- Review
Love in Idleness review: I was left in bits
Trevor Nunn has combined the texts from Rattigan's comedy ‘Less Than Kind’ with its revised version ‘Love in Idleness’ to create a new production that stars Eve Best and Helen George
Trevor Nunn has combined the texts from Rattigan's comedy ‘Less Than Kind’ with its revised version ‘Love in Idleness’ to create a new production that stars Eve Best and Helen George
The Canadian choreographer Crystal Pite creates her first work for The Royal Ballet - the first woman to make a main stage work for the company in 18 years
Performed by the ballet company comprising international dancers of black and Asian descent, the new production includes Micheal Corder's 'House of Dreams', Martin Lawrance's 'Captured' and Annabelle Lopez Ochoa's 'Red Riding Hood'
With the 50th anniversary revival of ‘Rosencrantz and Guildenstern Are Dead’ having just opened at the Old Vic starring Daniel Radcliffe, we take a look back at its origins, its 1967 National Theatre production and Broadway triumph
Following the Brexit vote, real testimonials were collected from people nationwide and interwoven with speeches by politicians in this play by Poet Laureate, Carol Ann Duffy and National Theatre artistic director, Rufus Norris
Arthur Pita choreographs an unnerving double bill that twists fairy tales into hellish dimensions
James Macdonald's high-energy production of ‘Who's Afraid of Virginia Woolf?’ stars Imelda Staunton as a feisty Martha, who returns to the West End for the first time since her acclaimed performance in ‘Gypsy’
There is a no food 'ban' during the West End production of 'Who's Afraid of Virginia Woolf', but it's not the first time theatre etiquette has been requested or enforced, even mid-performance
Ellen McDougall makes debut at Shakespearean winter theatre with up-to-date Moorish play
The American playwright Lindsey Ferrentino's makes her UK debut with this play about a war veteran who experiments with virtual reality therapy to heal her emotional wounds
Robert Icke’s modern-dress production of ‘Hamlet’, starring ‘Sherlock’ actor Scott with Juliet Stevenson as Gertrude, may be slow, but it is not to be missed
Tamsin Greig plays Malvolia, a traditionally male role, in Simon Godwin’s new modern-dress production of Shakespeare’s classic comedy of mistaken identity, joining the ranks of great actresses, who are tackling meaty Shakespearean roles, including Glenda Jackson as Lear
This darkly comic musical set in Manhattan in the Twenties is about a vaudeville showgirl and vaudeville clown who decide to throw a debauched party like no other
Take That’s Gary Barlow and dramatist Tim Firth teamed up to make the stage musical version of ‘Calendar Girls’, a new production that looks likely to stand the test of time
Real-life sex workers take to the stage, in a production about prostitution, directed by Mimi Poskitt, with song and dance
Bourne's triple bill of early works, which marks 30 years since he launched his own dance company, show that many of his strengths were already in place
Simon McBurney's compelling co-production between his own Complicite company and Schaubühne Berlin, is based on Stefan Zweig’s 1939 novel, about a man’s downfall after he tries to make amends
Lines blur between reality and fantasy in Titas Halder’s debut play
The lyric change to include 'and sisterhood' drew roars of approval from the Super Bowl audience
The two-hander, starring Emilia Fox and Theo James, which is written by Laura Eason, a scriptwriter on 'House of Cards', is a comedy about love and literary ambition in the digital age