Prince Igor

Prince Igor (Russian: Князь Игорь, Knyaz' Igor') is an opera in four acts with a prologue, written and composed by Alexander Borodin. The composer adapted the libretto from the Ancient Russian epic The Lay of Igor's Host, which recounts the campaign of Rus prince Igor Svyatoslavich against the invading Cuman ("Polovtsian") tribes in 1185. He also incorporated material drawn from two medieval Kievan chronicles. The opera was left unfinished upon the composer's death in 1887 and was edited and completed by Nikolai Rimsky-Korsakov and Alexander Glazunov. It was first performed in St. Petersburg, Russia, in 1890.

Composition history

Original Composition: 1869–1887

After briefly considering Lev Mei's The Tsar's Bride as a subject (later taken up in 1898 by Nikolai Rimsky-Korsakov, his 9th opera), Borodin began looking for a new project for his first opera. Vladimir Stasov, critic and advisor to The Mighty Handful, suggested The Lay of Igor's Host, a 12th-century epic prose poem, and sent Borodin a scenario for a three-act opera on 30 April 1869. Initially, Borodin found the proposition intriguing, but daunting:

Alexander Borodin

Alexander Porfiryevich Borodin (Russian: Алекса́ндр Порфи́рьевич Бороди́н; IPA: [ɐlʲɪkˈsandr pɐrˈfʲi rʲjɪvʲɪtɕ bərɐˈdʲin], 12 November 1833 – 27 February 1887) was a Russian Romantic composer of Georgian origin, as well as a doctor and chemist. He was one of the prominent 19th century composers known as The Mighty Handful, a group dedicated to producing a uniquely Russian kind of classical music, rather than imitating earlier Western European models.

Borodin is best known for his symphonies, his two string quartets, In the Steppes of Central Asia and his opera Prince Igor. Music from Prince Igor and his string quartets was later adapted for the US musical Kismet. A notable advocate of women's rights, Borodin was a promoter of education in Russia and founded the School of Medicine for Women in St. Petersburg.

Life and profession

Family and education

Borodin was born in Saint Petersburg as an illegitimate son of a 62-year-old Georgian nobleman, Luka Stepanovich Gedevanishvili, and a married 25-year-old Russian woman, Evdokia Konstantinovna Antonova. Due to the circumstances of Alexander's birth, the nobleman had him registered as the son of one of his Russian serfs, Porfiry Borodin, hence the composer's Russian last name. As a result of this registration, both Alexander and his nominal Russian father Porfiry were officially serfs of Alexander's biological father Luka. The Georgian father emancipated Alexander from serfdom when he was 7 and provided housing and money for him and his mother. In spite of this, Alexander was never publicly recognized by his mother, who stayed close but was referred to by young Borodin as his "aunt".

Polovtsian Dances

The Polovtsian Dances, or Polovetsian Dances (Russian: Половецкие пляски, Polovetskie plyaski from the Russian name of 'Polovtsy' - the name given to the Kipchaks and Cumans by the people of Rus') form an exotic scene at the end of Act II of Alexander Borodin's opera Prince Igor.

The work remained unfinished when the composer died in 1887, although he had worked on it for more than a decade. A performing version was prepared by Nikolai Rimsky-Korsakov and Alexander Glazunov, appearing in 1890. Several other versions, or "completions," of the opera have been made. The dances are performed with chorus and last between 11 and 14 minutes. They occur in Act I or Act II, depending on which version of the opera is being used. Their music is popular and sometimes given in concert. At such performances the choral parts are often omitted. The opera also has a "Polovtsian March," which opens Act III, and an overture at the start. When the dances are given in concert, a suite may be formed: Overture, Polovtsian Dances and March from "Prince Igor."

Igor

Igor may have the following meanings:

Prince

A prince is a male ruler, monarch, or member of a monarch's or former monarch's family. Prince is also a hereditary title in the nobility of some European states. The feminine equivalent is a princess. The English word derives, via the French word prince, from the Latin noun princeps, from primus (first) + capio (to seize), meaning "the chief, most distinguished, ruler, prince".

Historical background

The Latin word prīnceps (older Latin *prīsmo-kaps, literally "the one who takes the first [place/position]"), became the usual title of the informal leader of the Roman senate some centuries before the transition to empire, the princeps senatus.

Emperor Augustus established the formal position of monarch on the basis of principate, not dominion. He also tasked his grandsons as summer rulers of the city when most of the government were on holiday in the country or attending religious rituals, and, for that task, granted them the title of princeps.

The title has generic and substantive meanings: