The Book of Mormon, from the creators of South Park, is a blasphemous riot of bad taste, making it a musical not to be missed.

Nadia Tass’s production of Uncle Vanya for Red Stitch suffers from some pretensions, but a superb cast does the incomparable Chekhov justice.

Joanna Murray-Smith’s drama about thriller writer Patricia Highsmith’s dying days sequestered in Switzerland is brilliant, sinister entertainment in the Hitchcock mode.

A new production of Marlowe’s classic Edward II strips back the original until what remains is a flat facsimile.

Samoan actor Ray Chong Nee on his heritage, his desire to give back, and his dream for a King Lear of colour.

While there might once have been similarities between Rake's Richard Roxburgh and his dissolute character Cleaver Greene, family has grounded the actor.

Korean-American playwright Young Jean Lee has the world’s most privileged social class firmly in her sights.

A seat side stage with theatre production pair Carolyn Burns and Simon Phillips.

Malthouse's new artistic director Matthew Lutton again embraces his dark side, bringing Picnic at Hanging Rock to the stage.

Ladies in Black, as Aussie as SeaChange or Prisoner, is one of the finer recent attempts at the elusive form of the musical.

MTC falls short in its one-man deconstructive tribute to the incomparable Barbra Streisand.

MTC’s production of the supernaturally tinged Irish pub drama The Weir is a slow-burning pleasure.