Next

Next can refer to:

Film, TV and stage

Publications

Science and technology

Next (The Sensational Alex Harvey Band album)

Next is the second album by The Sensational Alex Harvey Band. The album was released in 1973. It was released separately on CD, though it is widely available on a 2 in 1 album, the other album being their debut album Framed.

"Swampsnake" was covered by American rock band Zilch on their 1998 debut album 3.2.1..

"The Faith Healer" was covered by Australian psychedelic rock band The Church on their 1999 covers album A Box of Birds.

Track listing

All songs written and composed by Alex Harvey and Hugh McKenna, except where noted. 

Personnel

Band

Technical

References

External links

Players (film)

Players is a 2012 Indian action heist film directed by duo Abbas and Mustan Burmawalla and jointly produced by Viacom 18 Motion Pictures and Burmawala Partners. The film features an ensemble cast of Abhishek Bachchan, Sonam Kapoor, Neil Nitin Mukesh, Bipasha Basu, Bobby Deol, Sikandar Kher and Omi Vaidya in the lead roles, while Aftab Shivdasani appears in a cameo. The theatrical trailer premiered on 3 November 2011, and the film was released on 6 January 2012. It is an official remake of the 2003 Hollywood blockbuster, The Italian Job, which itself is a remake of the 1969 British caper film, of the same name.Players employs the same plot as the 2003 version, while making the characters and incidents completely different.

The story follows a team of players, consisting of a con-man, an automobile expert who doubles up as a seductress, an illusionist, an explosives expert, an expert hacker and an actor turned prosthetic makeup artist, who plan to steal gold worth ₹100 billion (US$1.5 billion) from a moving train. During the robbery they are double crossed by members of their own team.

Requiem (John 5 album)

Requiem is the fourth solo album by guitarist John 5. It is essentially an instrumental metal album, but it also has some bluegrass elements. The album is notable for having the majority of its songs named after medieval torture devices.

The first single, "Sounds of Impalement", was released via John 5's official website.

Reception

The album received generally positive reviews, the album received a 3/5 on Sputnik Music and a 10/10 on FPM102, the highest rating the site had ever given to a metal album.

Track listing

Personnel

Requiem (MacMillan)

Requiem is a one-act ballet created by Kenneth MacMillan in 1976 for the Stuttgart Ballet. The music is Gabriel Fauré's Requiem (1890). The designer was Yolanda Sonnabend, who had first collaborated with him on 1963's Symphony.

In MacMillan's words, "This danced Requiem is dedicated to the memory of my friend and colleague John Cranko, Director of the Stuttgart Ballet 1961–1973." The first performance was given at Stuttgart on 28 November 1976. MacMillan recreated the piece for the Royal Ballet, London, at the Royal Opera House, Covent Garden on 3 March 1983.

MacMillan's decision to set a ballet to Fauré's Requiem met with opposition from the board of the Royal Ballet. Catholic members of the board felt that sacred music should not be used for ballet. MacMillan wrote to the Archbishop of Canterbury to seek his opinion. Although the response was favourable to MacMillan the board remained unpersuaded. MacMillan then contacted the artistic director of the Stuttgart Ballet who had previously expressed an interest in commissioning a ballet from him. They reacted with enthusiasm. The piece was a portrait of the ballet company coming to terms with the death of Cranko, their much-loved artistic director.

Requiem (Branford Marsalis album)

Requiem is a jazz trio album by the Branford Marsalis Quartet, featuring Branford Marsalis, Eric Revis, Jeff "Tain" Watts, and Kenny Kirkland. The recording, Kirkland's last before his death in November 1998, was dedicated to his memory. Recorded August 17–20 and December 9–10, 1998 in the Tarrytown Music Hall in Tarrytown, New York, the album reached Number 8 on the Billboard Top Jazz Albums chart.

After several years of recordings in trio and other formats, the Requiem recording reunited Marsalis and Watts with Kirkland, who had been his collaborator on many earlier outings. After the August recording sessions, the quartet took the material on the road, with the goal of returning to the studio after the material had been honed on stage. Following Kirkland's death the remaining players recorded as a trio, capturing the song "Elysium."

In his AllMusic review, Richard Ginell says the album "an uncompromising, well-played disc of acoustic jazz that leans a bit toward adventure at times… in what turned out to be the swan song for one of the neo-bop era's finest lineups." Josef Woodard, in Entertainment Weekly called the album an "inspiring set that showcases Marsalis' expressive fluidity and lends a rueful, finalizing punctuation mark to Kirkland's brilliant and too-brief career." Writing for AllAboutJazz.com, Ian Nicolson noted that the album captures "the sound of a hot, creative musician flourishing in a hot, creative environment, captured largely live on analogue 24-track." James Shell's review for JazzReview.com called the work "unquestionably Branford's best to date," noting "its reliance on the Keith Jarrett quartet of the mid-seventies as a model."