Brad Mehldau
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The dancer and choreographer on Kate Tempest’s poetry, Asif Kapadia’s Amy Winehouse documentary, and jazz pianist Brad Mehldau
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A dense and dazzling recital of Bach’s classics and the compositions and improvisations inspired by them makes this a powerful, thought-provoking gig
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Jazz fans will get rare live sightings of some great acts in the coming weeks, plus exciting releases from Colin Towns, Tigran Hamasyan, Brad Mehldau and a classic by Errol Garner
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Organised according to mood, motive and structure, this formidable torrent of acoustic piano improvisation is full of gems – a collector’s piece
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Brad Mehldau gets down and dirty on a remarkable new album from the electronics duo he formed with Mark Guiliana, writes John Fordham
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John Fordham reflects on a month of departures, and celebrates the Glasgow Improvisers' Orchestra festival. Plus, the jazz picks of this year and the next
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With Mark Guiliana, Mehldau was funky and electric – while Wadada Leo Smith's epic was both beautiful and sobering, writes John Fordham
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The Brad Mehldau Trio's show is well-received – rapt attention, pin-drop silence, three encores, standing ovation – but some long-standing reservations remain, writes John Lewis
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Hersch packs more jazz-piano invention into a single show than most of his better-known peers, writes John Fordham
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The dynamics and empathy of this trio remain pretty irresistible on this set of covers from Jimi Hendrix's Hey Joe to Sonny Rollins's Airegin, writes John Fordham
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Brad Mehldau's absorbing new album confirms his talent as a composer, says Dave Gelly.
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Brad Mehldau's first trio recording since 2008 – all original material this time – bears a lot of replaying, writes John Fordham
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This fascinating session is an exploration of what happens when a non-jazz composer's approach shapes the frameworks for improvisation, writes John Fordham
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Mehldau's uncanny amplification of Konitz's phrases and breathtaking solos are irresistible, writes John Fordham
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Mehldau's feverish density gets close to overpowering at times but the jazz pianist's quirky covers are as compelling as ever
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This is a between-worlds music project from opera singer Anne Sofie von Otter and classical pianist turned jazz star Brad Mehldau, writes John Fordham
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Two new albums show a surge in forward thinking in a derivative age, says Paul Morley
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Jazz pianist Mehldau's first attempt at orchestral composition is masterful, says Dave Gelly
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Paul Morley delves into experimental jazz with Mercury-nominated Shoreditch quintet Polar Bear and Florida-born pianist Brad Mehldau
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Brad Mehldau is in danger of giving jazz/classical crossovers a good name, says John Fordham
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Wigmore Hall, London: The audience went into raptures at the end of Mehldau's trio gig on the second night of his Wigmore stint, says John Fordham
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Wigmore Hall, London
Mehldau imbues the most straight-backed patterns with a thorough sense of swing, says John L Walters -
Wigmore Hall, W1, Thu
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Barbican, London
Mehldau opened with a typically dreamy melody over a dabbing left-hand vamp, says John Fordham
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(Nonesuch)
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Pat Metheny/Brad Mehldau Glasgow
Thile/Mehldau: Chris Thile & Brad Mehldau review – remarkable rapport as bluegrass meets jazz