Bats (disambiguation)

Bats are flying mammals.

Bats may also refer to:

Entertainment

Music

Other uses

See also

Daddy's Highway

Daddy's Highway is the 1987 debut album by New Zealand indie rock group The Bats.

Recording and release

By 1986, The Bats had released three critically acclaimed EPs, but still had not released a full-length album. While touring in the U.K. that year, an acquaintance in Glasgow offered the use of his home 8 track studio. Half of the tracks for what would become Daddy's Highway were recorded there.

Upon their return to New Zealand, recording was completed at Nightshift in Christchurch, and the album was released by Flying Nun in 1987. "Block of Wood" was released as a 7" vinyl single.

Reception

Daddy's Highway is often cited as The Bats' most highly regarded album, and is considered one of the best New Zealand albums of the 1980s. In 2000, it was named #88 in music magazine Rip It Up's New Zealand's Top 100 Albums of All Time. Notable tracks on the album include "North By North", "Tragedy" and the lead single, "Block of Wood", all of which were staples on New Zealand student radio.

Bat

Bats are mammals of the order Chiroptera (/kaɪˈrɒptərə/; from the Greek χείρ - cheir, "hand" and πτερόν - pteron, "wing") whose forelimbs form webbed wings, making them the only mammals naturally capable of true and sustained flight. By contrast, other mammals said to fly, such as flying squirrels, gliding possums, and colugos, can only glide for short distances. Bats do not flap their entire forelimbs, as birds do, but instead flap their spread-out digits, which are very long and covered with a thin membrane or patagium.

Bats are the second largest order of mammals (after the rodents), representing about 20% of all classified mammal species worldwide, with about 1,240 bat species divided into two suborders: the less specialized and largely fruit-eating megabats, or flying foxes, and the highly specialized and echolocating microbats. About 70% of bat species are insectivores. Most of the rest are frugivores, or fruit eaters. A few species, such as the fish-eating bat, feed from animals other than insects, with the vampire bats being hematophagous, or feeding on blood.

The Band

The Band was a Canadian-American roots rock group, originally consisting of Rick Danko (bass guitar, double bass, fiddle, trombone, vocals), Levon Helm (drums, mandolin, vocals), Garth Hudson (keyboards, saxophones, trumpet), Richard Manuel (piano, baritone, drums, vocals) and Robbie Robertson (guitar, percussion, vocals). The members of the Band first came together as they joined rockabilly singer Ronnie Hawkins's backing group, the Hawks, one by one between 1958 and 1963.

In 1964, they separated from Hawkins, after which they toured and released a few singles as Levon and the Hawks and the Canadian Squires. The next year, Bob Dylan hired them for his U.S. tour in 1965 and world tour in 1966. Following the 1966 tour, the group moved with Dylan to Saugerties, New York, where they made the informal 1967 recordings that became The Basement Tapes, which forged the basis for their 1968 debut album, Music from Big Pink. Because they were always "the band" to various frontmen, Helm said the name "The Band" worked well when the group came into its own. The group began performing as the Band in 1968 and went on to release ten studio albums. Dylan continued to collaborate with the Band over the course of their career, including a joint 1974 tour.

Liverpool Sound Collage

Liverpool Sound Collage is an ambient electronic album by Paul McCartney, which is also credited to the Beatles, Super Furry Animals and Youth. McCartney had previously released two projects with Youth under the moniker the Fireman. Because McCartney was so heavily involved in its creation, in addition to his production credit, Liverpool Sound Collage, which was released in 2000, is generally considered a part of his main discography and is filed under his name.

Asked by artist Peter Blake to create something musical and with a Liverpool spirit to it, in order to complement his concurrent artwork exhibition, McCartney ended up harking all the way back to session chatter by the Beatles (hence their "involvement") and using snippets of his 1991 classical piece Paul McCartney's Liverpool Oratorio. He also can be heard walking the streets and asking various pedestrians to give their impressions of Liverpool and the Beatles. The album also incorporates chopped up beats and digital manipulation of assorted sound clips.