- published: 24 Nov 2012
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Carter Benedict Burwell (born November 18, 1955) is an American composer of film scores. He is best known as a regular collaborator of the Coen brothers, having scored 17 of their films, among them Raising Arizona (1987), Barton Fink (1991), Fargo (1996), The Big Lebowski (1998), No Country for Old Men (2007), Burn After Reading (2008), and True Grit (2010). Other notable works include the Spike Jonze films Being John Malkovich (1999), Adaptation (2002) and Where the Wild Things Are (2009), David O. Russell's Three Kings (1999), the miniseries Olive Kitteridge (2014), Anomalisa (2015), and Todd Haynes' Velvet Goldmine (1998), Mildred Pierce miniseries, and Carol (2015).
Burwell was born in New York City, the son of Natalie (née Benedict), a math teacher, and Charles Burwell, who founded Thaibok Fabrics, Ltd. He graduated from King School in Stamford, Connecticut, and Harvard College, where he was a cartoonist for The Harvard Lampoon.
As a film composer, Burwell has had a long-working relationship with the Coen brothers, providing music for every film they have made (except for O Brother, Where Art Thou? and Inside Llewyn Davis, which had folk music soundtracks produced by T-Bone Burnett). He enjoys working with left-field directors, such as Spike Jonze. Among his best known film scores are Miller's Crossing (1990), And the Band Played On (1993), Conspiracy Theory (1997), Hamlet (2000), The Spanish Prisoner (1997), Before the Devil Knows You're Dead (2007), In Bruges (2008), Twilight (2008), Where The Wild Things Are (2009), The Blind Side (2009), and Breaking Dawn Part 1 (2011). Burwell wrote and recorded the original score for the film The Bourne Identity, but his version was replaced by director Doug Liman for one by John Powell.
The Burwells (known as the Burls among Virginians ) were among the First Families of Virginia in the Colony of Virginia.John Quincy Adams once described the Burwells as typical Virginia aristocrats of their period: forthright, bland, somewhat imperious and politically simplistic by Adams' standards. In 1713, so many Burwells had intermarried with the Virginia political elite that Governor Spotswood complained that " the greater part of the present Council are related to the Family of Burwells...there will be no less than seven so near related that they will go off the Bench whenever a Cause of the Burwells come to be tried." The Family was closely associated with the Fairfield Plantation, Gloucester County, Virginia, but several Burwells also built other famous Virginia plantations. Lewis Burwell III built the Kingsmill Plantation's manor house beginning in the 1730s. A few years later, Carter Burwell built Carter's Grove immediately to the east in what became the modern day Grove Community. Several place names such as Burwell's Bay in Isle of Wight County, Virginia are named after the Burwells. Lewis Burwell "Chesty" Puller, (aka Chesty Puller) is a war hero (from West Point, Virginia) takes his name from three generations of Lewis Burwells who had a large influence on early Virginia. The Burwell family of Virginia originally came from England – Bedfordshire. Their early history is not completely known but by 1607, they were living in Harlington, Bedfordshire, at Harlington House – now known as Harlington Manor.
In linguistics, a copula (plural: copulas or copulae) is a word used to link the subject of a sentence with a predicate (a subject complement), such as the word is in the sentence "The sky is blue." The word copula derives from the Latin noun for a "link" or "tie" that connects two different things.
A copula is often a verb or a verb-like word, though this is not universally the case. A verb that is a copula is sometimes called a copulative or copular verb. In English primary education grammar courses, a copula is often called a linking verb. In other languages, copulas show more resemblances to pronouns, as in Classical Chinese and Guarani, or may take the form of suffixes attached to a noun, as in Beja, Ket, and Inuit languages.
Most languages have one main copula, although some (such as Spanish, Portuguese and Thai) have more than one, and some have none. In the case of English, this is the verb to be. While the term copula is generally used to refer to such principal forms, it may also be used to refer to some other verbs with similar functions, like become, get, feel and seem in English (these may also be called "semi-copulas" or "pseudo-copulas").
To Be may refer to:
"To Be" is the English title of a Japanese-language song by Ayumi Hamasaki. It was released as the singer's eighth single on May 12, 1999. The song begins "Dare mo ga toorisugite...", and does not contain the phrase "to be" or any other English lyrics.
"To Be" was released less than a month after her first number one single, "Love (Destiny)." Hamasaki's first song to be composed by Do as Infinity composer DAI, "To Be" was unable to reach the top position on the Oricon, unlike its predecessor. Hamasaki re-recorded "To Be" in celebrating her 10th anniversary in the music business in 2008 and it appeared as a B-Side on her Days/Green single.
The music video for "TO BE" was directed by longtime collaborator Takeishi Wataru. It shows Hamasaki singing as seen by a little boy through a kaleidoscope. It makes use of various backgrounds, outfits, makeup, and wigs to bring as much color as possible into the world the little boy sees. At the end, the kaleidoscope lens breaks, and Hamasaki is seen in black and white.
I don't own anything!!! Carter Burwell - Twilight Overture Breaking Dawn Part 2 - Score
I DON'T OWN ANYTHING! Carter Burwell - A Novia Vida from Breaking Dawn Part 1 Soundtrack
Hope you enjoy this one. Renesmee's Lullaby by Carter Burwell is also known as "Plus que ma propre vie". The original Renesmee's Lullaby is part of the music from The Twilight Saga.
a soundtrack from Twilight ------------------------------------------------- DOWNLOAD THIS SONG WITH NO PROBLEM!: http://www.mediafire.com/download.php?kbmmmbnghxz9oni
"The score for Searchlight Pictures’ The Banshees of Inisherin from Academy Award®-nominated composer, Carter Burwell, stands out as a separate character in this much buzzed about film. Tune in to hear Carter personally detail the behind-the-scenes creation of the music, recorded at the legendary Abbey Road Studios, which included incorporating Balinese gamelan instrumentation to create the light and dark sounds mirroring the story. Burwell previously worked with Banshees director Martin McDonagh on In Bruges, Seven Psychopaths, as well as his Oscar-nominated score for Three Billboards Outside Ebbing, Missouri. Welcome to The Big Score, a Hollywood Records original series, where you’re invited on an exclusive, behind the scenes journey inside the minds of some of culture's most innovativ...
Provided to YouTube by Universal Music Group Lovers · Carter Burwell Carol ℗ 2015 Starr Score Holdings, LLC, under exclusive license to Varese Sarabande Records Released on: 2015-11-06 Associated Performer, Violin: Simon James Associated Performer, Violin: Gennady Filimonov Associated Performer, Viola: Mara Gearman Associated Performer, Cello: Wendy Sutter Associated Performer, Bass Viol: Jonathan Burnstein Associated Performer, Violin: Brittany Boulding Associated Performer, Violin: Misha Shmidt Associated Performer, Viola: Joseph Gottesman Associated Performer, Cello: Eric Han Associated Performer, Piano: Cristina Valdes Associated Performer, Harp: John Carrington Associated Performer, Flute: Erin James Associated Performer, Clarinet: Frank Kowalsky Associated Perform...
Bellas Lullaby - Carter Burwell Soundtrack from Twilight Movie
A movie score usually goes unnoticed, unless it’s very bad -- or very good. Composer Carter Burwell has written music for more than 80 films over a 30-year career, but his soundtrack for “Carol” is his first to be nominated for an Oscar. Jeffrey Brown sits down with Burwell to discuss his composing process and the proper use of music in films.
Carter Benedict Burwell (born November 18, 1955) is an American composer of film scores. He is best known as a regular collaborator of the Coen brothers, having scored 17 of their films, among them Raising Arizona (1987), Barton Fink (1991), Fargo (1996), The Big Lebowski (1998), No Country for Old Men (2007), Burn After Reading (2008), and True Grit (2010). Other notable works include the Spike Jonze films Being John Malkovich (1999), Adaptation (2002) and Where the Wild Things Are (2009), David O. Russell's Three Kings (1999), the miniseries Olive Kitteridge (2014), Anomalisa (2015), and Todd Haynes' Velvet Goldmine (1998), Mildred Pierce miniseries, and Carol (2015).
Burwell was born in New York City, the son of Natalie (née Benedict), a math teacher, and Charles Burwell, who founded Thaibok Fabrics, Ltd. He graduated from King School in Stamford, Connecticut, and Harvard College, where he was a cartoonist for The Harvard Lampoon.
As a film composer, Burwell has had a long-working relationship with the Coen brothers, providing music for every film they have made (except for O Brother, Where Art Thou? and Inside Llewyn Davis, which had folk music soundtracks produced by T-Bone Burnett). He enjoys working with left-field directors, such as Spike Jonze. Among his best known film scores are Miller's Crossing (1990), And the Band Played On (1993), Conspiracy Theory (1997), Hamlet (2000), The Spanish Prisoner (1997), Before the Devil Knows You're Dead (2007), In Bruges (2008), Twilight (2008), Where The Wild Things Are (2009), The Blind Side (2009), and Breaking Dawn Part 1 (2011). Burwell wrote and recorded the original score for the film The Bourne Identity, but his version was replaced by director Doug Liman for one by John Powell.
And so the lion fell in love with the lamb.
What a stupid lamb.
What a sick masochistic lion.
About three things I was absolutely positive.
First, Edward was a vampire.
Second, there was a part of him -
and I didn't know how dominant that part might be -
that thirsted for my blood.
And third, I was unconditionally and irrevocably in love
with him.