The Final Solution - Live At The Matrix, SF, CA, July 2 1966

• Report rights infringement
• published: 31 Aug 2016
• views: 808

The Final Solution - Live At The Matrix, SF, CA, July 2 1966 (The Final Solution - So Long, Goodbye (Promo Film) - (1966) HERE https://www.youtube.com/watch?v=ENqcvs3gjsA&feature;=gp-n-y&google;_comment_id=z13yf5ywcrr3sxpbq04cijs4uka5s5jwzmo0k 01-Intro. 02-Tell Me Again. 03-Bleeding Roses. 04-If You Want. 05-You Say That You Love Me. 06-Got My Mojo Working. 07-Time Is Here And Now. 08-Bo Diddley Meets Sandy Nelson. 09-Truck Drivin' Son Of A Gun. 10-Just Like Gold. 11-Misty Mind. 12-So Long, Goodbye. 13-America The Beautiful. Line-Up Ernie Fosselius - Lead Guitar/Lyrics. Bob Knickerbocker - Bass Guitar/Lyrics. John Yager - Lead Vocals/Rhythm Guitar. John Chance - Drums. The Final Solution (also known as Earth Mother and the Final Solution) was an American garage rock band formed in San Francisco, California, in 1965. An early group in the development of what later became known as the San Francisco Sound, the Final Solution contradicted its contemporaries with their controversial name and grim lyrics composed by lead guitarist Ernie Fosselius and bassist Bob Knickerbocker. Although the group never released any recordings in their career, the band was pivotal in the music scene's live performances. A live recording of the Final Solution at the Matrix in 1966 exists and available, particularly "So Long Goodbye", which appears on Pebbles, Volume 22. Established in 1965, the Final Solution's line-up featured Ernie Fosselius (lead guitar), John Yager (lead vocals, rhythm guitar), John Chance (drums), and Bob Knickerbocker (bass guitar), most of whom spent time at University of San Francisco. Regarding the group's potentially offensive moniker, the Final Solution refers to the phrase "There is no final solution", a cryptic but otherwise meaningless statement. Music historian Alec Palao explained "With their solidly middle-class backgrounds, none of the group had any idea of the slogan's implications". Stylistically, the band bore the closest similarity to the Great Society with raga rock influences and minor-keyed melodies. However, in other aspects, the group made a concerted effort to remain apart from their San Franciscan contemporaries, performing downbeat material penned by Fosselius and Knickerbocker, and dressing in a way that did not exhibit the hippie vibe of the city. The Final Solution, early on billed as Earth Mother and the Final Solution, opened for several bands in San Francisco in venues such as the Matrix and the Fillmore West throughout 1965 and 1966, completing approximately 50 live performances during their existence. In addition, the group was house band at the Red Dog Saloon for a month in 1966. After the Great Society disbanded in late-1966, drummer Jerry Slick joined the Final Solution, bringing with him some of his former group's material including "Grimly Forming" and "Father". In fact, the two compositions are partially featured on rehearsal tapes by the group, which survive and have since been bootlegged. The Final Solution did demo for Mainstream Records, a Chicago-based record label which released material by other Bay Area groups; however, they could not secure a contract. Discouraged, the group disbanded sometime in 1967, with Fosselius, Knickerbocker, and Slick all going on to work in filmmaking. Despite never recording during their existence, the Final Solution has gained attention as psychedelic rock from San Francisco also received re-interest. In 1987, a live rendition of "So Long, Goodbye" appeared on Pebbles, Volume 22. Another song, "Bleeding Rose", is featured on a flexi-disc along with the first issue of the San Francisco fanzine Cream Puff War, in 1991. Tapes of the Final Solution live at the Matrix in 1966 are also available, albeit unofficially. Incidentally, the performance was almost not recorded as the group was a last-minute replacement for another band which cancelled the gig. Music historian Richie Unterberger suspects the recordings will be released on a label at some point, stating: "Although not close to the upper echelon occupied by the best of their San Francisco peers, much of it's worthwhile, particularly their most folk-rock-aligned stuff, such as 'Just Like Gold' and 'Bleeding Rose'".