Bewildered

"Bewildered" is a popular song written in 1936 by Teddy Powell and Leonard Whitcup. It was a 1938 hit for Tommy Dorsey and His Orchestra, and was also recorded by Mildred Bailey in the same year. The song was revived in the late forties when two different versions, by the Red Miller Trio and Amos Milburn respectively, reached number one on the R&B chart in 1948 (neither of them made the pop chart). Both these versions departed significantly from the original published melody and influenced later recordings. "Bewildered" was subsequently recorded by several other R&B performers, including Billy Eckstine and The Ink Spots, with Eckstine's version reaching #4 R&B and #27 pop. A decade later it was recorded by Mickey & Sylvia, again with an altered melody similar to the Red Miller Trio recording. "Bewildered" was also covered in 1990 by The Notting Hillbillies on their album Missing...Presumed Having a Good Time.

James Brown and The Famous Flames version

James Brown and The Famous Flames recorded "Bewildered" in 1959. Their doo-wop-tinged rendition was somewhat similar to the Amos Milburn version, with a strong triplet feeling and a heavily melismatic vocal line. It was first released as a track on Brown's 1960 album Think!. The following year it was issued as a single, which reached the R&B Top Ten and became Brown's second single (after "Think") to enter the Pop Top 40 (US Charts: #8 R&B; #40 Pop).

James Brown

James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, songwriter, record producer, dancer and bandleader. The founding father of funk music and a major figure of 20th century popular music and dance, he is often referred to as the "Godfather of Soul". In a career that spanned six decades, Brown influenced the development of several music genres.

Brown began his career as a gospel singer in Toccoa, Georgia. Joining an R&B vocal group called the Avons that later evolved to become the Flames, Brown served as the group's lead singer. First coming to national public attention in the late 1950s as a member of the singing group the Famous Flames with the hit ballads "Please, Please, Please" and "Try Me", Brown built a reputation as a tireless live performer with the Famous Flames and his backing band, sometimes known as the James Brown Band or the James Brown Orchestra. Brown's success peaked in the 1960s with the live album Live at the Apollo and hit singles such as "Papa's Got a Brand New Bag", "I Got You (I Feel Good)" and "It's a Man's Man's Man's World". During the late 1960s, Brown moved from a continuum of blues and gospel-based forms and styles to a profoundly "Africanized" approach to music-making that influenced the development of funk music. By the early 1970s, Brown had fully established the funk sound after the formation of the J.B.s with records such as "Get Up (I Feel Like Being a) Sex Machine" and "The Payback". Brown also became notable for songs of social commentary, including the 1968 hit "Say It Loud - I'm Black and I'm Proud". Brown continued to perform and record until his death in 2006 from congestive heart failure.

Ella Fitzgerald

Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazz singer often referred to as the First Lady of Song, Queen of Jazz and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing and intonation, and a "horn-like" improvisational ability, particularly in her scat singing.

After tumultuous teenage years, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country, but most often associated with the Savoy Ballroom in Harlem. Fitzgerald's rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. Taking over the band after Webb died, Fitzgerald left it behind in 1942 to start a solo career that would last essentially the rest of her life.

Signed with manager and Savoy co-founder Moe Gale from early in her career, she eventually gave managerial control for her performance and recording career to Norman Granz, who built up the label Verve Records based in part on Fitzgerald's vocal abilities. With Verve she recorded some of her more widely noted works, particularly her interpretation of the Great American Songbook.