mel Lewis, drums.
Cannonball Adderley, Buddy Collette - Sessions, Live (Calliope CAL 3014) Nat Adderley (cornet) Cannonball Adderley (alto saxophone) Junior Mance (piano) Sam Jones (bass) Specs Wright (drums) Sylvia Syms (voice) KABC-TV, Stars Of Jazz #25. 1956-#26, December 17, 1956 Review by Ken Dryden During the mid-'70s, the short-lived Calliope label issued a series of poorly packaged and badly labeled LP anthologies of live jazz, which contained a lot of great performances taken from television broadcasts of the latter half of the 1950s. Composer credits and supporting musicians, as always, aren't mentioned, though most of the participants on the nine tracks heard on this album are identifiable. Side one is mostly taken up by Cannonball Adderley's fine quintet. The alto saxophonist had just mad...
live at espeto brasil 2014.07.31-2nd set
http://acerecords.co.uk/buddys-best A lost gem of West Coast jazz by one of the most underrated tenor players. From the original master tapes
part 2
Yusef Lateef Quartet "Autophysiopsychic Music" - Jazz Harmonie 1972 DVD - http://rutracker.org/forum/viewtopic.php?t=3816855 - Yesterdays (J.Kern) Yusef Lateef - flute Kenny Barron - piano Bob Cunningham - bass Albert Heath - drums Jazz Harmonie 22.04.1972, enregistré au Parc Floral de Paris
The Buddy Collette Quintet at the Red Lion Inn, Santa Barbara, CA in the early 1990's with Buddy on Flute, Fred Ralsten on Vibes, Theo Saunders on Piano, Darek Oles on Bass, and Harold Acey on Drums.
Calm, Cool, and Collette from 1957 features Collette backed by his working trio of Dick Shreve on piano, John F. Goodman on bass, and Bill Dolney on drums, none of whom became particularly well- known. The album is awash is light-footed tracks that generate congenial warmness without much heat. This feathery approach is fine for skippy numbers like "The Continental" and a melancholy "If She Had Stayed," but too docile for "They Can't Take That Away From Me" and a "Night in Tunisia" handled with kid gloves. Still, this is Collette at his best, playing mild, appealing jazz with more sax that is usual for him. By DAVID RICKERT 1 Winston Walks 0:00 2 If She Had Stayed 2:59 3 They Can't Take That Away From You 6:37 4 Undecided 10:30 5 Flute In "D" 13:52 6 The Continental 18:48 7 Three And On...
Some meaty morsels from the back cover: ["TYPE OF MUSIC: Warm, woodsy sounds from four flutes and rhythm. The flutes are directed by Buddy Collette, known best, perhaps, for his work with Chico Hamilton. With him are Bud Shank, Paul Horn, and Harry Klee. HIGHLIGHTS: Collette's expressive *Short Story*... The knowing interplay between the four flutists, as they switch to the various instruments in the flute family... The two *Improvisations,* which came off beautifully smooth the first time through... Paul Horn's two scriptings, *Pony Tale* and *The Four Winds Blow.* 0:00 PONY TALE 4:32 MACHITO 8:26 SHORT STORY 11:51 FLUTE DIET 16:37 IMPROVISATION (WITH CONGA) 19:05 THE FUNKY SHEPHERDS 23:58 TASTY DISH 28:22 IMPROVISATION (UNACCOMPANIED) 30:36 THE FOUR WINDS BLOW Recorded March 5 and M...
バディー・コレット BUDDY COLLETTE (reeds)/ LARRY NASH (p)/ RICHARD REID (b)/ MEL LEE (ds) Hunt And Peck/ Someone I Never Knew/ Emaline's Theme/ Magali/ Andre バディー・コレット BUDDY COLLETTE Quartet: CLUB DATE 1991; Hunt And Peck-Someone I Never Knew-Emaline's Theme-Magali-Andre 070229
Like many of his fellow West Coast musicians, Buddy Collette was proficient on multiple instruments. He could play alto and tenor sax, but tended toward the clarinet and the flute for most of his recording career. His solo records were as light and effortless as most jam form the West Coast tended to be at the time, and they are very pleasant, if a bit toothless at times. There's no doubt that Collette was a main figure of the West Coast scene and this set collects some fine work. A Nice Day With Buddy Collette from 1956 is Collette's finest record. Although there's a lack of consistency due to different rhythm sections on multiple sessions, top-notch playing from the likes of Leroy Vinnegar and Shelly Manne prove that Collette is a tougher customer than we've come to expect. "A Nice Day...
"The Girl from Ipanema and other favorites featuring Buddy Collette," on CROWN Records, 1964, in scratchy, a little warped Mono. Budget label Jazz featuring the great Buddy Collette on some tracks. Howard Roberts on guitar. Reportedly a reissue of an album titled "Bossa Nova."
"Hi Flutin'," Herbie Mann with Buddy Collette, on PREMIER Records, (1957?), High Fidelity. Early reissue of 1957 Cool/West Coast Jazz session. Mann and Collette share the winds, Jimmy Rowles on piano, celeste; Buddy Clark, bass; Mel Lewis, drums.
Bass: Red Mitchell / Drums: Earl Palmer except for "Smile" on which Shelly Manne plays / Flute: Paul Horn / Flute [Alto, Bass]: Harry Klee / Flute [C-flute], Flute [Alto]: Buddy Collette / Flute [E-flute]: Bud Shank / Guitar: Jim Hall / Piano: Bill Miller on "Colonel Bogey" and "The Trolley Song" / Piano: John Williams on "The Shrike" and "Invitation." 0:00 Colonel Bogey & River Kwai March 3:35 Laura 6:17 Smile 9:27 The Bad And The Beautiful (Love Is For The Very Young) 13:41 The Shrike 17:09 I Can't Believe That You're In Love With Me 19:06 The Trolley Song 21:51 Intermezzo 25:21 Ruby 28:46 Invitation 32:44 Swinging On A Star If any viewers would care to forward more information about these sides and anything else about the sessions I will be happy to add it to this descripti...
CREDITS: Drums – Chico Hamilton / Alto Saxophone, Flute – Paul Horn / Bass – Carson Smith / Cello – Fred Katz / Guitar – Jim Hall / Tenor Saxophone, Alto Saxophone – Buddy Collette 0:00 Take The "A" Train & Perdido 3:37 Everything But You 8:07 Lucky So And So 12:59 Azure 16:31 I'm Beginning To See The Light 20:33 In A Mellotone 24:10 Sittin' And A Rockin' 27:30 In A Sentimental Mood 32:14 Day Dream 36:11 It Don't Mean A Thing This original longplay record album was released as WP-1258 by World Pacific in 1959, and will forever be part of my personal collection. I ripped its contents for my enjoyment and created this video hoping to share it with others who appreciate hard-to-find and obscure music. Should the current copyright holders require its removal from this site I will c...
01 Everything Happens to Me 00:00 02 I Forgot 04:41 03 I Wished On the Moon 10:11 04 Miss Helen 14:21 05 Orfeo Negro 19:15 06 Mounya Labeli Matatoo 21:51 07 Skater for Mater 27:03 08 Blues 30:37 09 Softly as in a Morning Sunrise 36:35 10 That's All 40:05 11 Eh Ho 45:17 12 The Power of Winds 47:27 13 Soft Touch 49:55 14 Skylark 53:57 15 Santa Monica 58:01 16 Stella By Starlight 61:27
www.orangethenblue.com Low res Excerpt: Interview of Buddy Collette with K.Ellington Mingus Subject: Charles Mingus at the Monterey Jazz Festival 1964 A true jazz legend Documentary on the legacy of Charles Mingus Help us build at www.orangethenblue.com
part 3
free mixes of this kind of jazz, soul, gospel and brazilian music on http://modernsunrecords.wordpress.com/
"United States of Tara" returns for its second season on Showtime Sunday, March 21, and star Toni Collette teases what to expect from her character - who struggles with multiple personalities. (March 17)
Calm, Cool, and Collette from 1957 features Collette backed by his working trio of Dick Shreve on piano, John F. Goodman on bass, and Bill Dolney on drums, none of whom became particularly well- known. The album is awash is light-footed tracks that generate congenial warmness without much heat. This feathery approach is fine for skippy numbers like "The Continental" and a melancholy "If She Had Stayed," but too docile for "They Can't Take That Away From Me" and a "Night in Tunisia" handled with kid gloves. Still, this is Collette at his best, playing mild, appealing jazz with more sax that is usual for him. By DAVID RICKERT 1 Winston Walks 0:00 2 If She Had Stayed 2:59 3 They Can't Take That Away From You 6:37 4 Undecided 10:30 5 Flute In "D" 13:52 6 The Continental 18:48 7 Three And On...
A legend in American Jazz, Buddy Collette was mentor to Charlie Mingus and played with Ellington,Basie, Parker - all the great ones. Buddy was one of those rare talents that helped define what can be done with a saxaphone in LA's famed central avenue 1930's jazz scene.
バディー・コレット BUDDY COLLETTE (reeds)/ LARRY NASH (p)/ RICHARD REID (b)/ MEL LEE (ds) Hunt And Peck/ Someone I Never Knew/ Emaline's Theme/ Magali/ Andre バディー・コレット BUDDY COLLETTE Quartet: CLUB DATE 1991; Hunt And Peck-Someone I Never Knew-Emaline's Theme-Magali-Andre 070229
Subscribe now for more! http://bit.ly/1VGTPwA From series 20, broadcast on 17/09/2015 The pair star in the new movie Miss You Already and they talk to the Loose Women about how the emotional story brought them together. Like, follow and subscribe to Loose Women! Website: http://bit.ly/1EDGFp5 YouTube: http://bit.ly/1C7hxMy Facebook: http://on.fb.me/1KXmWdc Twitter: http://bit.ly/1Bxfxts http://www.itv.com http://www.stv.tv http://www.u.tv
Stefan Pape from HeyUGuys interviews Drew Barrymore & Toni Collette for their movie Miss You Already which is directed by Catherine Hardwicke and also stars Dominic Cooper and Paddy Considine. For syndication or usage opportunities please contact syndication@heyuguys.co.uk. More from HeyUGuys Website ► http://HeyUGuys.com Follow us on Twitter ► http://twitter.com/HeyUGuys Subscribe here! ► http://bit.ly/HeyUGuysYTSub Facebook ► http://facebook.com/HeyUGuys Instagram ► http://instagram.com/HeyUGuysOfficial
Popular jazz-man Buddy Collette talks about his treatment with Constraint Induced Movement Therapy at Advanced Recovery Rehabilitation Center. Example of treatment with Taub's terapy on a chronic stroke patient.
Calm, Cool, and Collette from 1957 features Collette backed by his working trio of Dick Shreve on piano, John F. Goodman on bass, and Bill Dolney on drums, none of whom became particularly well- known. The album is awash is light-footed tracks that generate congenial warmness without much heat. This feathery approach is fine for skippy numbers like "The Continental" and a melancholy "If She Had Stayed," but too docile for "They Can't Take That Away From Me" and a "Night in Tunisia" handled with kid gloves. Still, this is Collette at his best, playing mild, appealing jazz with more sax that is usual for him. By DAVID RICKERT 1 Winston Walks 0:00 2 If She Had Stayed 2:59 3 They Can't Take That Away From You 6:37 4 Undecided 10:30 5 Flute In "D" 13:52 6 The Continental 18:48 7 Three And On...
Buddy Collette Quartet - A Nice Day (1956) Personnel: Buddy Collette (clarinet), Don Friedman (piano), John Goodman (bass), Joe Peters (drums) from the album 'NICE DAY WITH BUDDY COLLETTE' (Contemporary Records)
free mixes of this kind of jazz, soul, gospel and brazilian music on http://modernsunrecords.wordpress.com/
Some meaty morsels from the back cover: ["TYPE OF MUSIC: Warm, woodsy sounds from four flutes and rhythm. The flutes are directed by Buddy Collette, known best, perhaps, for his work with Chico Hamilton. With him are Bud Shank, Paul Horn, and Harry Klee. HIGHLIGHTS: Collette's expressive *Short Story*... The knowing interplay between the four flutists, as they switch to the various instruments in the flute family... The two *Improvisations,* which came off beautifully smooth the first time through... Paul Horn's two scriptings, *Pony Tale* and *The Four Winds Blow.* 0:00 PONY TALE 4:32 MACHITO 8:26 SHORT STORY 11:51 FLUTE DIET 16:37 IMPROVISATION (WITH CONGA) 19:05 THE FUNKY SHEPHERDS 23:58 TASTY DISH 28:22 IMPROVISATION (UNACCOMPANIED) 30:36 THE FOUR WINDS BLOW Recorded March 5 and M...
バディー・コレット BUDDY COLLETTE (reeds)/ LARRY NASH (p)/ RICHARD REID (b)/ MEL LEE (ds) Hunt And Peck/ Someone I Never Knew/ Emaline's Theme/ Magali/ Andre バディー・コレット BUDDY COLLETTE Quartet: CLUB DATE 1991; Hunt And Peck-Someone I Never Knew-Emaline's Theme-Magali-Andre 070229
Like many of his fellow West Coast musicians, Buddy Collette was proficient on multiple instruments. He could play alto and tenor sax, but tended toward the clarinet and the flute for most of his recording career. His solo records were as light and effortless as most jam form the West Coast tended to be at the time, and they are very pleasant, if a bit toothless at times. There's no doubt that Collette was a main figure of the West Coast scene and this set collects some fine work. A Nice Day With Buddy Collette from 1956 is Collette's finest record. Although there's a lack of consistency due to different rhythm sections on multiple sessions, top-notch playing from the likes of Leroy Vinnegar and Shelly Manne prove that Collette is a tougher customer than we've come to expect. "A Nice Day...
"The Girl from Ipanema and other favorites featuring Buddy Collette," on CROWN Records, 1964, in scratchy, a little warped Mono. Budget label Jazz featuring the great Buddy Collette on some tracks. Howard Roberts on guitar. Reportedly a reissue of an album titled "Bossa Nova."
www.orangethenblue.com Low res Excerpt: Interview of Buddy Collette with K.Ellington Mingus Subject: Charles Mingus at the Monterey Jazz Festival 1964 A true jazz legend Documentary on the legacy of Charles Mingus Help us build at www.orangethenblue.com
Buddy Collette (fl,as,ts,cl), Gerald Wilson (tp), Al Viola (g), Wilfred Middlebrooks (b), Earl Palmer (ds) Album:" Buddy Collette / Buddy's Best " Recorded: 1957
"Hi Flutin'," Herbie Mann with Buddy Collette, on PREMIER Records, (1957?), High Fidelity. Early reissue of 1957 Cool/West Coast Jazz session. Mann and Collette share the winds, Jimmy Rowles on piano, celeste; Buddy Clark, bass; Mel Lewis, drums.
"The Girl from Ipanema and other favorites featuring Buddy Collette," on CROWN Records, 1964, in scratchy, a little warped Mono. Budget label Jazz featuring the great Buddy Collette on some tracks. Howard Roberts on guitar. Reportedly a reissue of an album titled "Bossa Nova."
"Hi Flutin'," Herbie Mann with Buddy Collette, on PREMIER Records, (1957?), High Fidelity. Early reissue of 1957 Cool/West Coast Jazz session. Mann and Collette share the winds, Jimmy Rowles on piano, celeste; Buddy Clark, bass; Mel Lewis, drums.
Clarinet Family Berlin November 2, 1984 Hamiet Bluiett, Buddy Collette, Edward Kid Jordan, John Purcell, Dwight Andrews, J.D.Parran, Don Byron cl / Fred Hopkins b Ntika unknown title Mama other unknown titles
Bob Cooper - 1957 01 Milano Blues 00:00 02 I'm Through With Love 07:05 03 Tickle Toe 13:42 04 People Will Say We' Re In Love 17:52 05 Angel Eyes 23:06 06 Cappuccino Time 30:40 07 Fiera Di Milano (*) 36:55 Recorded on April 30, 1957 at the "Teatro Leonardo", Milano Bob Cooper (ts/aboe), Hans Hammerschmid (p), Rudolf Hansen(b) Victor Plasil (d) Buddy Collette - 1961 08 Slavic Mood (*) 40:20 09 San Carlo (**) 44:35 10 Pickford Street (*) 49:24 11 Paddi (***) 53:43 12 Blues For Nicola (*) 57:55 13 A Testa Of Fresh Air (***) 1:02:05 Recorded on March 10, 1961 at the Gürtler Bros. Studio, Milano Dusko Gojkovic (tp), Buddy Collette (fl*/cl**/as***),Renato Stellani (p), Franco Cerri (g), George Joyner (b), Jimmy Pratt (d)
CREDITS: Drums – Chico Hamilton / Alto Saxophone, Flute – Paul Horn / Bass – Carson Smith / Cello – Fred Katz / Guitar – Jim Hall / Tenor Saxophone, Alto Saxophone – Buddy Collette 0:00 Take The "A" Train & Perdido 3:37 Everything But You 8:07 Lucky So And So 12:59 Azure 16:31 I'm Beginning To See The Light 20:33 In A Mellotone 24:10 Sittin' And A Rockin' 27:30 In A Sentimental Mood 32:14 Day Dream 36:11 It Don't Mean A Thing This original longplay record album was released as WP-1258 by World Pacific in 1959, and will forever be part of my personal collection. I ripped its contents for my enjoyment and created this video hoping to share it with others who appreciate hard-to-find and obscure music. Should the current copyright holders require its removal from this site I will c...
JazzAmerica's Big Band played on Stage 1 at the 21st Central Avenue Jazz Festival on July 31, 2016. Central Avenue in Los Angeles was and is a hub of the jazz scene in Los Angeles. JazzAmerica was founded by L.A. jazz icon, Buddy Collette and current director, Richard Simon. JazzAmerica is a non-profit organization that seeks to perpetuate jazz by educating young jazz musicians. Please help JazzAmerica continue it's good work by donating or joining. Visit jazzamerica.org.
recorded from a fairly scratched record 0:00 - Cycle 2:56 - Makin' Whoopee 6:34 - Ruby 10:21 - St. Andrews Place Blues 14:04 Cheryl Ann 18:36 - sunset drive 21:54 - Jazz City Blues 26:35 - Slappy's Tune 30:14 - Frenesi 32:57 - Santa Monica 36:40 - Jungle pipe 40:41 - Zan
The Workshop Series Presents "The Fourth Dimension In Sound," Produced and Directed by Shorty Rogers, on WARNER BROS. Records, 1962, High Fidelity. Besides Rogers the album boasts Shelly Manne, Buddy Collette, Bud Shank, Paul Horn, Bill Hood, Pete Jolly, Red Mitchell, Emil Richards, George Roberts, Ken Shroyer and Joe Mondragon. Space Age Jazz
Like many of his fellow West Coast musicians, Buddy Collette was proficient on multiple instruments. He could play alto and tenor sax, but tended toward the clarinet and the flute for most of his recording career. His solo records were as light and effortless as most jam form the West Coast tended to be at the time, and they are very pleasant, if a bit toothless at times. There's no doubt that Collette was a main figure of the West Coast scene and this set collects some fine work. A Nice Day With Buddy Collette from 1956 is Collette's finest record. Although there's a lack of consistency due to different rhythm sections on multiple sessions, top-notch playing from the likes of Leroy Vinnegar and Shelly Manne prove that Collette is a tougher customer than we've come to expect. "A Nice Day...