My contribution to Late Night Work Club's first anthology Ghost Stories. Animation - Eamonn O'Neill Sound - David Kamp http://www.eamonnoneill.ie http://www.studiokamp.com http://latenightworkclub.com

• published: 13 Jan 2014
• views: 15112

I went to Alaska for New Year with my friend Dan; we spent a week travelling North from Anchorage by rail, 4x4 & light aircraft. I took along my A7SII for the trip. Towards the end of 2016 I desired a trip disconnected from technology & work, somewhere 'into the wild' that I could disconnect somewhat from life in London. After our Tens sunglasses (http://tens.co) campaign shoot in Mexico in December, I headed North to Vancouver and spent Christmas snowboarding. Alaska looked like the most logical stop after that for a week or so in the wilderness. The more (little) I researched and booked, I realised I should probably take a camera with me, but didn't want to be inconvenienced by all the gear I usually travel with - FS7, 16mm kit etc. So just took the basics - https://www.instagram.com/p/BOm8XjQDs02. The verse is from a book I found in our cabin (https://www.instagram.com/p/BO31pi9hiJp) that really resonated with the journey. Marshall was an environmental activist who wrote extensively about Alaska in the early 20th Century. Photos from the trip: http://instagram.com/getdeluxe --- The Problem of the Wilderness - Bob Marshall, 1930 It is well to reflect that the wilderness furnishes perhaps the best opportunity for pure esthetic enjoyment. This requires that beauty be observed as a unity, and that for the brief duration of any pure esthetic experience the cognition of the observed object must completely fill the spectator’s cosmos. There can be no extraneous thoughts—no question about the creator of the phenomenon, its structure, what it resembles or what vanity in the beholder it gratifies. “The purely esthetic observer has for the moment forgotten his own soul”, he has only one sensation left and that is exquisiteness. In the wilderness, with its entire freedom from the manifestations of human will, that perfect objectivity which is essential for pure esthetic rapture can probably be achieved more readily than among any other forms of beauty. --- Everything is shot on the Sony A7SII, often with the Zhiyun Crane 2 axis gimbal. I used 3 lenses: Sony 24-240/4-5.6, Sony 10-18/4, SLR Magic 50/1.1. I shot in PP8 Slog3.Cine colour with CINE4 Gamma, graded with DELUTS (http://deluts.com) in Premiere. --- tom@getdeluxe.co http://getdeluxe.co @getdeluxe

• published: 12 Jan 2017
• views: 223086

samsung healthcare solution Story 4. Personal Care Behance: behance.net/gallery/27025301/SAMSUNG-SMART-HEALTHCARE-Brand-Story-Movie 급격한 경제 성장과 더불어 높은 평균 기온과 열악한 기후조건으로 만성 질환과 비만율이 높은 중동은 짧은 일과 시간과 부족한 의료진으로 양질의 의료 서비스를 받을 수 없어 의료 환경의 개선이 시급한 상황 입니다. 삼성전자는 중동 지역에 적합한 새로운 의료 인프라를 구축할 수 있는 의료 케어 솔루션을 제안하기 위해 삼성이 전하고자 하는 건강한 삶에 대한 가치의 메세지와 슬로건을 개발 하고, 종교와 역사, 전통, 문화에 대한 통찰력을 바탕으로 체외 진단기를 활용한 중동지역 특화 의료 서비스를 위한 4가지 에피소드를 개발하여 중동 최대 규모의 의료 전시에서 브랜드의 경험 디자인과 마케팅을 위한 솔루션 스토리 영상 4편과 전시 부스의 Informaiton Wallgraphic과 현지 의료 지원 차량의 Wrapping Design을 진행 하였습니다. Story1. Public Care: https://vimeo.com/117362200 Story2. Home Care: https://vimeo.com/117361981 Story3. School Care: https://vimeo.com/117362235 Story4. Personal Care: https://vimeo.com/117362125 - Plus X CREATIVE DIRECTOR: HUH SWUNGWOM / SHIN MYUNGSUB BX PLANNER: LIM TAESOO BX DESIG: CHEON JUNHYUK / LEE JIHYE / LEE SOOJIN MOVIE SCENARIO: SONG JONGMIN / YOO HUNSIK MOVIE ARTWORK: LEE JIHYE / LEE SOOJIN MOVIE PLANNER: SONG JONGMIN / YOO HUNSIK MOTION DESIGN: SONG JONGMIN / YOO HUNSIK / GOH SEONGWOO SOUND DESIGN: STONE SOUND MUSIC SAMSUNG DESIGN CENTER DESIGN PROCEED TEAM NAM SANGCHUL / HWANG CHULJOON /NAM SANGMI PUBLISH: 2015. 01. 31. MIDDLE EAST EXHIBITION &DESIGN; SAMSUNG.COM

• published: 21 Jan 2015
• views: 10723

I think it was in the time of spring 2012, when I came across David Shiyang Liu's lovely piece of work about Ira Glass. It was the most inspiring and motivating video I had ever seen in my life. I watched it over and over again, listened to Ira Glass' voice, and told myself, that I am not the only person who is constantly disappointed about the gap between one's taste and one's skills. Later in 2012, I decided to do my own filmed version of Ira's interview - using my own language to tell his message. It took me about a year from concept to upload. I made it for myself and for anybody who is in doubt about his/her creative career. I also think that Ira Glass' message isn't only limited to the creative industry. It can be applied to everyone who starts out in a new environment and is willing to improve. THANK YOU Ira Glass, whom I've never met in real life, but who had such a big influence on my development. Thank you for telling beginners what nobody else does. David Shiyang Liu for the video that inspired me to start the project. You all should watch his awesome kineticTypo-version here: http://vimeo.com/24715531 The people from current.tv who originally recorded the interview with Ira Glass. See the relevant part here: http://www.youtube.com/watch?v=BI23U7U2aUY The people from Magic Lantern who gave DSLR videography a new dimension (I chose this project to be a test run with the RAW plugin)! Steven Sasseville for painting the "taste" painting for me. Pedro Sousa for his advice and working his ass off at the "creative work" chalkboard. Wolfgang Kraus for letting me borrow his sound equipment. Kai Löhnert for working out on his birthday in the "fight" take. Wolfgang Hendrik Schnabel for giving me the museum-like atmosphere and his silhouette in the painting takes. Hermiyas Ötztürk for his hairy "good enough" hand. Orange Hive Studio for light equipment and location. Mima and Heinz Sax-Schmitz for the location of the "ambitions" take and finding me the "finish 1 story" typewriter. Joyce Chen (https://vimeo.com/clownmori), Soufiane Mabrouki (http://vimeo.com/user21466567), Damien Tsenkoff (https://www.behance.net/damtsnkff), Nikita Samutin (www.baselinedesign.ru) and Andrej Mikula (http://amara.org/en/profiles/profile/65015/) for taking the time and patience to create Chinese, Arabic, French, Russian and Slovak subtitles and dissolving language barriers to make even more people understand Ira's words. A SPECIAL THANK YOU Solveig Gold for being the most patient and supporting person in my life. She appears in a lot of scenes in this video. Jutta and Uwe Sax for several pieces of equipment and their support.

• published: 25 Jan 2014
• views: 1565366

My contribution to Late Night Work Club's first anthology Ghost Stories. Animation - Eamonn O'Neill Sound - David Kamp http://www.eamonnoneill.ie http://www.studiokamp.com http://latenightworkclub.com

• published: 13 Jan 2014
• views: 15112

I went to Alaska for New Year with my friend Dan; we spent a week travelling North from Anchorage by rail, 4x4 & light aircraft. I took along my A7SII for the trip. Towards the end of 2016 I desired a trip disconnected from technology & work, somewhere 'into the wild' that I could disconnect somewhat from life in London. After our Tens sunglasses (http://tens.co) campaign shoot in Mexico in December, I headed North to Vancouver and spent Christmas snowboarding. Alaska looked like the most logical stop after that for a week or so in the wilderness. The more (little) I researched and booked, I realised I should probably take a camera with me, but didn't want to be inconvenienced by all the gear I usually travel with - FS7, 16mm kit etc. So just took the basics - https://www.instagram.com/p/BOm8XjQDs02. The verse is from a book I found in our cabin (https://www.instagram.com/p/BO31pi9hiJp) that really resonated with the journey. Marshall was an environmental activist who wrote extensively about Alaska in the early 20th Century. Photos from the trip: http://instagram.com/getdeluxe --- The Problem of the Wilderness - Bob Marshall, 1930 It is well to reflect that the wilderness furnishes perhaps the best opportunity for pure esthetic enjoyment. This requires that beauty be observed as a unity, and that for the brief duration of any pure esthetic experience the cognition of the observed object must completely fill the spectator’s cosmos. There can be no extraneous thoughts—no question about the creator of the phenomenon, its structure, what it resembles or what vanity in the beholder it gratifies. “The purely esthetic observer has for the moment forgotten his own soul”, he has only one sensation left and that is exquisiteness. In the wilderness, with its entire freedom from the manifestations of human will, that perfect objectivity which is essential for pure esthetic rapture can probably be achieved more readily than among any other forms of beauty. --- Everything is shot on the Sony A7SII, often with the Zhiyun Crane 2 axis gimbal. I used 3 lenses: Sony 24-240/4-5.6, Sony 10-18/4, SLR Magic 50/1.1. I shot in PP8 Slog3.Cine colour with CINE4 Gamma, graded with DELUTS (http://deluts.com) in Premiere. --- tom@getdeluxe.co http://getdeluxe.co @getdeluxe

• published: 12 Jan 2017
• views: 223086

samsung healthcare solution Story 4. Personal Care Behance: behance.net/gallery/27025301/SAMSUNG-SMART-HEALTHCARE-Brand-Story-Movie 급격한 경제 성장과 더불어 높은 평균 기온과 열악한 기후조건으로 만성 질환과 비만율이 높은 중동은 짧은 일과 시간과 부족한 의료진으로 양질의 의료 서비스를 받을 수 없어 의료 환경의 개선이 시급한 상황 입니다. 삼성전자는 중동 지역에 적합한 새로운 의료 인프라를 구축할 수 있는 의료 케어 솔루션을 제안하기 위해 삼성이 전하고자 하는 건강한 삶에 대한 가치의 메세지와 슬로건을 개발 하고, 종교와 역사, 전통, 문화에 대한 통찰력을 바탕으로 체외 진단기를 활용한 중동지역 특화 의료 서비스를 위한 4가지 에피소드를 개발하여 중동 최대 규모의 의료 전시에서 브랜드의 경험 디자인과 마케팅을 위한 솔루션 스토리 영상 4편과 전시 부스의 Informaiton Wallgraphic과 현지 의료 지원 차량의 Wrapping Design을 진행 하였습니다. Story1. Public Care: https://vimeo.com/117362200 Story2. Home Care: https://vimeo.com/117361981 Story3. School Care: https://vimeo.com/117362235 Story4. Personal Care: https://vimeo.com/117362125 - Plus X CREATIVE DIRECTOR: HUH SWUNGWOM / SHIN MYUNGSUB BX PLANNER: LIM TAESOO BX DESIG: CHEON JUNHYUK / LEE JIHYE / LEE SOOJIN MOVIE SCENARIO: SONG JONGMIN / YOO HUNSIK MOVIE ARTWORK: LEE JIHYE / LEE SOOJIN MOVIE PLANNER: SONG JONGMIN / YOO HUNSIK MOTION DESIGN: SONG JONGMIN / YOO HUNSIK / GOH SEONGWOO SOUND DESIGN: STONE SOUND MUSIC SAMSUNG DESIGN CENTER DESIGN PROCEED TEAM NAM SANGCHUL / HWANG CHULJOON /NAM SANGMI PUBLISH: 2015. 01. 31. MIDDLE EAST EXHIBITION &DESIGN; SAMSUNG.COM

• published: 21 Jan 2015
• views: 10723

I think it was in the time of spring 2012, when I came across David Shiyang Liu's lovely piece of work about Ira Glass. It was the most inspiring and motivating video I had ever seen in my life. I watched it over and over again, listened to Ira Glass' voice, and told myself, that I am not the only person who is constantly disappointed about the gap between one's taste and one's skills. Later in 2012, I decided to do my own filmed version of Ira's interview - using my own language to tell his message. It took me about a year from concept to upload. I made it for myself and for anybody who is in doubt about his/her creative career. I also think that Ira Glass' message isn't only limited to the creative industry. It can be applied to everyone who starts out in a new environment and is willing to improve. THANK YOU Ira Glass, whom I've never met in real life, but who had such a big influence on my development. Thank you for telling beginners what nobody else does. David Shiyang Liu for the video that inspired me to start the project. You all should watch his awesome kineticTypo-version here: http://vimeo.com/24715531 The people from current.tv who originally recorded the interview with Ira Glass. See the relevant part here: http://www.youtube.com/watch?v=BI23U7U2aUY The people from Magic Lantern who gave DSLR videography a new dimension (I chose this project to be a test run with the RAW plugin)! Steven Sasseville for painting the "taste" painting for me. Pedro Sousa for his advice and working his ass off at the "creative work" chalkboard. Wolfgang Kraus for letting me borrow his sound equipment. Kai Löhnert for working out on his birthday in the "fight" take. Wolfgang Hendrik Schnabel for giving me the museum-like atmosphere and his silhouette in the painting takes. Hermiyas Ötztürk for his hairy "good enough" hand. Orange Hive Studio for light equipment and location. Mima and Heinz Sax-Schmitz for the location of the "ambitions" take and finding me the "finish 1 story" typewriter. Joyce Chen (https://vimeo.com/clownmori), Soufiane Mabrouki (http://vimeo.com/user21466567), Damien Tsenkoff (https://www.behance.net/damtsnkff), Nikita Samutin (www.baselinedesign.ru) and Andrej Mikula (http://amara.org/en/profiles/profile/65015/) for taking the time and patience to create Chinese, Arabic, French, Russian and Slovak subtitles and dissolving language barriers to make even more people understand Ira's words. A SPECIAL THANK YOU Solveig Gold for being the most patient and supporting person in my life. She appears in a lot of scenes in this video. Jutta and Uwe Sax for several pieces of equipment and their support.

• published: 25 Jan 2014
• views: 1565366