- published: 13 Oct 2014
- views: 23852
The history of copyright law starts with early privileges and monopolies granted to printers of books. The British Statute of Anne 1710, full title "An Act for the Encouragement of Learning, by vesting the Copies of Printed Books in the Authors or purchasers of such Copies, during the Times therein mentioned", was the first copyright statute. Initially copyright law only applied to the copying of books. Over time other uses such as translations and derivative works were made subject to copyright and copyright now covers a wide range of works, including maps, performances, paintings, photographs, sound recordings, motion pictures and computer programs.
Today national copyright laws have been standardised to some extent through international and regional agreements such as the Berne Convention and the European copyright directives. Although there are consistencies among nations' copyright laws, each jurisdiction has separate and distinct laws and regulations about copyright. Some jurisdictions also recognize moral rights of creators, such as the right to be credited for the work.
Copyright is a legal right created by the law of a country that grants the creator of an original work exclusive rights for its use and distribution. This is usually only for a limited time. The exclusive rights are not absolute but limited by limitations and exceptions to copyright law, including fair use.
Copyright is a form of intellectual property, applicable to certain forms of creative work. Under US copyright law, legal protection attaches only to fixed representations in a tangible medium. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rightsholders. These rights frequently include reproduction, control over derivative works, distribution, public performance, and "moral rights" such as attribution.
Copyrights are considered territorial rights, which means that they do not extend beyond the territory of a specific jurisdiction. While many aspects of national copyright laws have been standardized through international copyright agreements, copyright laws vary by country.
Crash Course (also known as Driving Academy) is a 1988 made for television teen film directed by Oz Scott.
Crash Course centers on a group of high schoolers in a driver’s education class; many for the second or third time. The recently divorced teacher, super-passive Larry Pearl, is on thin ice with the football fanatic principal, Principal Paulson, who is being pressured by the district superintendent to raise driver’s education completion rates or lose his coveted football program. With this in mind, Principal Paulson and his assistant, with a secret desire for his job, Abner Frasier, hire an outside driver’s education instructor with a very tough reputation, Edna Savage, aka E.W. Savage, who quickly takes control of the class.
The plot focuses mostly on the students and their interactions with their teachers and each other. In the beginning, Rico is the loner with just a few friends, Chadley is the bookish nerd with few friends who longs to be cool and also longs to be a part of Vanessa’s life who is the young, friendly and attractive girl who had to fake her mother’s signature on her driver’s education permission slip. Kichi is the hip-hop Asian kid who often raps what he has to say and constantly flirts with Maria, the rich foreign girl who thinks that the right-of-way on the roadways always goes to (insert awesomely fake foreign Latino accent) “my father’s limo”. Finally you have stereotypical football meathead J.J., who needs to pass his English exam to keep his eligibility and constantly asks out and gets rejected by Alice, the tomboy whose father owns “Santini & Son” Concrete Company. Alice is portrayed as being the “son” her father wanted.
Intellectual property (IP) is a term referring to creations of the intellect for which a monopoly is assigned to designated owners by law. Some common types of intellectual property rights (IPR) are trademarks, copyright, patents, industrial design rights, and in some jurisdictions trade secrets: all these cover music, literature, and other artistic works; discoveries and inventions; and words, phrases, symbols, and designs.
While intellectual property law has evolved over centuries, it was not until the 19th century that the term intellectual property began to be used, and not until the late 20th century that it became commonplace in the majority of the world.
The Statute of Monopolies (1624) and the British Statute of Anne (1710) are seen as the origins of patent law and copyright respectively, firmly establishing the concept of intellectual property.
The first known use of the term intellectual property dates to 1769, when a piece published in the Monthly Review used the phrase. The first clear example of modern usage goes back as early as 1808, when it was used as a heading title in a collection of essays.
Coordinates: 40°N 100°W / 40°N 100°W / 40; -100
The United States of America (USA), commonly referred to as the United States (U.S.) or America, is a federal republic composed of 50 states, a federal district, five major territories and various possessions. The 48 contiguous states and Washington, D.C., are in central North America between Canada and Mexico. The state of Alaska is in the northwestern part of North America and the state of Hawaii is an archipelago in the mid-Pacific. The territories are scattered about the Pacific Ocean and the Caribbean Sea. At 3.8 million square miles (9.842 million km2) and with over 320 million people, the country is the world's third or fourth-largest by total area and the third most populous. It is one of the world's most ethnically diverse and multicultural nations, the product of large-scale immigration from many countries. The geography and climate of the United States are also extremely diverse, and the country is home to a wide variety of wildlife.
The new 7 minute episode of the Copy-Me webseries is all about early copyright history, censorship, state and church control, angry queens, and, of course, the printing press. A big thank you again to all our supporters and contributors! Copy-me is a webseries debunking the myths of copying. SOURCES, ATTRIBUTIONS AND MORE INFO ABOUT THE EPISODE: http://copy-me.org/2014/12/copy-me-webseries-early-copyright-history-episode-3/ You can also find us here: https://www.facebook.com/copymeorg https://twitter.com/copymeorg http://copy-me.org/ SUBTITLES BY: Carlos Castillo, Kostas Bouchagiar, Karin Delia, Ogat Ramastef. Thank you! Want to help with the translations? Please visit: http://copy-me.org/contribute/copy-webseries-subtitles/
Summary based on Remix a rip manifesto of history of copyrights and power of the industry
Help support videos like this: http://www.cgpgrey.com/subbable *T-Shirts now for sale!* Help support making more videos: http://goo.gl/1Wlnd Grey's blog: http://www.cgpgrey.com/blog/ If you would like to help me make more videos please join the discussion on: Google+: http://plus.google.com/115415241633901418932/posts Twitter: http://twitter.com/#!/cgpgrey Facebook: http://www.facebook.com/pages/Greys-Blog/193301110697381 Or suggest ideas and vote on other peoples' ideas on my channel: http://www.youtube.com/user/CGPGrey
In this http://www.artistshousemusic.org interview, Russell Rains, a lawyer and Director of the Digital Media Management MBA Program at St. Edward's University in Austin, TX, gives a capsule history of intellectual property and copyright law in the Western tradition, from its genesis as an offshoot of property rights in the eighteenth century and its enshrinement in the United States Constitution, through the past two centuries of tension between the law and new technologies that continually challenge the ability of the law to adequately encompass what they can do.
Does The First Amendment Really Protect Speech & Religion http://testu.be/1QDQGdD Subscribe! http://bitly.com/1iLOHml From books to movies, copyright law is essential in the protection of intellectual property. But what exactly copyright and how does it work? Learn More: All the 'Happy Birthday' song copyright claims are invalid, federal judge rules http://www.latimes.com/local/lanow/la-me-ln-happy-birthday-song-lawsuit-decision-20150922-story.html "None of the companies that have collected royalties on the "Happy Birthday" song for the past 80 years held a valid copyright claim to one of the most popular songs in history, a federal judge in Los Angeles ruled on Tuesday." Copyright basics: What is copyright law? https://www.copyright.com/Services/copyrightoncampus/basics/law.html "C...
The terms on which this lecture may be used or modified are available at http://copyx.org/permission. The lecture was prepared for a Harvard Law School course on Copyright Law, and for the CopyrightX course, offered under the auspices of HarvardX. Information concerning both courses can be found at http://copyx.org.
The terms on which this lecture may be used or modified are available at http://copyx.org/permission. The lecture was prepared for a Harvard Law School course on Copyright Law, and for the CopyrightX course, offered under the auspices of HarvardX. Information concerning both courses can be found at http://copyx.org.
BOOK REVIEW RESEARCH HANDBOOK ON THE HISTORY OF COPYRIGHT LAW Edited by Isabella Alexander and H Tomas Gomez-Arostegui ISBN: 978 1 78347 239 0 (hardback) 978 1 78347 240 6 (ebook) EDWARD ELGAR PUBLISHING www.e-elgar,com www.elgaronline.com HOW COPYRIGHT HAS EMERGED AS A SUBSTANTIVE LAW AREA IN ITS OWN RIGHT! An appreciation by Phillip Taylor MBE and Elizabeth Taylor of Richmond Green Chambers Anyone remotely involved or interested in how the law of copyright has developed in our new IT age will find this book a magnificent journey through special parts of our common law history. The editors begin by saying that the study of copyright’s history dates back almost to the birth of copyright “as a statutory construct” which will help us all as legal historians. The editors also c...
EPISODE DESCRIPTION This week, Stan Muller teaches you the basics of copyright in the United States. Copyright law is territorial, so we're going to cover the system we know the most about, and that's the US. Stan will talk about what kind of ideas can be copyrighted, who can get a copyright, and what protections the copyright grants. We'll also talk about the always contentious and seemingly ever-growing term of copyright. Stan will also teach you about the low bar for creativity, which means that original work doesn't have to be all that original, and he'll also touch on the problems with copyright in the modern world. The Magic 8 Ball is a registered trademark of the Mattel corporation. Citation 1: Title 17 United States Code, section 101 Citation 2: 17 USC 101 Citation 3: 17 USC 101...
The terms on which this lecture may be used or modified are available at http://copyx.org/permission. The lecture was prepared for a Harvard Law School course on Copyright Law, and for the CopyrightX course, offered under the auspices of HarvardX. Information concerning both courses can be found at http://copyx.org.
In this http://www.artistshousemusic.org interview, Maggie Lange, an attorney and Professor of Music Business/Management at Berklee College of Music, explains the five "exclusive rights" that the law grants to a copyright holder, as well as some of the exceptions and additions that apply to music, such as the compulsory mechanical license and minimum statutory rate clauses.
Stan Muller teaches you a few things about copyright enforcement, and talks about the exceptions to copyright enforcement. While there are several, the one you've probably heard of is Fair Use, and it's a pretty tricky one. We'll try to explain it, and teach you just why fair use is so loosey goosey. Citation1: 17 USC 503 Citation 2: Hargreaves, Ian. Digital Opportunity: A Review of Intellectual Property and Growth. UK Intellectual Property Office. P 5 Citation 3: Iowa State Univ. Research Found., Inc. v. American Broadcasting Cos., 621 F.2d 57 (2d Cir. 1980) Citation 4: Harper & Row, Publishers, Inc. v. Nation Enters., 471 U.S. 539, 551, 105 S. Ct. 2218, 85 L. Ed. 2d 588 (1985) (quoting) Joseph McDonald, Non-Infringing Uses, 9 Bull. Copyright Soc'y 466, 467 No. 355 (1962) Links We Promi...
This week, Stan Muller launches the Crash Course Intellectual Property mini-series. So, what is intellectual property, and why are we teaching it? Well, intellectual property is about ideas and their ownership, and it's basically about the rights of creators to make money from their work. Intellectual property is so pervasive in today's world, we thought you ought to know a little bit about it. We're going to discuss the three major elements of IP: Copyright, Patents, and Trademarks. ALSO, A DISCLAIMER: he views expressed in this video do not necessarily reflect those of the United States Copyright Office, the Library of Congress, or the United States Government. The information in this video is distributed on "As Is" basis, without warranty. While precaution has been taken in the prep...
University of Virginia law professor Chris Sprigman gives a presentation to admitted students about intellectual property law and Virginia's IP program.
also known as the Copyright Act 1710 (cited either as 8 Ann. c. 21 or as 8 Ann. c. 19
Mira T. Sundara Rajan, DPhil (Oxon), Canada Research Chair in Intellectual Property Law, Associate Professor of Law, University of British Columbia (Aug 20, 2009 at Case Western Reserve University, School of Law) This lecture will introduce the concept of the moral rights of the author, a special branch of copyright law dealing with the artistic, personal, and cultural interests implicated in copyright works. The session will seek to familiarize authors with the approach to moral rights in the United States and major international jurisdictions, including the European Union and United Kingdom, Canada, and India. Moral rights are an area of growing international importance, and there is a strong probability that moral rights claims and concerns will become increasingly common in an era of ...
Not made by me,found it online,available for download on website Disney Parody explanation of Copyright Law and Fair Use Synopsis: Professor Eric Faden of Bucknell University provides this humorous, yet informative, review of copyright principles delivered through the words of the very folks we can thank for nearly endless copyright terms. ***Description taken from website*** Video Found at http://cyberlaw.stanford.edu/documentary-film-program/film/a-fair-y-use-tale
Jessica Silbey presented a lecture that focused on the depiction of the courtroom process from the beginning of film in 1895 to the present day. She also discussed how the workings of the law has been shown in other forms of popular culture. Speaker Biography: Jessica Silbey is a professor at the Northeastern University School of Law. For transcript and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=7414
Mira T. Sundara Rajan, DPhil (Oxon), Canada Research Chair in Intellectual Property Law, Associate Professor of Law, University of British Columbia (Aug 20, 2009 at Case Western Reserve University, School of Law) This lecture will introduce the concept of the moral rights of the author, a special branch of copyright law dealing with the artistic, personal, and cultural interests implicated in copyright works. The session will seek to familiarize authors with the approach to moral rights in the United States and major international jurisdictions, including the European Union and United Kingdom, Canada, and India. Moral rights are an area of growing international importance, and there is a strong probability that moral rights claims and concerns will become increasingly common in an era of ...
LexisNexis(c); 1976 Copyright Act View the complete course: http://ocw.mit.edu/6-912IAP06 License: Creative Commons BY-NC-SA More information at http://ocw.mit.edu/terms More courses at http://ocw.mit.edu
The terms on which this lecture may be used or modified are available at http://copyx.org/permission. The lecture was prepared for a Harvard Law School course on Copyright Law, and for the CopyrightX course, offered under the auspices of HarvardX. Information concerning both courses can be found at http://copyx.org.
The terms on which this lecture may be used or modified are available at http://copyx.org/permission. The lecture was prepared for a Harvard Law School course on Copyright Law, and for the CopyrightX course, offered under the auspices of HarvardX. Information concerning both courses can be found at http://copyx.org.
The terms on which this lecture may be used or modified are available at http://copyx.org/permission. The lecture was prepared for a Harvard Law School course on Copyright Law, and for the CopyrightX course, offered under the auspices of HarvardX. Information concerning both courses can be found at http://copyx.org.
Copyright applied to Music, Computers; Napster(r); Peer-to-Peer File Sharing View the complete course: http://ocw.mit.edu/6-912IAP06 License: Creative Commons BY-NC-SA More information at http://ocw.mit.edu/terms More courses at http://ocw.mit.edu
Long before people began posting their homemade video mashups on the Web, hip-hop musicians were perfecting the art of audio montage through sampling. Sampling — or riffing — is as old as music itself, but new technologies developed in the 1980s and 1990s made it easier to reuse existing sound recordings. Acts like Public Enemy, De La Soul and the Beastie Boys created complex rhythms, references and nuanced layers of original and appropriated sound. But by the early 1990s, sampling had collided with the law. When recording industry lawyers got involved, what was once called "borrowed melody" became "copyright infringement." COPYRIGHT CRIMINALS examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law and money....
University of Virginia law professor Chris Sprigman gives a presentation to admitted students about intellectual property law and Virginia's IP program.
Part 4 of the E*Bootcamp targeted to the interests of Darden students. This is a free event open to students, alumni, UVA, and the greater Charlottesville community. The E*Bootcamp consists of a full day of workshops and a reception/networking session. This program focuses on issues of tactical concern to entrepreneurs, for example: incorporating, building a team, sharing equity with founding partners, confidentiality agreements, business plans, start-up accounting, creative bootstrapping, and other funding concerns. Sessions are led by leading entrepreneurship professors and practitioners. The goal of Darden's E*Bootcamp is to provide entrepreneurs with the basic tools to execute the first steps of creating a start-up venture. Unlike other programs, the E*Bootcamp is about basic blo...
The flawed copyright system has an impact on creative economy. Copyright's influence on digital opportunities in the UK's creative economy provided impetus for broad scale initiatives for improvement. Audience expectations have changed dramatically.
This lecture discusses the historical origins of patent law -- both abroad and in the US -- and then explores the theories unpinning the system.
EPISODE SYNOPSIS: With a maze of copyright laws to navigate, filmmakers need a hand in editing their movies to get them legally up to snuff. For this reason, Ondi and Vlad brought doc advocate and entertainment lawyer Michael C. Donaldson to clarify some of the key points surrounding Fair Use. We discuss satire, using clips, and how filmmakers can secure the same rights of confidentiality as journalists. GUEST BIO: Michael C. Donaldson is an American entertainment attorney, independent film advocate and a recipient of the International Documentary Association's Amicus Award, an honor bestowed upon only two others, Steven Spielberg and John Hendricks, in the 25-year history of the awards. He is a proponent of the 165-year-old fair-use doctrine and, through its use, is known for saving docu...
The terms on which this lecture may be used or modified are available at http://copyx.org/permission. The lecture was prepared for a Harvard Law School course on Copyright Law, and for the CopyrightX course, offered under the auspices of HarvardX. Information concerning both courses can be found at http://copyx.org.
The terms on which this lecture may be used or modified are available at http://copyx.org/permission. The lecture was prepared for a Harvard Law School course on Copyright Law, and for the CopyrightX course, offered under the auspices of HarvardX. Information concerning both courses can be found at http://copyx.org.
Business Law 2, Chapter 5, Lecture 2 covering Trademarks, Patents, Copyright and Trade Secrets.
Jessica Silbey presented a lecture that focused on the depiction of the courtroom process from the beginning of film in 1895 to the present day. She also discussed how the workings of the law has been shown in other forms of popular culture. Speaker Biography: Jessica Silbey is a professor at the Northeastern University School of Law. For transcript and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=7414
http://www.stephankinsella.com/paf-podcast/kol172-rethinking-intellectual-property-history-theory-and-economics-lecture-1-history-and-law-mises-academy-2011/
This Cultural Policy Center workshop was recorded on May 10, 2011. For information on the Cultural Policy Center visit http://culturalpolicy.uchicago.edu. Presented by William Landes, Clifton R. Musser Professor Emeritus of Law and Economics at the University of Chicago, and Anthony Hirschel, Dana Feitler Director at the Smart Museum of Art The talk will discuss recent legal cases involving visual artists (including Jeff Koons, Richard Prince and Shepard Fairey) who incorporate copyrighted materials (often photographs) into their works without authorization from the copyright owner. Typically, the defendant in these cases claims his borrowing is a fair use and, therefore, does not violate copyright law. Courts, however, have been unsympathetic to the artist's position. Landes and Hirsche...
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**FAIR USE NOTICE** These Videos May Contain Copyrighted (© ) Material. The Use of Which Has Not Always Been Specifically Authorized by The Copyright Owner. Such Material is Made Available to Advance Understanding of Ecological, Political, Human Rights, Economic, Democracy, Scientific, Moral, Ethical, Social Justice Issues, Teaching, and Research. It is believed that this Constitutes a ''Fair Use'' of Any Such Copyrighted Material as Provided For in Section 107 of the US Copyright Law. In Accordance With Title - 17 U.S.C. Section 107, This Material is Distributed Without PROFIT to Those Who Have Expressed a Prior General Interest in Receiving Similar Information For Research and Educational Purposes. For More Information: http://www.law.cornell.edu/uscode