Angst (1928 film)

Angst is a 1928 German-British silent drama film directed by Hans Steinhoff and starring Gustav Fröhlich, Henry Edwards and Elga Brink. It is based on the 1925 novella Fear by Stefan Zweig. The film was a co-production between Germany and Britain, with the British star Edwards included to give the work greater commercial appeal in the British Isles.

Cast

Plot

Inge Duhan (Brink), a wealthy wife, begins conducting an affair, only to find herself blackmailed by another woman.

References

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Klinik

Klinik, (sometimes called The Klinik), is an industrial music band from Belgium, originally formed around 1982 by electro-synthpop practitioner Marc Verhaeghen, who is the only constant member.

History

Marc Verhaeghen originally formed Klinik in the early-to-mid 1980s; the exact date varies depending on the source. The group is normally described as one of the most influential Belgian industrial bands in history.

In 1985, Verhaeghen joined forces with two other bands, Absolute Body Control (with Dirk Ivens and Eric van Wonterghem), and "The Maniacs" (Sandy Nys) to form one "super group" "Absolute Controlled Clinical Maniacs". This rather unwieldy name was soon dropped in favour of the shorter name "The Klinik". Nys soon left the band to form "Hybryds", followed in 1987 by van Wonterghem, leaving The Klinik as the "classic" duo of Dirk Ivens and Marc Verhaeghen.

The Klinik soon made a name for themselves with their cold and harsh EBM sound and their live shows, where both Ivens and Verhaeghen performed with their heads wrapped in gauze, wearing long black leather coats. Ivens' hissing vocals and minimalist lyrics were complemented by Verhaeghen's synthesizer skills and distorted trombone playing. This however, did not last forever; after Time, an album neither member was fully pleased with, musical differences became too great, and they decided to go their separate ways. In a 2013 interview, Ivens said the due were moving in different directions musically, and that compromise between only two members was challenging.

Fear (1917 film)

Fear (German: Furcht) is a 1917 German silent horror film written and directed by Robert Wiene and starring Bruno Decarli, Conrad Veidt and Bernhard Goetzke. It is also the first known appearance of Conrad Veidt on screen, cast by producer Oskar Messter (famous for discovering actors who became big stars in the 1920s).

The original soundtrack for the film was lost and replaced by another donated by collectionist Leslie Shepard. The sets were designed by Ludwig Kainer.

Plot

Count Greven (Bruno de Carli) returns to his old castle after spending several years touring the world. The servants note how the count has changed: he is now withdrawn and fearful. He orders that the doors to the castle be kept locked and no one admitted. When he is left alone in his room, Greven opens a chest he brought from his travels, inside it there is a strange statue that he adds to his vast collection of rare works of art. Several days pass and a worried servant (Bernhard Goetzke) informs the town's minister (Hermann Picha) about his master's melancholia. The old man visits the castle looking to help. The count confesses the minister how, during his stay in India, he had heard of a statue of Buddha that was so beautiful that it made the sick well and the sad joyous; while visiting the temple, he stole the figure and smuggled it back home. The count tells the minister that the temple's priest swore a terrible revenge upon him for his sacrilege, and he has been living in fear of their secret powers ever since. The minister leaves shocked, believing that Greven has gone mad. The count screams in despair that he no longer wants to live, since the agony of suspense is worse than death.

Ampersand

The ampersand is the logogram "&", representing the conjunction word "and". It originated as a ligature of the letters et, Latin for "and".

Etymology

The word ampersand is a corruption of the phrase "and per se & (and)", meaning "and intrinsically the word and (represented by the symbol &)".

Traditionally, when reciting the alphabet in English-speaking schools, any letter that could also be used as a word in itself ("A", "I", and, at one point, "O") was repeated with the Latin expression per se ("by itself"). This habit was useful in spelling where a word or syllable was repeated after spelling; e.g. "d, o, g—dog" would be clear but simply saying "a—a" would be confusing without the clarifying "per se" added. It was also common practice to add the "&" sign at the end of the alphabet as if it were the 27th letter, pronounced as the Latin et or later in English as and. As a result, the recitation of the alphabet would end in "X, Y, Z, and per se and". This last phrase was routinely slurred to "ampersand" and the term had entered common English usage by 1837. However, in contrast to the 26 letters, the ampersand does not represent a speech sound—although other characters that were dropped from the English alphabet did, such as the Old English thorn, wynn, and eth.

Sign (album)

Sign is the seventh album by Clock DVA, released on August 3, 1993 through Contempo Records.

Track listing

All songs written and composed by Robert Baker and Adi Newton. 

Personnel

References

External links

Brown Eyed Girls

The Brown Eyed Girls (Hangul: 브라운 아이드 걸스, Japanese: ブラウン・アイド・ガールズ), often abbreviated as B.E.G., BG or 브아걸 (beu-ah-geol) is a South Korean pop girl group managed by Mystic Entertainment. The group consists of four members: JeA, Miryo, Narsha, and Ga-In. They debuted as an R&B/ballad vocal group with "Come Closer (다가와서)" in 2006 and have since challenged themselves with a notable variety of different music genres.

They rose to popularity in 2008 with "L.O.V.E" and their retro-dance number "How Come", though cemented their position in the K-pop world in 2009 with "Abracadabra", with its electronica-based genre, pioneering (albeit controversial) concept, along with its iconic and now globally recognized dance entitled 'The Arrogant Dance (시건방춤)' - successfully ingraining themselves into modern popular culture.

The group started their venture into the Japanese music market with the release of a Japanese version of their massively successful 3rd Korean album Sound-G in late 2010, with full promotions being held throughout early 2011 under Sony Music Japan, where they gained moderate success. They returned to Korea in late 2011, to garner further success and critical acclaim with their 4th album and its title-track "Sixth Sense", which is considered to be Korea's first contemporary rhapsody. Other than promoting as a group, all of the members have released solo albums respectively.