Promise (disambiguation)

A promise is a transaction whereby a person makes a vow or the suggestion of a guarantee.

Promise(s) may also refer to:

Computing

Film and television

Music

Albums

Promises (Wiz Khalifa song)

"Promises" is a song by American hip-hop artist Wiz Khalifa. It features production by Jim Jonsin and serves as the fifth single off his fifth studio album Blacc Hollywood.

Charts

References

Promises (film)

Promises is a 2001 documentary film that examines the Israeli-Palestinian conflict from the perspectives of seven children living in the Palestinian communities in the West Bank and Israeli neighborhoods of Jerusalem.

The film follows Israeli-American filmmaker B.Z. Goldberg as he meets with seven Palestinian and Israeli children between the ages of nine and thirteen, seeing the Middle East conflict through their eyes. The most important aspect of the film is that it allows "ordinary" kids to develop natural bonds of affection by simply playing games with each other - bonds which go beyond the clutter of prejudices that they have heard from their parents and others around them.

Promises was shot between 1997 and 2000 and was produced in association with the Independent Television Service with partial funding provided by the Corporation for Public Broadcasting.

The film has a running time of 106 minutes, and includes Arabic, Hebrew and English dialogue with English subtitles.

Ballroom

A ballroom is a large room inside a building, the designated purpose of which is holding large formal parties called balls. Traditionally, most balls were held in private residences; many mansions contain one or more ballrooms. In other large houses, a large room such as the main drawing room, long gallery, or hall may double as a ballroom, but a good ballroom should have the right type of flooring, such as hardwood flooring or stone flooring (usually marble).

Ballrooms are generally quite large, and may have ceilings higher than other rooms in the same building. The large amount of space for dancing, as well as the highly formal tone of events have given rise to ballroom dancing. The largest balls are now nearly always held in public buildings, and many hotels have a ballroom. They are also designed large to help the sound of orchestras carry well throughout the whole room.

A special case is the annual Vienna Opera Ball, where, just for one night, the auditorium of the Vienna State Opera is turned into a large ballroom. On the eve of the event, the rows of seats are removed from the stalls, and a new floor, level with the stage, is built.

Ballroom dance

Ballroom dance is a set of partner dances, which are enjoyed both socially and competitively around the world. Because of its performance and entertainment aspects, ballroom dance is also widely enjoyed on stage, film, and television.

Ballroom dance may refer, at its widest definition, to almost any type of partner dancing as recreation. However, with the emergence of dancesport in modern times, the term has become narrower in scope, and traditionally refers to the five International Standard and five International Latin style dances (see dance categories below). The two styles, while differing in technique, rhythm and costumes, exemplify core elements of ballroom dancing such as control and cohesiveness. Developed in England, the two styles are now regulated by the World Dance Council (WDC) and the world dancesport federation. (Wdsf). In the United States, two additional variations are popular: American Smooth and American Rhythm, which combine elements of both traditional Latin and Ballroom dances.

Ballroom (musical)

Ballroom is a musical with a book by Jerome Kass and music by Billy Goldenberg and lyrics by Alan and Marilyn Bergman.

Based on Kass's teleplay for the 1975 Emmy Award-winning television drama Queen of the Stardust Ballroom, the plot focuses on lonely widow Bea Asher, who becomes romantically involved with Alfred Rossi, a mail carrier she meets at the local dance hall. Her dream of a happily-ever-after relationship is shattered when she discovers Alfred hasn't been as honest about his personal life as she thought.

After eleven previews, the Broadway production, directed and choreographed by Michael Bennett, opened on December 14, 1978 at the Majestic Theatre, where it ran for 116 performances. The cast included Dorothy Loudon as Bea and Vincent Gardenia as Alfred. The sets were by Robin Wagner, and Theoni V. Aldredge designed the costumes.

The production was Bennett's first project following A Chorus Line three years earlier.

Song list