Suicide Squad

The Suicide Squad, also known as Task Force X (the name of a closely related but independent supervisory organization), is a name for two fictional organizations appearing in American comic books published by DC Comics. The first version debuted in The Brave and the Bold #25 (1959), and the second version, created by John Ostrander, debuted in Legends #3 (1987).

The modern Suicide Squad is an antihero "strike team" of incarcerated, death row supervillains. Acting as deniable, covert assets of the United States government, it undertakes high-risk, black-ops missions in exchange for commuted prison sentences. The group operates out of Belle Reve Penitentiary under the directorship of Amanda Waller.

The Suicide Squad functions as an unorthodox, work-release program, which explains why many of the DC Universe's supervillains remain perpetually on the loose – regardless how many occasions they're apprehended and incarcerated for their latest crimes.

Various incarnations of the Suicide Squad have existed throughout DC Universe canon, as depicted in several self-titled comic book series, from its origins in the Silver Age, to its modern-day post-Crisis reimagining, to the current version that was introduced in the wake of DC's 2011 New 52 continuity reboot.

Christian music

Christian music is music that has been written to express either personal or a communal belief regarding Christian life and faith. Common themes of Christian music include praise, worship, penitence, and lament, and its forms vary widely across the world.

Like other forms of music the creation, performance, significance, and even the definition of Christian music varies according to culture and social context. Christian music is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes, or as an entertainment product for the marketplace.

Worship services

Among the most prevalent uses of Christian music are in church worship or other gatherings. Most Christian music involves singing, whether by the whole congregation (assembly), or by a specialized subgroup—such as a soloist, duet, trio, quartet, madrigal, choir, or worship band—, or both. It is frequently accompanied by instruments, but some denominations (such as some Exclusive Brethren, the Churches of Christ, the Primitive Baptists and the Free Church of Scotland) or congregations still prefer unaccompanied or a cappella singing. One of the earliest forms of worship music in the church was the Gregorian chant. Pope Gregory I, while not the inventor of chant, was acknowledged as the first person to order such music in the church, hinting the name “Gregorian” chant. The chant reform took place around 590–604 CE (reign of Pope Gregory I) (Kamien, pg. 65–67). The Gregorian chant was known for its very monophonic sound. Believing that complexity had a tendency to create cacophony, which ruined the music, Gregory I kept things very simple with the chant.