Death, destruction, despair make for earthy Adelaide Festival opening weekend
Lars Eidinger's Richard III is all too knowing and self-referential a villain.
Lars Eidinger's Richard III is all too knowing and self-referential a villain.
Is it art? Or sport? Tristan Meecham will run a marathon on a treadmill amid a dancing, drumming and boxing spectacular.
It's all-eyes-on-me as one of our most admired performers takes to the stage as Shakespeare's Plantagenet bad boy.
Lars Eidinger's Richard III is all too knowing and self-referential a villain.
This adaptation of the last novel of the Edith Trilogy captures something of its view of Australian post-war politics and will resonate with many.
British playwright Lucy Kirkwood wonders aloud about who the famous Tankman was.
Lars Eidinger's Richard III is all too knowing and self-referential a villain.
 In Difference Lennox Theatre, Riverside, March 2 ★★★★
Is it art? Or sport? Tristan Meecham will run a marathon on a treadmill amid a dancing, drumming and boxing spectacular.
This production of the classic Bob Fosse musical aims to get back to its vaudeville roots while emphasising its sharp satirical edge.
An effervescent blend of workplace soap, rom-com and coming-of-age story.
It was a big hit on Broadway, but this musical treatment of the New York newsboys' strike of 1899 could be a tough sell over here.
Lars Eidinger's Richard III is all too knowing and self-referential a villain.
Barrie Kosky brings Saul to the Adelaide Festival.
Saul, the biblical King of Israel, is descending into madness with King Lear-like fury over young David, who has slain Goliath.
It's not quite as great as One Man, Two Guv'nors but is sure to tickle fans of British comedy nonetheless.
The consummate Tupperware hostess brings her riotous party to Mardi Gras.
Next time Australia enters the Eurovision Song Contest, we might do worse than to send Astrid and Otto Rot, aka brother-sister punk-pop duo Die Roten Punkte.
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