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Stellar Project review: Dancers look to skies for answers in work with universal themes
Five dancers in trackie dacks tackle big themes in this Dance Massive show.
Five dancers in trackie dacks tackle big themes in this Dance Massive show.
The acclaimed Scottish play is grittier than the film versions and audiences are warned not to wear their best clothing, due to flying faeces.
A blackboard jungle drama tackles issues of sexual consent, ethics and power in unapologetic, in-your-face style.
A blackboard jungle drama tackles issues of sexual consent, ethics and power in unapologetic, in-your-face style.
American writer Beth Henley's play is the story of three small-town sisters reuniting in unhappy circumstances
She's Mary Poppins, she's Maria von Trapp, but Julie Andrews answers to a more familial pet name while in Brisbane.
Five dancers in trackie dacks tackle big themes in this Dance Massive show.
The Australian Ballet's modern ballet program, Faster, presents works by three male choreographers. The works are designed to showcase the body in high-speed motion, with a focus on heightened physicality, hyper-extended limbs, and contemporary sound and design.
The Royal Ballet's choreographer Wayne McGregor, and composer Max Richter fuse music, dance and technology to create narrative wonders, as will be seen when two of their collaborations are performed in Australia.
This production of the dark, cynical Kander and Ebb musical is energetic and hard to resist.
This production of the classic Bob Fosse musical aims to get back to its vaudeville roots while emphasising its sharp satirical edge.
An effervescent blend of workplace soap, rom-com and coming-of-age story.
Melbourne Opera delivers a fine production of HMS Pinafore but it's almost too energetic for its own good.
As Opera Australia bumps in its spectacular restaging of Carmen outdoors on Sydney Harbour, we look at the feistiest women in the repertoire.
Joyous is the only word necessary to summarise Victoria Opera's marvellously energetic and often hilarious performance of Ottorino Respighi's 1922 opera.
He is considered the greatest English comedian and storyteller of his generation, but hecklers at his gigs should watch out.
Like voice itself, human laughter is endlessly, subtly, distinctive.
The actor, comedian, writer, director and producer is heading to Australia in June as part of his world stand-up tour
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