Television

Television is a telecommunication medium used for transmitting sound with moving images in monochrome (black-and-white), or in colour, and in two or three dimensions. It can refer to a television set, a television program, or the medium of television transmission. Television is a mass medium, for entertainment, education, news and advertising.

Television became available in crude experimental forms in the late 1920s. After World War II, an improved form became popular in the United States and Britain, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion. In the mid-1960s, color broadcasting was introduced in the US and most other developed countries. The availability of storage media such as VHS tape (1976), DVDs (1997), and high-definition Blu-ray Discs (2006) enabled viewers to watch recorded material such as movies. At the end of the first decade of the 2000s, digital television transmissions greatly increased in popularity. Another development was the move from standard-definition television (SDTV) (576i, with 576 interlaced lines of resolution and 480i) to high-definition television (HDTV), which provides a resolution that is substantially higher. HDTV may be transmitted in various formats: 1080p, 1080i and 720p. Since 2010, with the invention of smart television, Internet television has increased the availability of television programs and movies via the Internet through services such as Netflix, iPlayer, Hulu, Roku and Chromecast.

Television (Dr. John album)

Television is a studio album by New Orleans R&B artist Dr. John.

Track listing

All tracks composed by Mac Rebennack; except where indicated

Personnel

Television (Television album)

Television is the eponymous third album by American rock band Television. The album was released in 1992, fourteen years after the band's second studio album and subsequent break up in 1978. A video for "Call Mr. Lee" was filmed and aired on MTV to limited play.

Reception

Television has generally been well received by critics. Rock critic Robert Christgau wrote "I prefer the more rocking, songful old Television, but it's a tribute to Tom Verlaine's conceptual restlessness and force of personality that in a world where alternative guitar means making noise or mixing and matching from the used bins, these four veterans have regrouped with a distinct new sonic identity. Droll, warm-hearted, sophisticated, cryptic, jazzy yet unjazzlike, they sound like nothing else—except, just a little, old Television". David Fricke of Rolling Stone wrote that "It was worth waiting fifteen years." Milo Miles of The New York Times wrote "Trying to adjust after a long layoff, these musicians have assembled a scaled-down Television, though one with exquisite design details."

Foxhole

Foxhole may refer to:

See also

Foxhole (band)

Foxhole is a post-rock band from Bowling Green, Kentucky. They first began regular rehearsals in November 2000. The brainchild of founding members Adam Moore and Nathan Mcbroom, and finding practice space in various places on Western Kentucky University's campus, Foxhole was heavily influenced by other Kentucky bands such as Slint and June of '44. The first performance featured Nathan on guitar and bass, Adam on guitar, Matthew and Joey on drums and percussion, Justin playing glockenspiel, and two of the bandmates' girlfriends providing sparse vocals. The second performance featured the aforementioned players together with Derek on bass, Greg improvising on trumpet and sans girlfriends. By their third performance, the lineup had solidified to Nathan, Adam, Justin, Derek, Matt, and Greg.

The band initially focused on melding experimental sounds with melody. A staple of early performances was a fully improvised song (designated "X") randomly inserted into the set list, and which often featured several homemade instruments, including the "juggophone", "shatterophone", "topophone", and "pyrophone", which utilized the sounds of beating water jugs, breaking bottles, clinking pot tops, and micing fireworks, respectively. They also made frequent use of the sounds of a signal generator. Gradually, Foxhole integrated slightly more traditional song structures and held to typical instruments, dispensing mostly with the use of gimmick instrumentation. Songs typically featured a gradual build in intensity, and featured rare and unaugmented vocals.