A guide to contemporary classical music
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Tom Service: Choosing just 50 composers to tell the story of the contemporary classical music scene has been a rich and rewarding experience, but I'm only too aware of the ones that got away
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Tom Service: The real legacy of Schnittke's music is its multidimensional exploration of what musical truth in the 20th century might be, from chaotic polystylism to heartfelt spirituality
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The Greek composer trained as an architect, and created works of shattering visceral power that still astound today, writes Tom Service
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The Finn has become a concert hall staple – but his best works predate his embrace of colour and hyper-romanticism
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Tom Service: The Russian composer's brutally uncompromising work has an elementality that's both horrifying and thrilling
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Without Goehr's appreciation of history, musical modernism would have taken even longer to reach Britain than it did, writes Tom Service
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The American minimalist has fed bales of hay to his piano but it's his six-hour-plus Well-Tuned Piano that has changed the way we hear music, quite literally, writes Tom Service
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The late composer's mastery of a gigantic spectrum of sound, texture and feeling makes his work some of the most special of the late 20th century, writes Tom Service
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In Kurtág's tiny fragments lies music of unflinching emotional and existential rawness, writes Tom Service
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Tom Service: Benjamin's latest opera features cannibalism, suicide, sex and murder, and could be a watershed moment – unleashing the expressivity of one of Britain's most essential composers
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In tribute to John Tavener, who has died aged 69, here's a brief guide to his music, in a piece originally published earlier this year
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Takemitsu's understated and crystalline compositions combine elements of his own Japanese traditions with the western modernism he loved so much, writes Tom Service
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Tom Service: The composer James Dillon has created some of the most inventive and thrillingly expressive contemporary music around
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Tom Service: His composition In C was a minimalist masterpiece, but these days Terry Riley takes in life, the universe and everything
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Tom Service: The Frenchman has transformed his astonishing compositional refinement and willingness to take inspiration from other art forms and experiences into works of real emotional immediacy, writes Tom Service
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He denied the influence of Poland's turbulent 20th-century history but Lutosławski's music, with its unique textures and vivid harmonies, was always dynamic, eloquent and coherent
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Tom Service: The Irish composer's work is distinctive in its diamond-like hardness, its humour and, sometimes, its violence
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Tom Service: This classically trained avant-garde tearaway brought hard-left politics into his music and was possibly assassinated for it
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Tom Service looks at the Italian composer whose labyrinthine music admits as much of the world as he can cram into it
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Some of his later music makes my toes curl, but there's no denying the huge importance of Glass's compositions with their unique combination of experimentalism and listener-friendliness, writes Tom Service
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Tom Service: Few composers have understood as keenly as Nono did that every musical decision also has social and political ramifications, but there is more to his work than the overtly political
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Monk's deeply personal compositions sound at once ancient and modern, like a folk music for the whole world, says Tom Service
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Don't be daunted by his five-hour-long string quartet – Feldman offers a truly intimate encounter with the substance of sound
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Rebecca Saunders' compositions focus the ear on minute gradations of timbre and intonation, and turn her performers into Zen masters of attention and focus, writes Tom Service
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Henze's artistic credo was that music ought to have something to say about human emotion and to contribute to contemporary society, writes Tom Service
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Without Steve Reich's rhythms, pulses and phasing, contemporary culture would be a much poorer place, writes Tom Service
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This former enfant terrible of Dutch music has spent his career attempting to make the classical political, writes Tom Service
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Widmann's essential project is to reveal the continuing vitality of Mozart or Schubert – and he brings it kicking and screaming into the present day, writes Tom Service
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Adès makes you hear things with which you thought you were familiar as if they were completely new, writes Tom Service
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His enormous output and bewildering variety of styles and sounds make Rihm a true original, and worth getting to know
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This week, Tom Service looks at a composer whose mind is always on higher matters
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His compositions are the ultimate in complexity. So how to approach the works of this philosophically demanding musician? By Tom Service
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His operas boldly tackle politics, terrorism and terror itself. One of our most important contemporary voices, his music is both more radical and more conservative than his minimalist forebears. Tom Service on John Adams
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A composer who refused to play by the rules – and whose work has infiltrated popular consciousness –
Ligeti's music is both richer and darker than what Stanley Kubrick heard in it
A guide to Karlheinz Stockhausen's music
Tom Service: Our contemporary composers series ends with the most divisive figure of them all: Stockhausen