-
Posizione raggiunta
Provided to YouTube by Believe SAS
Posizione raggiunta · Kate
Cani Arrabbiati (Opening Themes ... a Tribute)
℗ Marco Bernard
Released on: 2010-06-03
Composer: Luis Bacalov
Music Publisher: D.R
Auto-generated by YouTube.
published: 22 Jun 2018
-
Apoteosi del mistero
Provided to YouTube by Believe SAS
Apoteosi del mistero · Kate
Cani Arrabbiati (Opening Themes ... a Tribute)
℗ Marco Bernard
Released on: 2010-06-03
Composer: LFabio Frizzi
Music Publisher: D.R
Auto-generated by YouTube.
published: 22 Jun 2018
-
The Samurai of Prog - Cani Arrabbiati (Dynamic Range 10)
Brano tratto dall'album "Opening Themes... A Tribute (Musea Tribute)" 2010
Distribuito da http://www.musearecords.com
Immagini tratte dal film "Cani Arrabbiati" di mario bava
http://www.myspace.com/colossusprojects
--------------------------------------------------------------------------------
Analyzed: Cani Arrabbiati / Opening Themes ... A Tribute Disc 1
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR11 -0.30 dB -13.60 dB 5:06 01-The Samurai of Prog - Cani Arrabbiati
DR11 -0.30 dB -14.28 dB 3:45 02-Anima Morte - Chi Part 2
DR9 -0.30 dB -12.25 dB 3:15 03-Anima Morte - Il Grande Silenzo...
published: 11 Jul 2010
-
Our Miss Brooks: Magazine Articles / Cow in the Closet / Takes Over Spring Garden / Orphan Twins
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so tha...
published: 31 Oct 2012
-
Suspense: The Brighton Strangler / A Thing of Beauty / I Had an Alibi
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949.
The highest production va...
published: 14 Feb 2013
2:57
Posizione raggiunta
Provided to YouTube by Believe SAS
Posizione raggiunta · Kate
Cani Arrabbiati (Opening Themes ... a Tribute)
℗ Marco Bernard
Released on: 2010-06-03
Compos...
Provided to YouTube by Believe SAS
Posizione raggiunta · Kate
Cani Arrabbiati (Opening Themes ... a Tribute)
℗ Marco Bernard
Released on: 2010-06-03
Composer: Luis Bacalov
Music Publisher: D.R
Auto-generated by YouTube.
https://wn.com/Posizione_Raggiunta
Provided to YouTube by Believe SAS
Posizione raggiunta · Kate
Cani Arrabbiati (Opening Themes ... a Tribute)
℗ Marco Bernard
Released on: 2010-06-03
Composer: Luis Bacalov
Music Publisher: D.R
Auto-generated by YouTube.
- published: 22 Jun 2018
- views: 15
4:14
Apoteosi del mistero
Provided to YouTube by Believe SAS
Apoteosi del mistero · Kate
Cani Arrabbiati (Opening Themes ... a Tribute)
℗ Marco Bernard
Released on: 2010-06-03
Compo...
Provided to YouTube by Believe SAS
Apoteosi del mistero · Kate
Cani Arrabbiati (Opening Themes ... a Tribute)
℗ Marco Bernard
Released on: 2010-06-03
Composer: LFabio Frizzi
Music Publisher: D.R
Auto-generated by YouTube.
https://wn.com/Apoteosi_Del_Mistero
Provided to YouTube by Believe SAS
Apoteosi del mistero · Kate
Cani Arrabbiati (Opening Themes ... a Tribute)
℗ Marco Bernard
Released on: 2010-06-03
Composer: LFabio Frizzi
Music Publisher: D.R
Auto-generated by YouTube.
- published: 22 Jun 2018
- views: 55
5:12
The Samurai of Prog - Cani Arrabbiati (Dynamic Range 10)
Brano tratto dall'album "Opening Themes... A Tribute (Musea Tribute)" 2010
Distribuito da http://www.musearecords.com
Immagini tratte dal film "Cani Arrabbiat...
Brano tratto dall'album "Opening Themes... A Tribute (Musea Tribute)" 2010
Distribuito da http://www.musearecords.com
Immagini tratte dal film "Cani Arrabbiati" di mario bava
http://www.myspace.com/colossusprojects
--------------------------------------------------------------------------------
Analyzed: Cani Arrabbiati / Opening Themes ... A Tribute Disc 1
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR11 -0.30 dB -13.60 dB 5:06 01-The Samurai of Prog - Cani Arrabbiati
DR11 -0.30 dB -14.28 dB 3:45 02-Anima Morte - Chi Part 2
DR9 -0.30 dB -12.25 dB 3:15 03-Anima Morte - Il Grande Silenzo
DR10 -0.30 dB -12.54 dB 7:01 04-Anima Morte - Suspicious Death of a Minor
DR10 -0.30 dB -11.52 dB 3:01 05-Anima Morte - Gin
DR8 -0.30 dB -10.70 dB 4:11 06-Kate - Death Die
DR11 -0.30 dB -12.45 dB 3:59 07-Kate - La polizia ha le mani legate
DR9 -0.30 dB -11.06 dB 2:56 08-Kate - Posizione Raggiunta
DR10 -0.30 dB -11.28 dB 4:13 09-Kate - Apoteosi del Mistero
DR9 -0.30 dB -11.75 dB 6:49 10-Senogul - Magari Ancora Medley
DR9 -0.30 dB -11.18 dB 5:28 11-Aurora Lunare - Connexion
DR8 -0.30 dB -9.70 dB 4:12 12-Aurora Lunare - Gamma
DR10 -0.30 dB -15.09 dB 4:44 13-Marco Lo Muscio - Sixty Seconds of What
DR11 -1.51 dB -16.31 dB 5:38 14-Marco Lo Muscio - La vittima designata
DR10 -3.89 dB -16.60 dB 4:46 15-Marco Lo Muscio - Mose
DR9 -0.30 dB -13.68 dB 7:42 16-Marco Lo Muscio - Profondo Gotico
--------------------------------------------------------------------------------
Number of tracks: 16
Official DR value: DR10
--------------------------------------------------------------------------------
Analyzed: Cani Arrabbiati / Opening Themes ... A Tribute - Disc 2
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR8 -0.30 dB -9.62 dB 4:35 01-Ozone Player - Nucleo Antirapina
DR7 -0.30 dB -11.14 dB 3:51 02-The Conspirators of the Occult - Yell
DR9 -0.30 dB -11.67 dB 4:09 03-The Conspirators of the Occult - Liza Sweet Liza
DR15 -0.30 dB -20.60 dB 6:24 04-The Conspirators of the Occult - La Lucertola
DR14 -0.30 dB -16.26 dB 1:25 05-The Conspirators of the Occult - I remember
DR13 -0.30 dB -15.22 dB 5:37 06-John La Forges - L'Ossessione
DR12 -0.30 dB -13.43 dB 3:38 07-John La Forges - Drug's Theme
DR11 -0.30 dB -14.48 dB 5:22 08-John La Forges - Indagine su un Cittadino al di Sopra di Ogni Sospetto
DR11 -0.30 dB -12.87 dB 6:41 09-John La Forges - Lo Chiamavano Trinita
DR8 -0.30 dB -10.40 dB 3:12 10-Jaime Rosas - Il Buono, il Brutto, il Cattivo
DR7 -0.30 dB -10.21 dB 3:08 11-Jaime Rosas - Un Dollaro Bucato
DR8 -0.30 dB -10.00 dB 4:00 12-Jaime Rosas - Il Grande Duello
DR9 -0.30 dB -11.08 dB 3:53 13-Jaime Rosas - Tantacoli
DR9 -0.30 dB -10.81 dB 4:39 14-Mist Seasons - Puppet on a Chain
DR8 -0.30 dB -10.97 dB 5:44 15-Mist Seasons - Blow Out
DR9 -0.30 dB -11.59 dB 6:22 16-Mist Seasons - Chaser
DR9 -0.30 dB -10.53 dB 5:02 17-Mist Seasons - Manaos
--------------------------------------------------------------------------------
Number of tracks: 17
Official DR value: DR10
https://wn.com/The_Samurai_Of_Prog_Cani_Arrabbiati_(Dynamic_Range_10)
Brano tratto dall'album "Opening Themes... A Tribute (Musea Tribute)" 2010
Distribuito da http://www.musearecords.com
Immagini tratte dal film "Cani Arrabbiati" di mario bava
http://www.myspace.com/colossusprojects
--------------------------------------------------------------------------------
Analyzed: Cani Arrabbiati / Opening Themes ... A Tribute Disc 1
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR11 -0.30 dB -13.60 dB 5:06 01-The Samurai of Prog - Cani Arrabbiati
DR11 -0.30 dB -14.28 dB 3:45 02-Anima Morte - Chi Part 2
DR9 -0.30 dB -12.25 dB 3:15 03-Anima Morte - Il Grande Silenzo
DR10 -0.30 dB -12.54 dB 7:01 04-Anima Morte - Suspicious Death of a Minor
DR10 -0.30 dB -11.52 dB 3:01 05-Anima Morte - Gin
DR8 -0.30 dB -10.70 dB 4:11 06-Kate - Death Die
DR11 -0.30 dB -12.45 dB 3:59 07-Kate - La polizia ha le mani legate
DR9 -0.30 dB -11.06 dB 2:56 08-Kate - Posizione Raggiunta
DR10 -0.30 dB -11.28 dB 4:13 09-Kate - Apoteosi del Mistero
DR9 -0.30 dB -11.75 dB 6:49 10-Senogul - Magari Ancora Medley
DR9 -0.30 dB -11.18 dB 5:28 11-Aurora Lunare - Connexion
DR8 -0.30 dB -9.70 dB 4:12 12-Aurora Lunare - Gamma
DR10 -0.30 dB -15.09 dB 4:44 13-Marco Lo Muscio - Sixty Seconds of What
DR11 -1.51 dB -16.31 dB 5:38 14-Marco Lo Muscio - La vittima designata
DR10 -3.89 dB -16.60 dB 4:46 15-Marco Lo Muscio - Mose
DR9 -0.30 dB -13.68 dB 7:42 16-Marco Lo Muscio - Profondo Gotico
--------------------------------------------------------------------------------
Number of tracks: 16
Official DR value: DR10
--------------------------------------------------------------------------------
Analyzed: Cani Arrabbiati / Opening Themes ... A Tribute - Disc 2
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR8 -0.30 dB -9.62 dB 4:35 01-Ozone Player - Nucleo Antirapina
DR7 -0.30 dB -11.14 dB 3:51 02-The Conspirators of the Occult - Yell
DR9 -0.30 dB -11.67 dB 4:09 03-The Conspirators of the Occult - Liza Sweet Liza
DR15 -0.30 dB -20.60 dB 6:24 04-The Conspirators of the Occult - La Lucertola
DR14 -0.30 dB -16.26 dB 1:25 05-The Conspirators of the Occult - I remember
DR13 -0.30 dB -15.22 dB 5:37 06-John La Forges - L'Ossessione
DR12 -0.30 dB -13.43 dB 3:38 07-John La Forges - Drug's Theme
DR11 -0.30 dB -14.48 dB 5:22 08-John La Forges - Indagine su un Cittadino al di Sopra di Ogni Sospetto
DR11 -0.30 dB -12.87 dB 6:41 09-John La Forges - Lo Chiamavano Trinita
DR8 -0.30 dB -10.40 dB 3:12 10-Jaime Rosas - Il Buono, il Brutto, il Cattivo
DR7 -0.30 dB -10.21 dB 3:08 11-Jaime Rosas - Un Dollaro Bucato
DR8 -0.30 dB -10.00 dB 4:00 12-Jaime Rosas - Il Grande Duello
DR9 -0.30 dB -11.08 dB 3:53 13-Jaime Rosas - Tantacoli
DR9 -0.30 dB -10.81 dB 4:39 14-Mist Seasons - Puppet on a Chain
DR8 -0.30 dB -10.97 dB 5:44 15-Mist Seasons - Blow Out
DR9 -0.30 dB -11.59 dB 6:22 16-Mist Seasons - Chaser
DR9 -0.30 dB -10.53 dB 5:02 17-Mist Seasons - Manaos
--------------------------------------------------------------------------------
Number of tracks: 17
Official DR value: DR10
- published: 11 Jul 2010
- views: 1377
1:51:34
Our Miss Brooks: Magazine Articles / Cow in the Closet / Takes Over Spring Garden / Orphan Twins
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 19...
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
http://en.wikipedia.org/wiki/Our_Miss_Brooks
https://wn.com/Our_Miss_Brooks_Magazine_Articles_Cow_In_The_Closet_Takes_Over_Spring_Garden_Orphan_Twins
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
http://en.wikipedia.org/wiki/Our_Miss_Brooks
- published: 31 Oct 2012
- views: 109917
1:31:07
Suspense: The Brighton Strangler / A Thing of Beauty / I Had an Alibi
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the ma...
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
https://wn.com/Suspense_The_Brighton_Strangler_A_Thing_Of_Beauty_I_Had_An_Alibi
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
- published: 14 Feb 2013
- views: 22021