- published: 25 Sep 2013
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Gustaf Allan Pettersson (19 September 1911 – 20 June 1980) was a Swedish composer. Today he is considered one of the most important Swedish composers of the 20th century. His symphonies developed a devoted international following, starting in the final decade of his life.
Pettersson, the youngest of four children of a violent, alcoholic blacksmith, was born at the manor of Granhammar in Västra Ryd parish in the province of Uppland, but grew up in poor circumstances in the Södermalm district of Stockholm, where he resided during his whole life. He once said of himself: "I wasn't born under a piano, I didn't spend my childhood with my father, the composer... no, I learnt how to work white-hot iron with the smith's hammer. My father was a smith who may have said no to God, but not to alcohol. My mother was a pious woman who sang and played with her four children."
In 1930, he began study of violin and viola, as well as counterpoint and harmony, at the conservatory of the Royal Swedish Academy of Music (Royal College of Music, Stockholm). He became a distinguished viola player, but also started composing songs and smaller chamber works in the 1930s. At the beginning of the World War II he was studying the viola with Maurice Vieux in Paris. During the 1940s he worked as a violist in the Stockholm Concert Society (later the Royal Stockholm Philharmonic Orchestra), but also studied composition privately with Karl-Birger Blomdahl, Tor Mann, and Otto Olsson. His production from this decade include the song cycle twenty-four Barefoot Songs (1943–45) based on own poems and a dissonant concerto for violin and string quartet (1949). Latter work is influenced by Béla Bartók and Paul Hindemith.
An orchestra (/ˈɔːrkᵻstrə/ or US /ˈɔːrˌkɛstrə/; Italian: [orˈkɛstra]) is a large instrumental ensemble used in classical music that contains sections of string (violin, viola, cello and double bass), brass, woodwind, and percussion instruments. Other instruments such as the piano and celesta may sometimes be grouped into a fifth section such as a keyboard section or may stand alone, as may the concert harp and, for 20th and 21st century compositions, electric and electronic instruments. The term orchestra derives from the Greek ὀρχήστρα, the name for the area in front of an ancient Greek stage reserved for the Greek chorus. The orchestra grew by accretion throughout the 18th and 19th centuries, but changed very little in composition during the course of the 20th century.
Allan may refer to any one of the following:
Alun Francis (born September 29, 1943) is a Welsh conductor.
Francis was the principal conductor of the Ulster Orchestra from 1966 for ten years. In 1978 he conducted the premiere of Donizetti's opera Gabriella di Vergy in the Queen Elizabeth Hall in London.
From 1979 to 1985 he was Music director of the Northwest Chamber Orchestra in Seattle, then he was artistic counselor of the ensembles Opera Forum in Enschede.
From 1987 to 1990 he was Generalmusikdirektor of the Nordwestdeutsche Philharmonie. Afterwards he conducted the Haydn-Orchester in Bolzano, the Berliner Symphoniker and the Orchestra Sinfonica di Milano Giuseppe Verdi. From 2003 to 2008 he was principal conductor of the Thüringen Philharmonie Gotha. He has been a regular guest conductor of the Zagreb Philharmonic Orchestra. As of 2010, he is principal conductor of the Orquesta Filarmónica de la UNAM in Mexico City.
Francis recorded works of Francis Poulenc, symphonies and symphonic works of Otto Klemperer with the Staatsphilharmonie Rheinland-Pfalz, and symphonies of Allan Pettersson with different orchestras, among others. In 1980 he recorded Offenbach's operetta Robinson Crusoé with the Royal Philharmonic Orchestra. In 2000 he was awarded the first prize of the Cannes Classical Award in the category CD premiere for his recording of the complete symphonies of Darius Milhaud with the Sinfonieorchester Basel. He conducted a recording of Carl Reinecke's four piano concertos with pianist Klaus Hellwig and the Nordwestdeutsche Philharmonie.
The Stuttgart Radio Symphony Orchestra (German: Radio-Sinfonieorchester Stuttgart des SWR) is an orchestra based in Stuttgart in Germany. The ensemble was founded in 1945 by American occupation authorities as the orchestra for Radio Stuttgart, under the name Sinfonieorchester von Radio Stuttgart (Symphony Orchestra of Radio Stuttgart). The radio network later became the Süddeutscher Rundfunk (SDR, South German Radio), and the orchestra changed its name in 1949 to the Sinfonieorchester des Süddeutschen Rundfunks (South German Radio Symphony Orchestra). In 1959, the orchestra took on the name Südfunk-Sinfonieorchester, and acquired its current name in 1975.
Like many broadcast orchestras in Germany, the orchestra has a reputation for performing contemporary music. Past principal conductors included Sir Neville Marriner (1983–1989), who later held the title of principal guest conductor.Georges Prêtre, who became the orchestra's artistic director in 1996, has the title of Conductor Laureate. From 1998 to 2011, Roger Norrington was principal conductor, and incorporated his ideas of historically informed performance, including minimal use of vibrato, into the orchestra's style of playing. Norrington now shares the title of Ehrendirigent (honorary conductor) with Georges Prêtre. In March 2010, the orchestra announced the appointment of Stéphane Denève as its next principal conductor, starting with the 2011-2012 season. His initial contract was for 3 years. In June 2013, the orchestra announced the extension of Denève's contract through the 2015-2016 season.
I shed tears many times during the compilation of the pictures for this video. Always I kept in mind the words Pettersson uttered concerning all his music. "My music is a protest against predestination, the cruelty of man, the man without a chance". "The music forming my work is my own life, its blessings, and its cursings .... a way to attain purification and liberation". "I want to be a spokesman for the weak, for those who have it the hardest". The symphony No. 6 contains all of these contrasts in a monumental musical canvass that defies words, and certainly makes Pettersson a completely unique and unclassifiable personality in the repertoire of serious music. Emerging from a tragic gloom, the music soon erupts into aggressive confrontations which are sustained until almost half way th...
Stockholm Philharmonic Orchestra direzione, Antal Doráti le opere del video sono della pittrice australiana Margaret Francis (1909-1987) info: Allan Pettersson http://www.pettersson100.de/ Stockhom Philharmonic Orchestra http://www.konserthuset.se/ Antal Doráti http://www.dorati.com/ Margaret Francis http://www.ascotstudios.com/Margaret_Francis.htm
Berlin Radio Symphony Orchestra direzione, Thomas Sanderling le opere del video sono del pittore tedesco Hans Hofmann (1880-1966) info: Allan Pettersson http://www.pettersson100.de/ Berlin Radio Symphony Orchestra http://www.rsb-online.de/content/index_ger.html Thomas Sanderling http://www.answers.com/topic/thomas-sanderling Hans Hofmann http://www.hanshofmann.org/
Deutsches Symphonie-Orchester Berlin direzione Alun Francis le opere del video sono del pittore russo Sergei Chepik (1953-*) info: Allan Pettersson http://www.pettersson100.de/ Deutsches Symphonie-Orchester Berlin http://www.dso-berlin.de/content/index_ger.html Alun Francis http://www.chepik.com/index.html Sergei Chepik http://www.chepik.com/index.html
with Swedish Radio Symphony Orchestra
Baltimore Symphony Orchestra , Sergiu Comissiona, 1980. "The dark night of the soul" is the name I personally give to the second movement of this symphony, scored in 1969. The first movement is rather pastoral, and it's wide ranging harmonic regions and clear melodic structure give it a reconciliatory and forgiving atmosphere. However, things take a turn for the worse in the second movement (starting at 21'35"). This is the only one of all the Pettersson symphonies which is divided into two separate sections. The scenery is darkened by the arrival of threatening danger. This danger can be anything that has relevance in our own individual life experiences. For Pettersson, it was probably the onslaught of the pain of the rheumatoid arthritis to which he was already a victim. Amidst the si...
I find bitter torment and anguish throughout the greater part of this, the second longest of Pettersson's 15 symphonies. This road is indeed a tough one to follow. Even though there are quite lengthy lyrical "islands" of beauty in which we can find restitution and solace, there seem to be more sadness and regrets than the refreshment of "life-giving waters". The impression is still of dissonance and instruments out of tune. It was composed during a very trying period of Pettersson's life when he was living on the 4th floor of a cheap apartment block in a poor neighbourhood of Stockholm during 1976. Although his financial situation had improved, he loathed this environment. The continuous and infernal noises of neighbours and the surroundings caused the sensitive composer much vexation; su...
Alun Francis ; Saarbrucken Radio Symphony Orchestra
Berliner Sibelius Orchestra, conductor Andreas Kahler (1986). Beginning in bottomless gloom, this symphony gradually evolves into a struggle between the oppressor and the oppressed, or the "underdog" as Pettersson himself put it. This struggle becomes quite desperate, and at the climax I hear a plea for mercy against ruthless tyranny. After a brief glimpse of an island of paradise, we once again enter a wasteland of destitution and hopelessness - that worst of human conditions. I am personally aware of my own losses and the mistakes I have made in my lifetime, and this symphony expresses my sense of regret. Pettersson never left any program notes for his symphonies, except No 12, but he described his own personal world view in no uncertain terms, and it is from his words spoken that I comp...
Animation by me, audio is credited to Cartoon Network, more specifically from an episode of Time Squad called "Every Poe has a silver lining".
Allan Pettersson - Sinfonie Nr. 8 (part I) played from the Deutsch-Skandinavische Jugend-Philharmonie on the 01/05/2012 in the Berlin Philharmonic.
I shed tears many times during the compilation of the pictures for this video. Always I kept in mind the words Pettersson uttered concerning all his music. "My music is a protest against predestination, the cruelty of man, the man without a chance". "The music forming my work is my own life, its blessings, and its cursings .... a way to attain purification and liberation". "I want to be a spokesman for the weak, for those who have it the hardest". The symphony No. 6 contains all of these contrasts in a monumental musical canvass that defies words, and certainly makes Pettersson a completely unique and unclassifiable personality in the repertoire of serious music. Emerging from a tragic gloom, the music soon erupts into aggressive confrontations which are sustained until almost half way th...
Stockholm Philharmonic Orchestra direzione, Antal Doráti le opere del video sono della pittrice australiana Margaret Francis (1909-1987) info: Allan Pettersson http://www.pettersson100.de/ Stockhom Philharmonic Orchestra http://www.konserthuset.se/ Antal Doráti http://www.dorati.com/ Margaret Francis http://www.ascotstudios.com/Margaret_Francis.htm
Berlin Radio Symphony Orchestra direzione, Thomas Sanderling le opere del video sono del pittore tedesco Hans Hofmann (1880-1966) info: Allan Pettersson http://www.pettersson100.de/ Berlin Radio Symphony Orchestra http://www.rsb-online.de/content/index_ger.html Thomas Sanderling http://www.answers.com/topic/thomas-sanderling Hans Hofmann http://www.hanshofmann.org/
Deutsches Symphonie-Orchester Berlin direzione Alun Francis le opere del video sono del pittore russo Sergei Chepik (1953-*) info: Allan Pettersson http://www.pettersson100.de/ Deutsches Symphonie-Orchester Berlin http://www.dso-berlin.de/content/index_ger.html Alun Francis http://www.chepik.com/index.html Sergei Chepik http://www.chepik.com/index.html
with Swedish Radio Symphony Orchestra
Baltimore Symphony Orchestra , Sergiu Comissiona, 1980. "The dark night of the soul" is the name I personally give to the second movement of this symphony, scored in 1969. The first movement is rather pastoral, and it's wide ranging harmonic regions and clear melodic structure give it a reconciliatory and forgiving atmosphere. However, things take a turn for the worse in the second movement (starting at 21'35"). This is the only one of all the Pettersson symphonies which is divided into two separate sections. The scenery is darkened by the arrival of threatening danger. This danger can be anything that has relevance in our own individual life experiences. For Pettersson, it was probably the onslaught of the pain of the rheumatoid arthritis to which he was already a victim. Amidst the si...
I find bitter torment and anguish throughout the greater part of this, the second longest of Pettersson's 15 symphonies. This road is indeed a tough one to follow. Even though there are quite lengthy lyrical "islands" of beauty in which we can find restitution and solace, there seem to be more sadness and regrets than the refreshment of "life-giving waters". The impression is still of dissonance and instruments out of tune. It was composed during a very trying period of Pettersson's life when he was living on the 4th floor of a cheap apartment block in a poor neighbourhood of Stockholm during 1976. Although his financial situation had improved, he loathed this environment. The continuous and infernal noises of neighbours and the surroundings caused the sensitive composer much vexation; su...
Alun Francis ; Saarbrucken Radio Symphony Orchestra
Berliner Sibelius Orchestra, conductor Andreas Kahler (1986). Beginning in bottomless gloom, this symphony gradually evolves into a struggle between the oppressor and the oppressed, or the "underdog" as Pettersson himself put it. This struggle becomes quite desperate, and at the climax I hear a plea for mercy against ruthless tyranny. After a brief glimpse of an island of paradise, we once again enter a wasteland of destitution and hopelessness - that worst of human conditions. I am personally aware of my own losses and the mistakes I have made in my lifetime, and this symphony expresses my sense of regret. Pettersson never left any program notes for his symphonies, except No 12, but he described his own personal world view in no uncertain terms, and it is from his words spoken that I comp...
Animation by me, audio is credited to Cartoon Network, more specifically from an episode of Time Squad called "Every Poe has a silver lining".
Allan Pettersson - Sinfonie Nr. 8 (part I) played from the Deutsch-Skandinavische Jugend-Philharmonie on the 01/05/2012 in the Berlin Philharmonic.
Allan Pettersson, Symphony No.7 (1966-67) Netherlands Radio Philharmonic Orchestra, Roman Kofman (Conductor) Broadcast of 17 September 2011 performance from the Concertgebouw, Amsterdam
Allan Pettersson - Symphony No. 7 (1966 - 1967), Conductor Sergiu Comissiona, Swedish Radio Symphony Orchestra live, and the best performance ever recorded of this work
Provided to YouTube by [Merlin] Playground Music Scandinavia Allan Pettersson: Symphony No. 14 · Stockholm Philharmonic Orchestra & Sergiu Comissiona Allan Pettersson: Symphony No. 14 ℗ Phono Suecia Released on: 2011-05-01 Conductor: Sergiu Comissiona Orchestra: Stockholm Philharmonic Orchestra Composer: Allan Pettersson Music Publisher: Copyright Control Auto-generated by YouTube.
Alun Francis ; Saarbrucken Radio Symphony Orchestra
Allan Pettersson (1911-1980): Viola Concerto (1979) Yuri Bashmet, viola Radio Symphonie-Orchester Berlin, Sergiu Comissiona World Premiere, September 24, 1988, Berlin Live concert with Sibelius (Swan of Tuonela) & Elgar (Enigma Variations) http://sv.wikipedia.org/wiki/Allan_Pettersson http://www.gehrmans.se/en/composers/pettersson_allan http://www.allanpettersson.org/allan_pettersson_society_in_swed.htm http://allanpettersson100.blogspot.nl/2012/09/concerto-for-viola-and-orchestra-1979.html http://en.wikipedia.org/wiki/Sergiu_Comissiona
Stockholm Philharmonic Orchestra direzione, Antal Doráti le opere del video sono della pittrice australiana Margaret Francis (1909-1987) info: Allan Pettersson http://www.pettersson100.de/ Stockhom Philharmonic Orchestra http://www.konserthuset.se/ Antal Doráti http://www.dorati.com/ Margaret Francis http://www.ascotstudios.com/Margaret_Francis.htm
Deutsches Symphonie-Orchester Berlin direzione Alun Francis le opere del video sono del pittore russo Sergei Chepik (1953-*) info: Allan Pettersson http://www.pettersson100.de/ Deutsches Symphonie-Orchester Berlin http://www.dso-berlin.de/content/index_ger.html Alun Francis http://www.chepik.com/index.html Sergei Chepik http://www.chepik.com/index.html
Berlin Radio Symphony Orchestra direzione, Thomas Sanderling le opere del video sono del pittore tedesco Hans Hofmann (1880-1966) info: Allan Pettersson http://www.pettersson100.de/ Berlin Radio Symphony Orchestra http://www.rsb-online.de/content/index_ger.html Thomas Sanderling http://www.answers.com/topic/thomas-sanderling Hans Hofmann http://www.hanshofmann.org/
Deutsches Symphonie-Orchester Berlin direzione Manfred Trojahn opere dell'artista americano Rick Stevens info: Allan Pettersson http://www.pettersson100.de/ Deutsches Symphony-Orchester Berlin http://www.dso-berlin.de/content/index_ger.html Manfred Trojahn http://kulturkenner.de/static_pages/manfred-trojahn Rick Stevens http://rickstevensart.com/