Slavery and higher education. "I don’t know how you conduct research that shows that your very existence is rooted in a great crime and just say, ‘Well,’ shrug—and maybe at best say, ‘I’m sorry’"... more »
Il Duce's last lover. The myth of Mussolini as the leader who never flagged, a man of power and daring, cast a spell on Claretta Petacci. "I’d like to jump onto your bed like a big tomcat"... more »
Two cultures, then and now. When C.P. Snow lamented the gulf between the literati and scientists, in 1959, he posed a problem that can never be fully solved. But it could be better understood ... more »
In 1936, a middling novelist went to live among the poor and unemployed in the north of England. He returned as George Orwell, champion of democratic socialism... more »
When it comes to precise and memorable extended descriptions, Elizabeth Bishop is unrivaled. Yet great poets provoke strong emotions, and her verse lacks fire... more »
To be cultured is to know how much you want to know, and what you don't want to know. Think Jacques Barzun: formidable without being stuffy, he was an authority on French prosody, baseball, and detective fiction... more »
Catching up with Camille. In the 1990s she showed up at photo shoots with whip and sword. Now she claims to crave anonymity. Still, the cult of Paglia persists... more »
Tennyson despaired at the existence of fossils; Darwin mocked such thinking as “catastrophist.” Our notion of extinction rests on the relationship between the arts and sciences... more »
In his lifetime, Georg Lukács was attacked from both right and left. He was too philosophical, “bourgeois,” a “deviationist.” His political troubles hardly ended when he died... more »
Think of a powerful person. You probably pictured a man. To empower women, a different way of thinking about power is called for. Mary Beard explains... more »
Angela Carter’s becoming a feminist icon and darling of academics was an unhappy development for her. "The thought that I’m taught in universities makes me feel rather miserable”... more »
Of ice and art. From Burke’s sublime to Freud’s unconscious to Hemingway’s theory of artistic ingenuity, the iceberg has come to represent the creative process. Why?... more »
What do artists do, mostly? They tweak what they've already done. George Saunders finds it helpful to imagine a meter on his forehead... more »
The impediments of style. Terry Eagleton’s writing proceeds by jokey elaboration, winking asides, and absurdist flights of fancy. It’s fun, but frustrating... more »
Professions colonize our imaginations. So thought Ivan Illich, who was against schools, medicine, transportation, law, psychotherapy, and the media... more »
Kafka spent most of his nights alone, embracing asceticism and avoiding social obligations. But it was love that shaped the end of his life... more »
Jean-Louis Lebris de Kérouac grew up speaking joual, a working-class dialect of Canadian French. Later, going by “Jack,” he would shape the nature of Americana... more »
Selective private colleges have become religious schools. Adherents believe they possess the moral truth. This is dogma, not scholarship... more »
Anthony Burgess began writing because he thought he had a year to live and wanted to make money for his widow-to-be. He didn't die and couldn't find a job, so he kept on writing... more »
Every perished democracy died in its own way. In 1930s Germany, what mattered most was that so many citizens were willing to allow Hitler to do what he did ... more »
In praise of “useless” knowledge. The best scientific minds — Einstein, Faraday, Planck — have been driven by curiosity and intellectual challenge, not practical applications ... more »
Slavery and higher education. "I don’t know how you conduct research that shows that your very existence is rooted in a great crime and just say, ‘Well,’ shrug—and maybe at best say, ‘I’m sorry’"... more »
In 1936, a middling novelist went to live among the poor and unemployed in the north of England. He returned as George Orwell, champion of democratic socialism... more »
Catching up with Camille. In the 1990s she showed up at photo shoots with whip and sword. Now she claims to crave anonymity. Still, the cult of Paglia persists... more »
Think of a powerful person. You probably pictured a man. To empower women, a different way of thinking about power is called for. Mary Beard explains... more »
What do artists do, mostly? They tweak what they've already done. George Saunders finds it helpful to imagine a meter on his forehead... more »
Kafka spent most of his nights alone, embracing asceticism and avoiding social obligations. But it was love that shaped the end of his life... more »
Anthony Burgess began writing because he thought he had a year to live and wanted to make money for his widow-to-be. He didn't die and couldn't find a job, so he kept on writing... more »
Eat like a 16th-century pope. Delicacies included monkey brain, parrot tongue, and Turkish fish. Silverware was tossed out the window after each course... more »
Shyness is both common and mysterious. Is it a mere feeling? A chronic condition? A form of anxiety? It’s certainly misunderstood... more »
Shakespeare's language tics — “gentle,” “answer,” “beseech,” “tonight” — reveal the sometimes vague line between authorship and influence among Elizabethan playwrights... more »
Is writing about the arts self-indulgent in a time of political upheaval? No. Cultural criticism is a community service... more »
Britain's political establishment is self-confident, intellectually flexible, and increasingly out of favor. Is the problem that its pillars all have the same degree from Oxford?... more »
The idea of willpower has an intuitive hold on our imaginations, rooted in social attitudes and philosophical speculation — not science ... more »
Andy Warhol, dead 30 years, anticipated our times. He celebrated commercialism, celebrity, and had an opinion of Donald Trump: "I think Trump's sort of cheap"... more »
Robert Lowell’s herculean strength of character. After each of 16 shame-filled, soul-killing episodes of insanity, he sought to re-establish his life... more »
We are “unique, irreplaceable" says the humanist. We contain multitudes, says the scientist — bounded by the narrow confines of our skulls... more »
The idea of intelligence has justified slavery, oppression, eugenics. No wonder the prospect of artificial intelligence fills us with dread... more »
How to stage a ballet in Soviet Russia. Avoid not only technical kinks but also ideological defects, which Sergei Prokofiev was unable -- or unwilling -- to do... more »
Veneration of Shakespeare blinds us to the brilliance of other writers, to the other ways a play can and should be. The case against Shakespeare as a lone genius... more »
In the mid-60s, Norman Podhoretz gave up on becoming the next Lionel Trilling. Instead he wrote about ambition, alienating almost everyone he knew... more »
Norman Mailer helped free the convicted murderer Jack Henry Abbott, promising him work as his literary assistant. Shortly after Abbott’s release, he killed again... more »
How to make the color red: Scholars and artists long sought the tools. Arsenic, Asian flora, sulfur, mercury, and ox blood have been involved... more »
Capitalism has no serious rival. Yet its ability to deliver economic growth has been tarnished. It's time for a new, pragmatic capitalism. Paul Collier explains... more »
From Ms. magazine to Audre Lorde. Feminism, never a consensus, is an embrace of conflict, an intellectual series of fights, breaks, and ruptures... more »
Craving, exhilaration, intoxication, obsessiveness, withdrawal, helplessness: Love is like cocaine. Helen Fisher explains... more »
Moralists like Zola and Camus have given way to propagandists like Zemmour and Houellebecq. The French intellectual is dead. Long live the French intellectual... more »
Money is hardly a measure of literary value. But literary work is deeply connected to its author's financial circumstances... more »
Albert Murray's Omni-American Blues. The contrarian culture critic pursued an argument about what it means to be black ... more »
The Searle-Derrida dispute. How a narrow question about language led to accusations of ignorance and the split between analytic and continental philosophy... more »
"Tell me what you like,” said John Ruskin, “and I’ll tell you what you are.” Such was the spell he cast, people of culture didn't know what to think until he told them... more »
Il Duce's last lover. The myth of Mussolini as the leader who never flagged, a man of power and daring, cast a spell on Claretta Petacci. "I’d like to jump onto your bed like a big tomcat"... more »
When it comes to precise and memorable extended descriptions, Elizabeth Bishop is unrivaled. Yet great poets provoke strong emotions, and her verse lacks fire... more »
Tennyson despaired at the existence of fossils; Darwin mocked such thinking as “catastrophist.” Our notion of extinction rests on the relationship between the arts and sciences... more »
Angela Carter’s becoming a feminist icon and darling of academics was an unhappy development for her. "The thought that I’m taught in universities makes me feel rather miserable”... more »
The impediments of style. Terry Eagleton’s writing proceeds by jokey elaboration, winking asides, and absurdist flights of fancy. It’s fun, but frustrating... more »
Jean-Louis Lebris de Kérouac grew up speaking joual, a working-class dialect of Canadian French. Later, going by “Jack,” he would shape the nature of Americana... more »
Every perished democracy died in its own way. In 1930s Germany, what mattered most was that so many citizens were willing to allow Hitler to do what he did ... more »
Find the moral landscape of our times rather impoverished? You're not alone. Rod Dreher suggests taking a cue from a sixth-century monk and retreating from modernity... more »
The myth of Machiavelli as an amoral schemer is just that — a myth. But as to whether he had a dim view of women, even by the standard of Florentine men of his era: guilty as charged... more »
Didion in Faulkner country. In her 1970 travels, she discovered the morbidity of New Orleans, the rarity of bikinis, and the difficulty of ordering dinner after 8 p.m.... more »
Why do writers write? Narcissism, rage, a quest for ecstasy, a therapeutic impulse. Then there’s J.M. Coetzee, who writes out of apathy... more »
Possessing, per Orwell, a “general hatred of humanity,” Jonathan Swift was a peerless misanthrope. He told Alexander Pope he wanted “to vex the world rather than divert it”... more »
Evelyn Waugh, the funniest writer of his generation, was a famously charming companion. Unless you were a member of his family... more »
Sleuthing word origins has become a game that anyone can play. Now the old founts of linguistic innovation are falling. Poor James Joyce... more »
Cézanne, who grew up in a mountainous region, was a master of line. Turner, from London, was expert in mist and fog. Does geology dictate art?... more »
Critics are unkind to Anna Komnene, the princess who presumed to write military history. It's been suggested not only that her husband wrote her works, but that she plotted fratricide... more »
Somewhere at the uneasy intersection of art and science, Impressionism and empiricism, objectivity and subjectivity, sits the Rorschach test. Behold the blot... more »
Ezra Pound's insanity spared him from execution but condemned him to the asylum. His delusions of conspiracy, persecution, and grandeur speak to the politics of our time... more »
Silicon Valley: Live in a group house, work with a "start-up accelerator," feel like king of the world even if you're running a company that does nothing... more »
At 15, he was a member of the Hitler Youth. At 24, he attacked Heidegger for sympathizing with Nazism. The complicated moral development of Jürgen Habermas... more »
The self-righteousness of literary style guides. They offer advice like “avoid fancy words” but often fail to practice what they preach... more »
The Holocaust survivor and historian Saul Friedländer has been known as Pavel, Pavlícek, Paul, Shaul, and Saül. His many identities can help us understand our own... more »
The Ancient Mariner strangely prophesied the life Coleridge would live. But is it a tale of Christian hope or a drug-fueled nightmare?... more »
Genetic evolution is not enough to explain the skills, power, and versatility of the human mind, says Daniel Dennett. Our minds became modern thanks to cultural memes... more »
Poetry and death. Why are doomed poets -- melancholy, drunken, lascivious, suicidal -- the ones we celebrate?... more »
Step aside, beauty and truth. You were central artistic signifiers for millennia, but no more. The new alpha and omega: identity.... more »
Alexander von Humboldt climbed volcanoes, braved an anthrax epidemic, and negotiated with Napoleon. He wanted to measure everything... more »
Nabokov and Edmund Wilson’s falling out — over translating Pushkin — is often considered silly. But at stake was a serious question: Who owns language?... more »
Depression: Heidegger called it anxiety. Sylvia Plath likened it to being covered with a bell jar. Daphne Merkin experienced “a yawning inner lack." How do you write about a lack?... more »
Two cultures, then and now. When C.P. Snow lamented the gulf between the literati and scientists, in 1959, he posed a problem that can never be fully solved. But it could be better understood ... more »
To be cultured is to know how much you want to know, and what you don't want to know. Think Jacques Barzun: formidable without being stuffy, he was an authority on French prosody, baseball, and detective fiction... more »
In his lifetime, Georg Lukács was attacked from both right and left. He was too philosophical, “bourgeois,” a “deviationist.” His political troubles hardly ended when he died... more »
Of ice and art. From Burke’s sublime to Freud’s unconscious to Hemingway’s theory of artistic ingenuity, the iceberg has come to represent the creative process. Why?... more »
Professions colonize our imaginations. So thought Ivan Illich, who was against schools, medicine, transportation, law, psychotherapy, and the media... more »
Selective private colleges have become religious schools. Adherents believe they possess the moral truth. This is dogma, not scholarship... more »
In praise of “useless” knowledge. The best scientific minds — Einstein, Faraday, Planck — have been driven by curiosity and intellectual challenge, not practical applications ... more »
There is excitement in the air. Writers are anxious but not unhappy. Political upheaval has given them a fresh sense of militancy and purpose. How galvanizing — and disturbing... more »
Daniel Dennett thinks consciousness is an illusion. This, says Thomas Nagel, is the sort of sad contortion that materialists make to follow the narrow rules of physics... more »
Claude Monet became synonymous with money. What sparked the 19th-century love affair between American wealth and innovative French art?... more »
When John Berger died this year, obituaries depicted him as a Marxist rabble-rouser. And he was. But that was only one of his modes... more »
In times of historical turmoil, we gravitate to dead writers. The stories they tell — or we tell ourselves — tend to be comforting. But that doesn't mean they're convincing... more »
Inside David Gelernter's eclectic mind. The computer scientist on the recursive structure of architecture, why Schubert is the greatest composer, and the ideological narrowness of commercial magazines ... more »
When Nell Zink left college she was determined to avoid the trap of femininity. Then she read The Golden Notebook and affirmed her womanhood for the first time... more »
Francis Picabia was unpredictable, irreverent, improvisational, and not infrequently, amateurish: “A painter whose very maladroitness can leave you feeling uplifted"... more »
Life among the Jargonauts. How do smart academics become insufferable windbags? By failing to ask, “When is my jargon necessary and when am I just being an asshole?”... more »
When consensus was king. For a generation of historians, liberalism and centrism were taken for granted. Now historians no longer know what to think about America... more »
Karl Kraus's The Last Days of Mankind, a World War I epic, ran more than 600 pages and comprised 500 characters. A stage production would take 10 nights. Kraus wrote it for a theater on Mars... more »
Jerusalem is many things, a center of learning and a source of discord and derangement. But it's never been a multicultural paradise, whatever the claims of a blockbuster new exhibit... more »
Voltaire thought Shakespeare "a drunken savage”; Mencken dismissed Gatsby as a "glorified anecdote." Why great critics make terrible judgments... more »
Juan Luis Vives in Paris, Erasmus in Venice. Does the mobility of 16th-century intellectuals explain Europe’s rise in fortunes?... more »
Politics, religion, and calendar reform. In Russia, in 1918, the day after January 31 was proclaimed February 14. The new regime wanted to leap forward... more »
When a novelist like Arundhati Roy turns to nonfiction,it raises a few questions: Does literature still qualify as dissent? What writing do we need in times of social crisis?... more »
"If you are a tenured faculty member, you are both the instrument and the direct beneficiary of exploitation." The economic conditions ravaging the humanities ravage as well the work produced by humanists... more »
"Light will be thrown on the origin of man and his history." Darwin dealt with human evolution in only 12 words. But that was enough... more »
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