"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.
"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.
PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.
Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
Tone and sound are terms used by musicians and related professions to refer to the audible characteristics of a player's sound. Tone is the product of all influences on what can be heard by the listener, including the characteristics of the instrument itself, differences in playing technique (e.g. embouchure for woodwind and brass players, fretting technique or use of a slide in stringed instruments, or use of different mallets in percussion), and the physical space in which the instrument is played. In electric and electronic instruments, tone is also affected by the amplifiers, effects, and speakers used by the musician. In recorded music, tone is also influenced by the microphones, signal processors, and recording media used to record, mix, and master the final recording, as well as the listener's audio system.
The tone of a stringed instrument is influenced by factors related to construction and player technique. The instrument's shape, particularly of its resonant cavity, as well as the choice of tonewood for the body, neck, and fingerboard, are all major determinants of its tone. The material and age of the strings is also an important factor. Playing technique also influences tone, including subtle differences in the amount of pressure applied with the fretting hand, picking or bowing intensity, use of muting and/or drone techniques.
Twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition devised by Austrian composer Arnold Schoenberg (1874–1951) and associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while preventing the emphasis of any one note through the use of tone rows, orderings of the 12 pitch classes. All 12 notes are thus given more or less equal importance, and the music avoids being in a key. Over time, the technique increased greatly in popularity and eventually became widely influential on 20th century composers. Many important composers who had originally not subscribed to or even actively opposed the technique eventually adopted it in their music, such as Aaron Copland and Igor Stravinsky.
A steel tongue drum, tank drum or hank drum is a round steel slit/tongue drum originally fashioned from a propane tank.
A steel tongue drum can be made from an empty (often 20 lb) propane tank. The tank is flipped over, the base cut/knocked off; and seven to ten tongues are cut radially into the bottom of the tank, forming the top of the instrument. Steel tongue drum can also be made from new unused tank heads. The tongues can be tuned by the maker by varying the length of the cuts, or by adding weights, often neodymium magnets to the tongues. The steel tongue drum is often tuned to pentatonic scales but can be tuned to the diatonic scale, the chromatic scale, or any set of notes the maker chooses. The instrument is played with the fingers or with mallets. The tone is bell-like.
Sound example
The steel tongue drum had several predecessors, most notably the Whale Drum by Jim Doble and the Tambiro by Felle Vega. In February 2007 Dennis Havlena, inspired by the physical properties of the Tambiro and the tone layout of the Hang, created a steel tongue drum with a circular cross pattern layout and from an empty 20-pound propane tank. The name 'Hank Drum' came from a combination of "Hang" and "tank".
In a World Like This is the eighth studio album (seventh in the United States) by the Backstreet Boys, released in 2013 through the band's own record label K-BAHN. A follow-up to 2009's This Is Us, it is the first album featuring all five original members since Kevin Richardson left the group in 2006 to focus on his family and pursue other interests. Richardson rejoined the group in 2012. It was also their first independent album since leaving their old label Jive Records in 2010. The album debuted at number five on the US Billboard 200, making the Backstreet Boys the first act since Sade to have nine US top 10 albums, and the only boy band to do so.
On May 20, 2013, the group released "Permanent Stain" as a promotional single, which was co-written by band member Nick Carter. A free download of the song was offered with the purchase of a ticket for their In a World Like This Tour. The first single from the album, also titled "In a World Like This" premiered on Z100 New York on June 18, 2013 and was released on June 25, 2013. To date, the album has sold over 800,000 copies worldwide.
Madeleine is a station on lines 8, 12 and 14 of the Paris Métro in central Paris and the 8th arrondissement.
The station was opened on 5 November 1910 as part of the original section of the Nord-Sud Company's line A between Porte de Versailles and Notre-Dame-de-Lorette. On 27 March 1931 line A became line 12 of the Métro. The line 8 platforms opened on 13 July 1913 as part of the original section of the line between Beaugrenelle (now Charles Michels on line 10) and Opéra. The line 14 platforms opened on 15 October 1998 as part of the original section of the line between Madeleine and Bibliothèque François Mitterrand. It was the north-western terminus of Line 14 until its extension to Saint-Lazare in 2003.
It is named after the nearby Église de la Madeleine, which was dedicated to Sainte Madeleine in the 18th century. A small settlement had grown up in the district by the 6th century around a stronghold of the Bishop of Paris. It was known from an early date as la Ville-l’Évêque ("Town of the Bishop").
They know they're doing this on the west coast to the east coast
And so do all the stations from Fargo to Chicago
There's local heroes and kids who cant do the math
But the one who did only points at the weather map
Bury me with stories of 200 ghosts
The lakes and the fakes always get the most:coverage
So put the feel good to start-the rest put later on
To end a segment on stars
The war? Lets lead them on
Channel X Channel 0 Ch. Ch. X
Just look at what they do when the pressures on to dumb us down
"Let's go with a piece on a diet trend"-what a mastermind!
And if our arms don't reach-are they too short?
These ideas and mindsets should make it through
But as long as we know who won the game last night-we know we never might
Please put the world first, so when we're all in one spot is it a riot now?
And with a flight jacket on, am I a pilot now?
10 O'Clock
10 O'Clock
That's when the world stops!