William Earl "Bootsy" Collins (born October 26, 1951) is an American musician and singer-songwriter.
Rising to prominence with James Brown in the early 1970s, and later with Parliament-Funkadelic, Collins's driving bass guitar and humorous vocals established him as one of the leading names in funk. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with 15 other members of Parliament-Funkadelic.
With his elder brother Phelps "Catfish" Collins, Frankie "Kash" Waddy,and Philippé Wynne, Collins formed a funk band called The Pacemakers in 1968.
In March 1970, after most of the members of James Brown's band quit over a pay dispute, The Pacemakers were hired as Brown's backing band and they became known as The J.B.'s. (They are often referred to as the "original" J.B.'s to distinguish them from later line-ups that went by the same name.) Although they worked for Brown for only 11 months, the original J.B.'s played on some of Brown's most intense funk recordings, including "Get Up (I Feel Like Being a) Sex Machine", "Bewildered (1970)", "Super Bad", "Soul Power", "Talkin' Loud and Sayin' Nothing", and two instrumental singles, the much-sampled "The Grunt" and "These Are the J.B.'s".
A rubber band, also known as a binder, elastic band, lackey band, laggy band, gum band, or elastic, is usually ring shaped and commonly used to hold multiple objects together. The rubber band was patented in England on March 17, 1845 by Stephen Perry.Mesoamericans (such as Aztecs and Mayans) were using natural rubber products by 1600 B.C.; they mixed latex with other materials to get desired properties. In 1839, Charles Goodyear developed vulcanization which is used to make rubber today. Most rubber bands are manufactured out of natural rubber. Rubber bands come in a variety of sizes.
Rubber bands are made by extruding the rubber into a long tube to provide its general shape, putting the tubes on mandrels, curing the rubber with heat, and then slicing it across the width of the tube into little bands. This causes the tube to split into multiple sections, creating a rubber band.
While other rubber products may use synthetic rubber, most rubber bands are primarily manufactured using natural rubber because of its superior elasticity.
A rubber band is a length of rubber and latex formed in a loop.
Rubber band or rubberband may also refer to:
Harem Scarem are a Canadian hard rock band from Toronto, Ontario. Harem Scarem achieved popularity in Japan and their native Canada in the early 1990s. The band was active from 1987 to 2008 and again from 2013 after reforming. Throughout their career, they released 13 studio albums, plus numerous live and compilation albums.
Harem Scarem was formed in 1987 by guitarist Pete Lesperance and singer Harry Hess, formerly of Blind Vengeance who had recorded one heavy metal album in the late '80s. The lineup was rounded out by Darren Smith (drums) and Mike Gionet (bass). They recorded a demo CD in 1990, which garnered them attention since most demos at the time were released on cassette tape only. On the strength of this demo, they were signed to Warner Music and recorded their first album. This demo CD, which was sold to fans, is long out of print.
In 1991, Harem Scarem released their self-titled debut album, which charted at No. 68 on the Canadian album chart. The band scored a hit single from the album; "Slowly Slipping Away", which charted at No. 25 on the Canadian single chart. They also managed to chart two minor hits; "Honestly" and "Love Reaction". The following year, Harem Scarem was able to gain some notoriety when 8 songs from their debut album Harem Scarem were predominantly featured in the Canadian teen series Degrassi Junior High, and Degrassi High's farewell TV movie, School's Out.
I'd rather be with you, yeah
yeah, I'd rather be with you
I'd rather be with you, yeah
Yeah I'd rather be with you
I'd rather be with you until i'm through
Oh yes I do
I'd rather be with you until that day we'll fly away
I just love that smiling face in the early sun
If I can't have you to myself, then life's no fun
I'd rather be with you, yeah
yeah, I'd rather be with you
I'd rather be with you, yeah
Yeah I'd rather be with you
I wanna hold you hand
Oh, if I can just be your man
I wanna be you friend
Not now and then, but until the end
I just love the way you act, and that's a fact
I wanna be your number one, so picture that
Maybe the next time
Maybe the next time
Maybe the next time
Maybe the next time
I'd rather be with you
Yeah
Yeah, I'd rather be with you
I'd rather be with you until I'm through
Oh, yes I do
I'd rather be with you until that day we'll fly away
I just love that smiling face in the early sun
If I can't have you to myself, then life's no fun
I'd rather be with you, yeah
Yeah, I'd rather be with you
I'd rather be with you, yeah
Yeah I'd rather be with you
Oh babe
Well, uh, you might think Ii'm trying to be funny
But I'm really serious this time, baby
(I'd rather be with you)
Even though, uh, it's a cold world, baby
But you know deep down inside that I do love ya
(I'd rather be with you)
I know I sound strange, but I really mean it
We gonna make it this time baby
(I'd rather be with you)
You're the only one I really love now
I'm coming at you with both hands tied behind my back,
baby
(I'd rather be with you, yeah)
You got me, I'm coming at you, get ready
I'm gonna stick my love in your eye, baby
(I'd rather be with you, yeah)
You can see me coming baby, just coming all over you
William Earl "Bootsy" Collins (born October 26, 1951) is an American musician and singer-songwriter.
Rising to prominence with James Brown in the early 1970s, and later with Parliament-Funkadelic, Collins's driving bass guitar and humorous vocals established him as one of the leading names in funk. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with 15 other members of Parliament-Funkadelic.
With his elder brother Phelps "Catfish" Collins, Frankie "Kash" Waddy,and Philippé Wynne, Collins formed a funk band called The Pacemakers in 1968.
In March 1970, after most of the members of James Brown's band quit over a pay dispute, The Pacemakers were hired as Brown's backing band and they became known as The J.B.'s. (They are often referred to as the "original" J.B.'s to distinguish them from later line-ups that went by the same name.) Although they worked for Brown for only 11 months, the original J.B.'s played on some of Brown's most intense funk recordings, including "Get Up (I Feel Like Being a) Sex Machine", "Bewildered (1970)", "Super Bad", "Soul Power", "Talkin' Loud and Sayin' Nothing", and two instrumental singles, the much-sampled "The Grunt" and "These Are the J.B.'s".