- published: 16 Dec 2015
- views: 25
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It takes more than vowels and consonants to speak a tonal language. You need musical pieces called "tonemes" to make meaning. Here's how tones work.
This animated video tours the linguistics of tonality - how some languages pay attention to changes in pitch. Learn the basics of tonemes. Think about the difference between register tones and contour tones. Meet some singsongy examples, including the dreaded six tones of Cantonese!
Animation, art and audio by NativLang
Photos from morguefile.com
Music: Tikopia by Kevin MacLeod (incompetech.com)
- published: 20 Feb 2015
- views: 81266
Learn to use the International Phonetic Alphabet in a way that helps you accurately pronounce other languages. In this fourth & final lesson I introduce concepts that make sense of longer streams of speech (utterances).
Phonemes are conceptual speech sounds, like the sound /n/. Allophones are different ways a single phoneme shows up in actual speech. The phoneme /n/ has the allophone [n] in 'lane' [lejn] but the allophone [ŋ] in 'language' [lejŋgwɪdʒ].
Accentuation impacts vowels in a syllable. Stress accent changes the volume level. For instance, the second syllable of 'hotel' is louder than the first. Pitch accent changes the tone, as in music. For example, the second syllable of the Ancient Greek word αὐτός (au-tós) has a high pitch, while the first syllable has a lower pitch.
Prosody refers to features that apply to higher levels of language. For example, many English speakers raise intonation at the end of a question, but lower the intonation at the end of a statement.
Visit the IPA lesson page for much more:
http://www.nativlang.com/linguistics/ipa-pronunciation-lessons.php
These lessons are available as a polished workbook with more info & exercises:
http://www.amazon.com/gp/product/1453837086/ref=as_li_ss_tl?ie=UTF8&camp;=1789&creative;=390957&creativeASIN;=1453837086&linkCode;=as2&tag;=nativlangu-20&l;=as2&o;=1&a;=1453837086
http://www.lulu.com/content/paperback-book/the-ipa-for-language-learning/9262961
Music: Kevin MacLeod
- published: 29 Aug 2012
- views: 26381
Une flûte traditionnelle japonaise.
Comme pour "NOH-KAN", une échelle musicale est dérangée intentionnellement.
Il n'y a pas de mélodie à cette flûte.
Cette flûte exprime la pensée Nipponian.
C'est une flûte qui relie les prochains mondial et le monde avec une profondeur-même atmosphère mystérieuse.
Japanese traditional peculiarity flute "NOU-KAN"
The prosody of this flute is not intentionally constant.
Because this flute is musical instruments from which it specializes in the expression of not the melody but atmosphere.
It is said that the sense of Japan will have been condensed to this one flute.
- published: 19 Mar 2010
- views: 5697
Have you ever felt like you're talking, but nobody is listening? Here's Julian Treasure to help you fix that. As the sound expert demonstrates some useful vocal exercises and shares tips on how to speak with empathy, he offers his vision for a sonorous world of listening and understanding.
TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes (or less). Look for talks on Technology, Entertainment and Design -- plus science, business, global issues, the arts and much more.
Find closed captions and translated subtitles in many languages at http://www.ted.com/translate
Follow TED news on Twitter: http://www.twitter.com/tednews
Like TED on Facebook: https://www.facebook.com/TED
Subscribe to our channel: http://www.youtube.com/user/TEDtalksDirector
- published: 27 Jun 2014
- views: 8184974
How do different languages play with pitch to create differences in meaning? How do we tell where stress falls? In this week's episode, we look at stress and foot structure: how languages use tone, pitch, and stress; how we can build different kinds of feet; and how where we place our stress can change the way we emphasize our sounds.
This is Topic #60!
This week's tag language: Icelandic!
Related topics:
Rhymes and Reasons: Syllable Structure - https://youtu.be/YON1pOcEhrA
Last episode:
Follow My Eyes: Eye Tracking - https://youtu.be/uXx73W0uyCg
Other of our phonetics and phonology videos:
Good Vibrations: Phonation States - https://youtu.be/edYLoMRgaFw
Forming Formants: Resonance and Sound Waves - https://youtu.be/jl4zGRSYqkE
Uncommon Sounds: Consonants without Using Our Lungs - https://youtu.be/JKP10ARLnzM
Find us on all the social media worlds:
Tumblr: http://thelingspace.tumblr.com/
Twitter: http://twitter.com/TheLingSpace
Facebook: http://www.facebook.com/thelingspace/
And at our website, http://www.thelingspace.com/ !
You can also find our store at the website, https://thelingspace.storenvy.com/
Our website also has extra content about this week's topic at http://www.thelingspace.com/episode-60/
(It'll be posted later on Thursday morning.)
We also have forums to discuss this episode, and linguistics more generally.
Looking forward to next week!
- published: 03 Feb 2016
- views: 2571
Julian Treasure on voice and how to speak powerfully.
FULL EPISODE: http://londonrealacademy.com/episodes/julian-treasure-sound-business/
Julian Treasure is a sought-after and top-rated international speaker. Collectively his five TED talks on various aspects of sound and communication have been viewed an estimated 20 million times. His latest talk, How to speak so that people want to listen, is in the rare group that has over 9 million views on TED.com alone, putting it in the top 25 TED talks of all time.
Julian’s book Sound Business is the seminal work on creating intentional, effective business sound, now in its second edition and also published in Japanese. He has been widely featured as a sound and communication expert in the world’s media, including TIME Magazine; The Economist; The Times; TV and radio in the UK, US, Canada, Australia and Netherlands, as well as many international trade and business magazines and websites.
Julian is founder and chairman of The Sound Agency, a UK-based consultancy that asks and answers the question: “How does your brand sound?”. TSA helps clients such as Harrods, Nokia, BP, Marks & Spencer, Helm Bank (Colombia), Waldorf Astoria and many major shopping malls across Europe to grow their business by optimising the sounds they make. The agency specialises in creating effective and appropriate organic soundscapes for branded spaces.
Julian now draws on his 10 years of experience in optimising sound for brands to deliver memorable and transformative keynotes and workshops on personal communication and sound branding. His topics include: the hidden effects of sound and noise on us all; how to improve your conscious listening; how to master powerful speaking (including public speaking); how to optimise sound for a brand or business; and how to design sound environments for health, productivity and better relationships. His talks can transform business communication effectiveness, yet they also profoundly engage audiences at a personal level. The innovative use of sound in his talks makes them visceral and potent experiences that are always very highly rated by delegates.
Julian’s vision is to make the world sound beautiful, by helping individuals to make and receive sound consciously, and companies to discover that good sound is good business – which is fortunately true, as The Sound Agency has shown. TSA has installed innovative generative soundscapes in Harrods’ new Toy Kingdom (winning the Gold Audio Branding Award in 2012 for this work), made the front page of the Wall Street Journal with a crime-reducing urban soundscape in Lancaster, California, and has proved that sound can increase retail sales, customer satisfaction and brand value. The agency is now the undisputed world leader in assessing and transforming sound in shopping malls.
Julian Treasure's website: http://www.juliantreasure.com/
Julian Treasure on Twitter: http://twitter.com/JulianTreasure
SUBSCRIBE ON YOUTUBE:
http://bit.ly/SubscribeToLondonReal
LONDON REAL TV:
http://www.londonreal.tv
- published: 24 Jan 2016
- views: 5592
Japanese
Japanese may refer to:
- Japanese diaspora, Japanese emigrants and their descendants around the world
- Foreign-born Japanese, naturalized citizens of Japan
See also
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Japanese
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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1:06A Psycholinguistic Perspective on Finnish and Japanese Prosody Perception Production and Child Acqui
A Psycholinguistic Perspective on Finnish and Japanese Prosody Perception Production and Child AcquiA Psycholinguistic Perspective on Finnish and Japanese Prosody Perception Production and Child Acqui
-
1:06Prosody and Prosodic Transfer in Foreign Language Acquisition Cantonese and Japanese Pdf
Prosody and Prosodic Transfer in Foreign Language Acquisition Cantonese and Japanese PdfProsody and Prosodic Transfer in Foreign Language Acquisition Cantonese and Japanese Pdf
-
3:01Sing like you mean it! - the Linguistics of Tonal Languages
Sing like you mean it! - the Linguistics of Tonal LanguagesSing like you mean it! - the Linguistics of Tonal Languages
It takes more than vowels and consonants to speak a tonal language. You need musical pieces called "tonemes" to make meaning. Here's how tones work. This animated video tours the linguistics of tonality - how some languages pay attention to changes in pitch. Learn the basics of tonemes. Think about the difference between register tones and contour tones. Meet some singsongy examples, including the dreaded six tones of Cantonese! Animation, art and audio by NativLang Photos from morguefile.com Music: Tikopia by Kevin MacLeod (incompetech.com) -
1:06Attempt of fixed form poetry prosody courtyard poetry collection 2004 ISBN 4883520889 Japanese Imp
Attempt of fixed form poetry prosody courtyard poetry collection 2004 ISBN 4883520889 Japanese ImpAttempt of fixed form poetry prosody courtyard poetry collection 2004 ISBN 4883520889 Japanese Imp
-
5:45IPA for Language Learning - allophones, utterances & prosody (4 of 4)
IPA for Language Learning - allophones, utterances & prosody (4 of 4)IPA for Language Learning - allophones, utterances & prosody (4 of 4)
Learn to use the International Phonetic Alphabet in a way that helps you accurately pronounce other languages. In this fourth & final lesson I introduce concepts that make sense of longer streams of speech (utterances). Phonemes are conceptual speech sounds, like the sound /n/. Allophones are different ways a single phoneme shows up in actual speech. The phoneme /n/ has the allophone [n] in 'lane' [lejn] but the allophone [ŋ] in 'language' [lejŋgwɪdʒ]. Accentuation impacts vowels in a syllable. Stress accent changes the volume level. For instance, the second syllable of 'hotel' is louder than the first. Pitch accent changes the tone, as in music. For example, the second syllable of the Ancient Greek word αὐτός (au-tós) has a high pitch, while the first syllable has a lower pitch. Prosody refers to features that apply to higher levels of language. For example, many English speakers raise intonation at the end of a question, but lower the intonation at the end of a statement. Visit the IPA lesson page for much more: http://www.nativlang.com/linguistics/ipa-pronunciation-lessons.php These lessons are available as a polished workbook with more info & exercises: http://www.amazon.com/gp/product/1453837086/ref=as_li_ss_tl?ie=UTF8&camp;=1789&creative;=390957&creativeASIN;=1453837086&linkCode;=as2&tag;=nativlangu-20&l;=as2&o;=1&a;=1453837086 http://www.lulu.com/content/paperback-book/the-ipa-for-language-learning/9262961 Music: Kevin MacLeod -
0:50Un original japonais tradition-comme flûte "NOH-KAN"
Un original japonais tradition-comme flûte "NOH-KAN"Un original japonais tradition-comme flûte "NOH-KAN"
Une flûte traditionnelle japonaise. Comme pour "NOH-KAN", une échelle musicale est dérangée intentionnellement. Il n'y a pas de mélodie à cette flûte. Cette flûte exprime la pensée Nipponian. C'est une flûte qui relie les prochains mondial et le monde avec une profondeur-même atmosphère mystérieuse. Japanese traditional peculiarity flute "NOU-KAN" The prosody of this flute is not intentionally constant. Because this flute is musical instruments from which it specializes in the expression of not the melody but atmosphere. It is said that the sense of Japan will have been condensed to this one flute. -
9:59How to speak so that people want to listen | Julian Treasure
How to speak so that people want to listen | Julian TreasureHow to speak so that people want to listen | Julian Treasure
Have you ever felt like you're talking, but nobody is listening? Here's Julian Treasure to help you fix that. As the sound expert demonstrates some useful vocal exercises and shares tips on how to speak with empathy, he offers his vision for a sonorous world of listening and understanding. TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes (or less). Look for talks on Technology, Entertainment and Design -- plus science, business, global issues, the arts and much more. Find closed captions and translated subtitles in many languages at http://www.ted.com/translate Follow TED news on Twitter: http://www.twitter.com/tednews Like TED on Facebook: https://www.facebook.com/TED Subscribe to our channel: http://www.youtube.com/user/TEDtalksDirector -
7:07How Do We Stress Our Words? Foot Structure
How Do We Stress Our Words? Foot StructureHow Do We Stress Our Words? Foot Structure
How do different languages play with pitch to create differences in meaning? How do we tell where stress falls? In this week's episode, we look at stress and foot structure: how languages use tone, pitch, and stress; how we can build different kinds of feet; and how where we place our stress can change the way we emphasize our sounds. This is Topic #60! This week's tag language: Icelandic! Related topics: Rhymes and Reasons: Syllable Structure - https://youtu.be/YON1pOcEhrA Last episode: Follow My Eyes: Eye Tracking - https://youtu.be/uXx73W0uyCg Other of our phonetics and phonology videos: Good Vibrations: Phonation States - https://youtu.be/edYLoMRgaFw Forming Formants: Resonance and Sound Waves - https://youtu.be/jl4zGRSYqkE Uncommon Sounds: Consonants without Using Our Lungs - https://youtu.be/JKP10ARLnzM Find us on all the social media worlds: Tumblr: http://thelingspace.tumblr.com/ Twitter: http://twitter.com/TheLingSpace Facebook: http://www.facebook.com/thelingspace/ And at our website, http://www.thelingspace.com/ ! You can also find our store at the website, https://thelingspace.storenvy.com/ Our website also has extra content about this week's topic at http://www.thelingspace.com/episode-60/ (It'll be posted later on Thursday morning.) We also have forums to discuss this episode, and linguistics more generally. Looking forward to next week! -
7:52SPEAK POWERFULLY - Julian Treasure on London Real
SPEAK POWERFULLY - Julian Treasure on London RealSPEAK POWERFULLY - Julian Treasure on London Real
Julian Treasure on voice and how to speak powerfully. FULL EPISODE: http://londonrealacademy.com/episodes/julian-treasure-sound-business/ Julian Treasure is a sought-after and top-rated international speaker. Collectively his five TED talks on various aspects of sound and communication have been viewed an estimated 20 million times. His latest talk, How to speak so that people want to listen, is in the rare group that has over 9 million views on TED.com alone, putting it in the top 25 TED talks of all time. Julian’s book Sound Business is the seminal work on creating intentional, effective business sound, now in its second edition and also published in Japanese. He has been widely featured as a sound and communication expert in the world’s media, including TIME Magazine; The Economist; The Times; TV and radio in the UK, US, Canada, Australia and Netherlands, as well as many international trade and business magazines and websites. Julian is founder and chairman of The Sound Agency, a UK-based consultancy that asks and answers the question: “How does your brand sound?”. TSA helps clients such as Harrods, Nokia, BP, Marks & Spencer, Helm Bank (Colombia), Waldorf Astoria and many major shopping malls across Europe to grow their business by optimising the sounds they make. The agency specialises in creating effective and appropriate organic soundscapes for branded spaces. Julian now draws on his 10 years of experience in optimising sound for brands to deliver memorable and transformative keynotes and workshops on personal communication and sound branding. His topics include: the hidden effects of sound and noise on us all; how to improve your conscious listening; how to master powerful speaking (including public speaking); how to optimise sound for a brand or business; and how to design sound environments for health, productivity and better relationships. His talks can transform business communication effectiveness, yet they also profoundly engage audiences at a personal level. The innovative use of sound in his talks makes them visceral and potent experiences that are always very highly rated by delegates. Julian’s vision is to make the world sound beautiful, by helping individuals to make and receive sound consciously, and companies to discover that good sound is good business – which is fortunately true, as The Sound Agency has shown. TSA has installed innovative generative soundscapes in Harrods’ new Toy Kingdom (winning the Gold Audio Branding Award in 2012 for this work), made the front page of the Wall Street Journal with a crime-reducing urban soundscape in Lancaster, California, and has proved that sound can increase retail sales, customer satisfaction and brand value. The agency is now the undisputed world leader in assessing and transforming sound in shopping malls. Julian Treasure's website: http://www.juliantreasure.com/ Julian Treasure on Twitter: http://twitter.com/JulianTreasure SUBSCRIBE ON YOUTUBE: http://bit.ly/SubscribeToLondonReal LONDON REAL TV: http://www.londonreal.tv -
7:08Mora and Pitch accent | Learn Japanese
Mora and Pitch accent | Learn Japanese
-
A Psycholinguistic Perspective on Finnish and Japanese Prosody Perception Production and Child Acqui
published: 16 Dec 2015 -
Prosody and Prosodic Transfer in Foreign Language Acquisition Cantonese and Japanese Pdf
published: 16 Dec 2015 -
Sing like you mean it! - the Linguistics of Tonal Languages
It takes more than vowels and consonants to speak a tonal language. You need musical pieces called "tonemes" to make meaning. Here's how tones work. This animated video tours the linguistics of tonality - how some languages pay attention to changes in pitch. Learn the basics of tonemes. Think about the difference between register tones and contour tones. Meet some singsongy examples, including the dreaded six tones of Cantonese! Animation, art and audio by NativLang Photos from morguefile.com Music: Tikopia by Kevin MacLeod (incompetech.com)
published: 20 Feb 2015 -
Attempt of fixed form poetry prosody courtyard poetry collection 2004 ISBN 4883520889 Japanese Imp
published: 16 Dec 2015 -
IPA for Language Learning - allophones, utterances & prosody (4 of 4)
Learn to use the International Phonetic Alphabet in a way that helps you accurately pronounce other languages. In this fourth & final lesson I introduce concepts that make sense of longer streams of speech (utterances). Phonemes are conceptual speech sounds, like the sound /n/. Allophones are different ways a single phoneme shows up in actual speech. The phoneme /n/ has the allophone [n] in 'lane' [lejn] but the allophone [ŋ] in 'language' [lejŋgwɪdʒ]. Accentuation impacts vowels in a syllable. Stress accent changes the volume level. For instance, the second syllable of 'hotel' is louder than the first. Pitch accent changes the tone, as in music. For example, the second syllable of the Ancient Greek word αὐτός (au-tós) has a high pitch, while the first syllable has a lower pitch. Prosod...
published: 29 Aug 2012 -
Un original japonais tradition-comme flûte "NOH-KAN"
Une flûte traditionnelle japonaise. Comme pour "NOH-KAN", une échelle musicale est dérangée intentionnellement. Il n'y a pas de mélodie à cette flûte. Cette flûte exprime la pensée Nipponian. C'est une flûte qui relie les prochains mondial et le monde avec une profondeur-même atmosphère mystérieuse. Japanese traditional peculiarity flute "NOU-KAN" The prosody of this flute is not intentionally constant. Because this flute is musical instruments from which it specializes in the expression of not the melody but atmosphere. It is said that the sense of Japan will have been condensed to this one flute.
published: 19 Mar 2010 -
How to speak so that people want to listen | Julian Treasure
Have you ever felt like you're talking, but nobody is listening? Here's Julian Treasure to help you fix that. As the sound expert demonstrates some useful vocal exercises and shares tips on how to speak with empathy, he offers his vision for a sonorous world of listening and understanding. TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes (or less). Look for talks on Technology, Entertainment and Design -- plus science, business, global issues, the arts and much more. Find closed captions and translated subtitles in many languages at http://www.ted.com/translate Follow TED news on Twitter: http://www.twitter.com/tednews Like TED on Facebook: https://www.face...
published: 27 Jun 2014 -
How Do We Stress Our Words? Foot Structure
How do different languages play with pitch to create differences in meaning? How do we tell where stress falls? In this week's episode, we look at stress and foot structure: how languages use tone, pitch, and stress; how we can build different kinds of feet; and how where we place our stress can change the way we emphasize our sounds. This is Topic #60! This week's tag language: Icelandic! Related topics: Rhymes and Reasons: Syllable Structure - https://youtu.be/YON1pOcEhrA Last episode: Follow My Eyes: Eye Tracking - https://youtu.be/uXx73W0uyCg Other of our phonetics and phonology videos: Good Vibrations: Phonation States - https://youtu.be/edYLoMRgaFw Forming Formants: Resonance and Sound Waves - https://youtu.be/jl4zGRSYqkE Uncommon Sounds: Consonants without Using Our Lungs - htt...
published: 03 Feb 2016 -
SPEAK POWERFULLY - Julian Treasure on London Real
Julian Treasure on voice and how to speak powerfully. FULL EPISODE: http://londonrealacademy.com/episodes/julian-treasure-sound-business/ Julian Treasure is a sought-after and top-rated international speaker. Collectively his five TED talks on various aspects of sound and communication have been viewed an estimated 20 million times. His latest talk, How to speak so that people want to listen, is in the rare group that has over 9 million views on TED.com alone, putting it in the top 25 TED talks of all time. Julian’s book Sound Business is the seminal work on creating intentional, effective business sound, now in its second edition and also published in Japanese. He has been widely featured as a sound and communication expert in the world’s media, including TIME Magazine; The Economist; T...
published: 24 Jan 2016 -
A Psycholinguistic Perspective on Finnish and Japanese Prosody Perception Production and Child Acqui
- Order: Reorder
- Duration: 1:06
- Updated: 16 Dec 2015
- views: 25
- published: 16 Dec 2015
- views: 25
Prosody and Prosodic Transfer in Foreign Language Acquisition Cantonese and Japanese Pdf
- Order: Reorder
- Duration: 1:06
- Updated: 16 Dec 2015
- views: 13
- published: 16 Dec 2015
- views: 13
Sing like you mean it! - the Linguistics of Tonal Languages
- Order: Reorder
- Duration: 3:01
- Updated: 20 Feb 2015
- views: 81266
It takes more than vowels and consonants to speak a tonal language. You need musical pieces called "tonemes" to make meaning. Here's how tones work.
This anima...
It takes more than vowels and consonants to speak a tonal language. You need musical pieces called "tonemes" to make meaning. Here's how tones work.
This animated video tours the linguistics of tonality - how some languages pay attention to changes in pitch. Learn the basics of tonemes. Think about the difference between register tones and contour tones. Meet some singsongy examples, including the dreaded six tones of Cantonese!
Animation, art and audio by NativLang
Photos from morguefile.com
Music: Tikopia by Kevin MacLeod (incompetech.com)
https://wn.com/Sing_Like_You_Mean_It_The_Linguistics_Of_Tonal_Languages
It takes more than vowels and consonants to speak a tonal language. You need musical pieces called "tonemes" to make meaning. Here's how tones work.
This animated video tours the linguistics of tonality - how some languages pay attention to changes in pitch. Learn the basics of tonemes. Think about the difference between register tones and contour tones. Meet some singsongy examples, including the dreaded six tones of Cantonese!
Animation, art and audio by NativLang
Photos from morguefile.com
Music: Tikopia by Kevin MacLeod (incompetech.com)
- published: 20 Feb 2015
- views: 81266
Attempt of fixed form poetry prosody courtyard poetry collection 2004 ISBN 4883520889 Japanese Imp
- Order: Reorder
- Duration: 1:06
- Updated: 16 Dec 2015
- views: 5
- published: 16 Dec 2015
- views: 5
IPA for Language Learning - allophones, utterances & prosody (4 of 4)
- Order: Reorder
- Duration: 5:45
- Updated: 29 Aug 2012
- views: 26381
Learn to use the International Phonetic Alphabet in a way that helps you accurately pronounce other languages. In this fourth & final lesson I introduce concept...
Learn to use the International Phonetic Alphabet in a way that helps you accurately pronounce other languages. In this fourth & final lesson I introduce concepts that make sense of longer streams of speech (utterances).
Phonemes are conceptual speech sounds, like the sound /n/. Allophones are different ways a single phoneme shows up in actual speech. The phoneme /n/ has the allophone [n] in 'lane' [lejn] but the allophone [ŋ] in 'language' [lejŋgwɪdʒ].
Accentuation impacts vowels in a syllable. Stress accent changes the volume level. For instance, the second syllable of 'hotel' is louder than the first. Pitch accent changes the tone, as in music. For example, the second syllable of the Ancient Greek word αὐτός (au-tós) has a high pitch, while the first syllable has a lower pitch.
Prosody refers to features that apply to higher levels of language. For example, many English speakers raise intonation at the end of a question, but lower the intonation at the end of a statement.
Visit the IPA lesson page for much more:
http://www.nativlang.com/linguistics/ipa-pronunciation-lessons.php
These lessons are available as a polished workbook with more info & exercises:
http://www.amazon.com/gp/product/1453837086/ref=as_li_ss_tl?ie=UTF8&camp;=1789&creative;=390957&creativeASIN;=1453837086&linkCode;=as2&tag;=nativlangu-20&l;=as2&o;=1&a;=1453837086
http://www.lulu.com/content/paperback-book/the-ipa-for-language-learning/9262961
Music: Kevin MacLeod
https://wn.com/Ipa_For_Language_Learning_Allophones,_Utterances_Prosody_(4_Of_4)
Learn to use the International Phonetic Alphabet in a way that helps you accurately pronounce other languages. In this fourth & final lesson I introduce concepts that make sense of longer streams of speech (utterances).
Phonemes are conceptual speech sounds, like the sound /n/. Allophones are different ways a single phoneme shows up in actual speech. The phoneme /n/ has the allophone [n] in 'lane' [lejn] but the allophone [ŋ] in 'language' [lejŋgwɪdʒ].
Accentuation impacts vowels in a syllable. Stress accent changes the volume level. For instance, the second syllable of 'hotel' is louder than the first. Pitch accent changes the tone, as in music. For example, the second syllable of the Ancient Greek word αὐτός (au-tós) has a high pitch, while the first syllable has a lower pitch.
Prosody refers to features that apply to higher levels of language. For example, many English speakers raise intonation at the end of a question, but lower the intonation at the end of a statement.
Visit the IPA lesson page for much more:
http://www.nativlang.com/linguistics/ipa-pronunciation-lessons.php
These lessons are available as a polished workbook with more info & exercises:
http://www.amazon.com/gp/product/1453837086/ref=as_li_ss_tl?ie=UTF8&camp;=1789&creative;=390957&creativeASIN;=1453837086&linkCode;=as2&tag;=nativlangu-20&l;=as2&o;=1&a;=1453837086
http://www.lulu.com/content/paperback-book/the-ipa-for-language-learning/9262961
Music: Kevin MacLeod
- published: 29 Aug 2012
- views: 26381
Un original japonais tradition-comme flûte "NOH-KAN"
- Order: Reorder
- Duration: 0:50
- Updated: 19 Mar 2010
- views: 5697
Une flûte traditionnelle japonaise.
Comme pour "NOH-KAN", une échelle musicale est dérangée intentionnellement.
Il n'y a pas de mélodie à cette flûte.
Cette ...
Une flûte traditionnelle japonaise.
Comme pour "NOH-KAN", une échelle musicale est dérangée intentionnellement.
Il n'y a pas de mélodie à cette flûte.
Cette flûte exprime la pensée Nipponian.
C'est une flûte qui relie les prochains mondial et le monde avec une profondeur-même atmosphère mystérieuse.
Japanese traditional peculiarity flute "NOU-KAN"
The prosody of this flute is not intentionally constant.
Because this flute is musical instruments from which it specializes in the expression of not the melody but atmosphere.
It is said that the sense of Japan will have been condensed to this one flute.
https://wn.com/Un_Original_Japonais_Tradition_Comme_Flûte_Noh_Kan
Une flûte traditionnelle japonaise.
Comme pour "NOH-KAN", une échelle musicale est dérangée intentionnellement.
Il n'y a pas de mélodie à cette flûte.
Cette flûte exprime la pensée Nipponian.
C'est une flûte qui relie les prochains mondial et le monde avec une profondeur-même atmosphère mystérieuse.
Japanese traditional peculiarity flute "NOU-KAN"
The prosody of this flute is not intentionally constant.
Because this flute is musical instruments from which it specializes in the expression of not the melody but atmosphere.
It is said that the sense of Japan will have been condensed to this one flute.
- published: 19 Mar 2010
- views: 5697
How to speak so that people want to listen | Julian Treasure
- Order: Reorder
- Duration: 9:59
- Updated: 27 Jun 2014
- views: 8184974
Have you ever felt like you're talking, but nobody is listening? Here's Julian Treasure to help you fix that. As the sound expert demonstrates some useful vocal...
Have you ever felt like you're talking, but nobody is listening? Here's Julian Treasure to help you fix that. As the sound expert demonstrates some useful vocal exercises and shares tips on how to speak with empathy, he offers his vision for a sonorous world of listening and understanding.
TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes (or less). Look for talks on Technology, Entertainment and Design -- plus science, business, global issues, the arts and much more.
Find closed captions and translated subtitles in many languages at http://www.ted.com/translate
Follow TED news on Twitter: http://www.twitter.com/tednews
Like TED on Facebook: https://www.facebook.com/TED
Subscribe to our channel: http://www.youtube.com/user/TEDtalksDirector
https://wn.com/How_To_Speak_So_That_People_Want_To_Listen_|_Julian_Treasure
Have you ever felt like you're talking, but nobody is listening? Here's Julian Treasure to help you fix that. As the sound expert demonstrates some useful vocal exercises and shares tips on how to speak with empathy, he offers his vision for a sonorous world of listening and understanding.
TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes (or less). Look for talks on Technology, Entertainment and Design -- plus science, business, global issues, the arts and much more.
Find closed captions and translated subtitles in many languages at http://www.ted.com/translate
Follow TED news on Twitter: http://www.twitter.com/tednews
Like TED on Facebook: https://www.facebook.com/TED
Subscribe to our channel: http://www.youtube.com/user/TEDtalksDirector
- published: 27 Jun 2014
- views: 8184974
How Do We Stress Our Words? Foot Structure
- Order: Reorder
- Duration: 7:07
- Updated: 03 Feb 2016
- views: 2571
How do different languages play with pitch to create differences in meaning? How do we tell where stress falls? In this week's episode, we look at stress and fo...
How do different languages play with pitch to create differences in meaning? How do we tell where stress falls? In this week's episode, we look at stress and foot structure: how languages use tone, pitch, and stress; how we can build different kinds of feet; and how where we place our stress can change the way we emphasize our sounds.
This is Topic #60!
This week's tag language: Icelandic!
Related topics:
Rhymes and Reasons: Syllable Structure - https://youtu.be/YON1pOcEhrA
Last episode:
Follow My Eyes: Eye Tracking - https://youtu.be/uXx73W0uyCg
Other of our phonetics and phonology videos:
Good Vibrations: Phonation States - https://youtu.be/edYLoMRgaFw
Forming Formants: Resonance and Sound Waves - https://youtu.be/jl4zGRSYqkE
Uncommon Sounds: Consonants without Using Our Lungs - https://youtu.be/JKP10ARLnzM
Find us on all the social media worlds:
Tumblr: http://thelingspace.tumblr.com/
Twitter: http://twitter.com/TheLingSpace
Facebook: http://www.facebook.com/thelingspace/
And at our website, http://www.thelingspace.com/ !
You can also find our store at the website, https://thelingspace.storenvy.com/
Our website also has extra content about this week's topic at http://www.thelingspace.com/episode-60/
(It'll be posted later on Thursday morning.)
We also have forums to discuss this episode, and linguistics more generally.
Looking forward to next week!
https://wn.com/How_Do_We_Stress_Our_Words_Foot_Structure
How do different languages play with pitch to create differences in meaning? How do we tell where stress falls? In this week's episode, we look at stress and foot structure: how languages use tone, pitch, and stress; how we can build different kinds of feet; and how where we place our stress can change the way we emphasize our sounds.
This is Topic #60!
This week's tag language: Icelandic!
Related topics:
Rhymes and Reasons: Syllable Structure - https://youtu.be/YON1pOcEhrA
Last episode:
Follow My Eyes: Eye Tracking - https://youtu.be/uXx73W0uyCg
Other of our phonetics and phonology videos:
Good Vibrations: Phonation States - https://youtu.be/edYLoMRgaFw
Forming Formants: Resonance and Sound Waves - https://youtu.be/jl4zGRSYqkE
Uncommon Sounds: Consonants without Using Our Lungs - https://youtu.be/JKP10ARLnzM
Find us on all the social media worlds:
Tumblr: http://thelingspace.tumblr.com/
Twitter: http://twitter.com/TheLingSpace
Facebook: http://www.facebook.com/thelingspace/
And at our website, http://www.thelingspace.com/ !
You can also find our store at the website, https://thelingspace.storenvy.com/
Our website also has extra content about this week's topic at http://www.thelingspace.com/episode-60/
(It'll be posted later on Thursday morning.)
We also have forums to discuss this episode, and linguistics more generally.
Looking forward to next week!
- published: 03 Feb 2016
- views: 2571
SPEAK POWERFULLY - Julian Treasure on London Real
- Order: Reorder
- Duration: 7:52
- Updated: 24 Jan 2016
- views: 5592
Julian Treasure on voice and how to speak powerfully.
FULL EPISODE: http://londonrealacademy.com/episodes/julian-treasure-sound-business/
Julian Treasure is a ...
Julian Treasure on voice and how to speak powerfully.
FULL EPISODE: http://londonrealacademy.com/episodes/julian-treasure-sound-business/
Julian Treasure is a sought-after and top-rated international speaker. Collectively his five TED talks on various aspects of sound and communication have been viewed an estimated 20 million times. His latest talk, How to speak so that people want to listen, is in the rare group that has over 9 million views on TED.com alone, putting it in the top 25 TED talks of all time.
Julian’s book Sound Business is the seminal work on creating intentional, effective business sound, now in its second edition and also published in Japanese. He has been widely featured as a sound and communication expert in the world’s media, including TIME Magazine; The Economist; The Times; TV and radio in the UK, US, Canada, Australia and Netherlands, as well as many international trade and business magazines and websites.
Julian is founder and chairman of The Sound Agency, a UK-based consultancy that asks and answers the question: “How does your brand sound?”. TSA helps clients such as Harrods, Nokia, BP, Marks & Spencer, Helm Bank (Colombia), Waldorf Astoria and many major shopping malls across Europe to grow their business by optimising the sounds they make. The agency specialises in creating effective and appropriate organic soundscapes for branded spaces.
Julian now draws on his 10 years of experience in optimising sound for brands to deliver memorable and transformative keynotes and workshops on personal communication and sound branding. His topics include: the hidden effects of sound and noise on us all; how to improve your conscious listening; how to master powerful speaking (including public speaking); how to optimise sound for a brand or business; and how to design sound environments for health, productivity and better relationships. His talks can transform business communication effectiveness, yet they also profoundly engage audiences at a personal level. The innovative use of sound in his talks makes them visceral and potent experiences that are always very highly rated by delegates.
Julian’s vision is to make the world sound beautiful, by helping individuals to make and receive sound consciously, and companies to discover that good sound is good business – which is fortunately true, as The Sound Agency has shown. TSA has installed innovative generative soundscapes in Harrods’ new Toy Kingdom (winning the Gold Audio Branding Award in 2012 for this work), made the front page of the Wall Street Journal with a crime-reducing urban soundscape in Lancaster, California, and has proved that sound can increase retail sales, customer satisfaction and brand value. The agency is now the undisputed world leader in assessing and transforming sound in shopping malls.
Julian Treasure's website: http://www.juliantreasure.com/
Julian Treasure on Twitter: http://twitter.com/JulianTreasure
SUBSCRIBE ON YOUTUBE:
http://bit.ly/SubscribeToLondonReal
LONDON REAL TV:
http://www.londonreal.tv
https://wn.com/Speak_Powerfully_Julian_Treasure_On_London_Real
Julian Treasure on voice and how to speak powerfully.
FULL EPISODE: http://londonrealacademy.com/episodes/julian-treasure-sound-business/
Julian Treasure is a sought-after and top-rated international speaker. Collectively his five TED talks on various aspects of sound and communication have been viewed an estimated 20 million times. His latest talk, How to speak so that people want to listen, is in the rare group that has over 9 million views on TED.com alone, putting it in the top 25 TED talks of all time.
Julian’s book Sound Business is the seminal work on creating intentional, effective business sound, now in its second edition and also published in Japanese. He has been widely featured as a sound and communication expert in the world’s media, including TIME Magazine; The Economist; The Times; TV and radio in the UK, US, Canada, Australia and Netherlands, as well as many international trade and business magazines and websites.
Julian is founder and chairman of The Sound Agency, a UK-based consultancy that asks and answers the question: “How does your brand sound?”. TSA helps clients such as Harrods, Nokia, BP, Marks & Spencer, Helm Bank (Colombia), Waldorf Astoria and many major shopping malls across Europe to grow their business by optimising the sounds they make. The agency specialises in creating effective and appropriate organic soundscapes for branded spaces.
Julian now draws on his 10 years of experience in optimising sound for brands to deliver memorable and transformative keynotes and workshops on personal communication and sound branding. His topics include: the hidden effects of sound and noise on us all; how to improve your conscious listening; how to master powerful speaking (including public speaking); how to optimise sound for a brand or business; and how to design sound environments for health, productivity and better relationships. His talks can transform business communication effectiveness, yet they also profoundly engage audiences at a personal level. The innovative use of sound in his talks makes them visceral and potent experiences that are always very highly rated by delegates.
Julian’s vision is to make the world sound beautiful, by helping individuals to make and receive sound consciously, and companies to discover that good sound is good business – which is fortunately true, as The Sound Agency has shown. TSA has installed innovative generative soundscapes in Harrods’ new Toy Kingdom (winning the Gold Audio Branding Award in 2012 for this work), made the front page of the Wall Street Journal with a crime-reducing urban soundscape in Lancaster, California, and has proved that sound can increase retail sales, customer satisfaction and brand value. The agency is now the undisputed world leader in assessing and transforming sound in shopping malls.
Julian Treasure's website: http://www.juliantreasure.com/
Julian Treasure on Twitter: http://twitter.com/JulianTreasure
SUBSCRIBE ON YOUTUBE:
http://bit.ly/SubscribeToLondonReal
LONDON REAL TV:
http://www.londonreal.tv
- published: 24 Jan 2016
- views: 5592
Mora and Pitch accent | Learn Japanese
- Order: Reorder
- Duration: 7:08
- Updated: 28 Dec 2016
- views: 420
Let's learn some basics about mora and pitch accent in Japanese!
------------------------------------------------------------------
Hand vector designed by F...
Let's learn some basics about mora and pitch accent in Japanese!
------------------------------------------------------------------
Hand vector designed by Freepik
https://wn.com/Mora_And_Pitch_Accent_|_Learn_Japanese
-
A Psycholinguistic Perspective on Finnish and Japanese Prosody Perception Production and Child Acqui
published: 16 Dec 2015 -
Prosody and Prosodic Transfer in Foreign Language Acquisition Cantonese and Japanese Pdf
published: 16 Dec 2015 -
Sing like you mean it! - the Linguistics of Tonal Languages
It takes more than vowels and consonants to speak a tonal language. You need musical pieces called "tonemes" to make meaning. Here's how tones work. This animated video tours the linguistics of tonality - how some languages pay attention to changes in pitch. Learn the basics of tonemes. Think about the difference between register tones and contour tones. Meet some singsongy examples, including the dreaded six tones of Cantonese! Animation, art and audio by NativLang Photos from morguefile.com Music: Tikopia by Kevin MacLeod (incompetech.com)
published: 20 Feb 2015 -
Attempt of fixed form poetry prosody courtyard poetry collection 2004 ISBN 4883520889 Japanese Imp
published: 16 Dec 2015 -
IPA for Language Learning - allophones, utterances & prosody (4 of 4)
Learn to use the International Phonetic Alphabet in a way that helps you accurately pronounce other languages. In this fourth & final lesson I introduce concepts that make sense of longer streams of speech (utterances). Phonemes are conceptual speech sounds, like the sound /n/. Allophones are different ways a single phoneme shows up in actual speech. The phoneme /n/ has the allophone [n] in 'lane' [lejn] but the allophone [ŋ] in 'language' [lejŋgwɪdʒ]. Accentuation impacts vowels in a syllable. Stress accent changes the volume level. For instance, the second syllable of 'hotel' is louder than the first. Pitch accent changes the tone, as in music. For example, the second syllable of the Ancient Greek word αὐτός (au-tós) has a high pitch, while the first syllable has a lower pitch. Prosod...
published: 29 Aug 2012 -
Un original japonais tradition-comme flûte "NOH-KAN"
Une flûte traditionnelle japonaise. Comme pour "NOH-KAN", une échelle musicale est dérangée intentionnellement. Il n'y a pas de mélodie à cette flûte. Cette flûte exprime la pensée Nipponian. C'est une flûte qui relie les prochains mondial et le monde avec une profondeur-même atmosphère mystérieuse. Japanese traditional peculiarity flute "NOU-KAN" The prosody of this flute is not intentionally constant. Because this flute is musical instruments from which it specializes in the expression of not the melody but atmosphere. It is said that the sense of Japan will have been condensed to this one flute.
published: 19 Mar 2010 -
How to speak so that people want to listen | Julian Treasure
Have you ever felt like you're talking, but nobody is listening? Here's Julian Treasure to help you fix that. As the sound expert demonstrates some useful vocal exercises and shares tips on how to speak with empathy, he offers his vision for a sonorous world of listening and understanding. TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes (or less). Look for talks on Technology, Entertainment and Design -- plus science, business, global issues, the arts and much more. Find closed captions and translated subtitles in many languages at http://www.ted.com/translate Follow TED news on Twitter: http://www.twitter.com/tednews Like TED on Facebook: https://www.face...
published: 27 Jun 2014 -
How Do We Stress Our Words? Foot Structure
How do different languages play with pitch to create differences in meaning? How do we tell where stress falls? In this week's episode, we look at stress and foot structure: how languages use tone, pitch, and stress; how we can build different kinds of feet; and how where we place our stress can change the way we emphasize our sounds. This is Topic #60! This week's tag language: Icelandic! Related topics: Rhymes and Reasons: Syllable Structure - https://youtu.be/YON1pOcEhrA Last episode: Follow My Eyes: Eye Tracking - https://youtu.be/uXx73W0uyCg Other of our phonetics and phonology videos: Good Vibrations: Phonation States - https://youtu.be/edYLoMRgaFw Forming Formants: Resonance and Sound Waves - https://youtu.be/jl4zGRSYqkE Uncommon Sounds: Consonants without Using Our Lungs - htt...
published: 03 Feb 2016 -
SPEAK POWERFULLY - Julian Treasure on London Real
Julian Treasure on voice and how to speak powerfully. FULL EPISODE: http://londonrealacademy.com/episodes/julian-treasure-sound-business/ Julian Treasure is a sought-after and top-rated international speaker. Collectively his five TED talks on various aspects of sound and communication have been viewed an estimated 20 million times. His latest talk, How to speak so that people want to listen, is in the rare group that has over 9 million views on TED.com alone, putting it in the top 25 TED talks of all time. Julian’s book Sound Business is the seminal work on creating intentional, effective business sound, now in its second edition and also published in Japanese. He has been widely featured as a sound and communication expert in the world’s media, including TIME Magazine; The Economist; T...
published: 24 Jan 2016 -
A Psycholinguistic Perspective on Finnish and Japanese Prosody Perception Production and Child Acqui
- Order: Reorder
- Duration: 1:06
- Updated: 16 Dec 2015
- views: 25
- published: 16 Dec 2015
- views: 25
Prosody and Prosodic Transfer in Foreign Language Acquisition Cantonese and Japanese Pdf
- Order: Reorder
- Duration: 1:06
- Updated: 16 Dec 2015
- views: 13
- published: 16 Dec 2015
- views: 13
Sing like you mean it! - the Linguistics of Tonal Languages
- Order: Reorder
- Duration: 3:01
- Updated: 20 Feb 2015
- views: 81266
It takes more than vowels and consonants to speak a tonal language. You need musical pieces called "tonemes" to make meaning. Here's how tones work.
This anima...
It takes more than vowels and consonants to speak a tonal language. You need musical pieces called "tonemes" to make meaning. Here's how tones work.
This animated video tours the linguistics of tonality - how some languages pay attention to changes in pitch. Learn the basics of tonemes. Think about the difference between register tones and contour tones. Meet some singsongy examples, including the dreaded six tones of Cantonese!
Animation, art and audio by NativLang
Photos from morguefile.com
Music: Tikopia by Kevin MacLeod (incompetech.com)
https://wn.com/Sing_Like_You_Mean_It_The_Linguistics_Of_Tonal_Languages
It takes more than vowels and consonants to speak a tonal language. You need musical pieces called "tonemes" to make meaning. Here's how tones work.
This animated video tours the linguistics of tonality - how some languages pay attention to changes in pitch. Learn the basics of tonemes. Think about the difference between register tones and contour tones. Meet some singsongy examples, including the dreaded six tones of Cantonese!
Animation, art and audio by NativLang
Photos from morguefile.com
Music: Tikopia by Kevin MacLeod (incompetech.com)
- published: 20 Feb 2015
- views: 81266
Attempt of fixed form poetry prosody courtyard poetry collection 2004 ISBN 4883520889 Japanese Imp
- Order: Reorder
- Duration: 1:06
- Updated: 16 Dec 2015
- views: 5
- published: 16 Dec 2015
- views: 5
IPA for Language Learning - allophones, utterances & prosody (4 of 4)
- Order: Reorder
- Duration: 5:45
- Updated: 29 Aug 2012
- views: 26381
Learn to use the International Phonetic Alphabet in a way that helps you accurately pronounce other languages. In this fourth & final lesson I introduce concept...
Learn to use the International Phonetic Alphabet in a way that helps you accurately pronounce other languages. In this fourth & final lesson I introduce concepts that make sense of longer streams of speech (utterances).
Phonemes are conceptual speech sounds, like the sound /n/. Allophones are different ways a single phoneme shows up in actual speech. The phoneme /n/ has the allophone [n] in 'lane' [lejn] but the allophone [ŋ] in 'language' [lejŋgwɪdʒ].
Accentuation impacts vowels in a syllable. Stress accent changes the volume level. For instance, the second syllable of 'hotel' is louder than the first. Pitch accent changes the tone, as in music. For example, the second syllable of the Ancient Greek word αὐτός (au-tós) has a high pitch, while the first syllable has a lower pitch.
Prosody refers to features that apply to higher levels of language. For example, many English speakers raise intonation at the end of a question, but lower the intonation at the end of a statement.
Visit the IPA lesson page for much more:
http://www.nativlang.com/linguistics/ipa-pronunciation-lessons.php
These lessons are available as a polished workbook with more info & exercises:
http://www.amazon.com/gp/product/1453837086/ref=as_li_ss_tl?ie=UTF8&camp;=1789&creative;=390957&creativeASIN;=1453837086&linkCode;=as2&tag;=nativlangu-20&l;=as2&o;=1&a;=1453837086
http://www.lulu.com/content/paperback-book/the-ipa-for-language-learning/9262961
Music: Kevin MacLeod
https://wn.com/Ipa_For_Language_Learning_Allophones,_Utterances_Prosody_(4_Of_4)
Learn to use the International Phonetic Alphabet in a way that helps you accurately pronounce other languages. In this fourth & final lesson I introduce concepts that make sense of longer streams of speech (utterances).
Phonemes are conceptual speech sounds, like the sound /n/. Allophones are different ways a single phoneme shows up in actual speech. The phoneme /n/ has the allophone [n] in 'lane' [lejn] but the allophone [ŋ] in 'language' [lejŋgwɪdʒ].
Accentuation impacts vowels in a syllable. Stress accent changes the volume level. For instance, the second syllable of 'hotel' is louder than the first. Pitch accent changes the tone, as in music. For example, the second syllable of the Ancient Greek word αὐτός (au-tós) has a high pitch, while the first syllable has a lower pitch.
Prosody refers to features that apply to higher levels of language. For example, many English speakers raise intonation at the end of a question, but lower the intonation at the end of a statement.
Visit the IPA lesson page for much more:
http://www.nativlang.com/linguistics/ipa-pronunciation-lessons.php
These lessons are available as a polished workbook with more info & exercises:
http://www.amazon.com/gp/product/1453837086/ref=as_li_ss_tl?ie=UTF8&camp;=1789&creative;=390957&creativeASIN;=1453837086&linkCode;=as2&tag;=nativlangu-20&l;=as2&o;=1&a;=1453837086
http://www.lulu.com/content/paperback-book/the-ipa-for-language-learning/9262961
Music: Kevin MacLeod
- published: 29 Aug 2012
- views: 26381
Un original japonais tradition-comme flûte "NOH-KAN"
- Order: Reorder
- Duration: 0:50
- Updated: 19 Mar 2010
- views: 5697
Une flûte traditionnelle japonaise.
Comme pour "NOH-KAN", une échelle musicale est dérangée intentionnellement.
Il n'y a pas de mélodie à cette flûte.
Cette ...
Une flûte traditionnelle japonaise.
Comme pour "NOH-KAN", une échelle musicale est dérangée intentionnellement.
Il n'y a pas de mélodie à cette flûte.
Cette flûte exprime la pensée Nipponian.
C'est une flûte qui relie les prochains mondial et le monde avec une profondeur-même atmosphère mystérieuse.
Japanese traditional peculiarity flute "NOU-KAN"
The prosody of this flute is not intentionally constant.
Because this flute is musical instruments from which it specializes in the expression of not the melody but atmosphere.
It is said that the sense of Japan will have been condensed to this one flute.
https://wn.com/Un_Original_Japonais_Tradition_Comme_Flûte_Noh_Kan
Une flûte traditionnelle japonaise.
Comme pour "NOH-KAN", une échelle musicale est dérangée intentionnellement.
Il n'y a pas de mélodie à cette flûte.
Cette flûte exprime la pensée Nipponian.
C'est une flûte qui relie les prochains mondial et le monde avec une profondeur-même atmosphère mystérieuse.
Japanese traditional peculiarity flute "NOU-KAN"
The prosody of this flute is not intentionally constant.
Because this flute is musical instruments from which it specializes in the expression of not the melody but atmosphere.
It is said that the sense of Japan will have been condensed to this one flute.
- published: 19 Mar 2010
- views: 5697
How to speak so that people want to listen | Julian Treasure
- Order: Reorder
- Duration: 9:59
- Updated: 27 Jun 2014
- views: 8184974
Have you ever felt like you're talking, but nobody is listening? Here's Julian Treasure to help you fix that. As the sound expert demonstrates some useful vocal...
Have you ever felt like you're talking, but nobody is listening? Here's Julian Treasure to help you fix that. As the sound expert demonstrates some useful vocal exercises and shares tips on how to speak with empathy, he offers his vision for a sonorous world of listening and understanding.
TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes (or less). Look for talks on Technology, Entertainment and Design -- plus science, business, global issues, the arts and much more.
Find closed captions and translated subtitles in many languages at http://www.ted.com/translate
Follow TED news on Twitter: http://www.twitter.com/tednews
Like TED on Facebook: https://www.facebook.com/TED
Subscribe to our channel: http://www.youtube.com/user/TEDtalksDirector
https://wn.com/How_To_Speak_So_That_People_Want_To_Listen_|_Julian_Treasure
Have you ever felt like you're talking, but nobody is listening? Here's Julian Treasure to help you fix that. As the sound expert demonstrates some useful vocal exercises and shares tips on how to speak with empathy, he offers his vision for a sonorous world of listening and understanding.
TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes (or less). Look for talks on Technology, Entertainment and Design -- plus science, business, global issues, the arts and much more.
Find closed captions and translated subtitles in many languages at http://www.ted.com/translate
Follow TED news on Twitter: http://www.twitter.com/tednews
Like TED on Facebook: https://www.facebook.com/TED
Subscribe to our channel: http://www.youtube.com/user/TEDtalksDirector
- published: 27 Jun 2014
- views: 8184974
How Do We Stress Our Words? Foot Structure
- Order: Reorder
- Duration: 7:07
- Updated: 03 Feb 2016
- views: 2571
How do different languages play with pitch to create differences in meaning? How do we tell where stress falls? In this week's episode, we look at stress and fo...
How do different languages play with pitch to create differences in meaning? How do we tell where stress falls? In this week's episode, we look at stress and foot structure: how languages use tone, pitch, and stress; how we can build different kinds of feet; and how where we place our stress can change the way we emphasize our sounds.
This is Topic #60!
This week's tag language: Icelandic!
Related topics:
Rhymes and Reasons: Syllable Structure - https://youtu.be/YON1pOcEhrA
Last episode:
Follow My Eyes: Eye Tracking - https://youtu.be/uXx73W0uyCg
Other of our phonetics and phonology videos:
Good Vibrations: Phonation States - https://youtu.be/edYLoMRgaFw
Forming Formants: Resonance and Sound Waves - https://youtu.be/jl4zGRSYqkE
Uncommon Sounds: Consonants without Using Our Lungs - https://youtu.be/JKP10ARLnzM
Find us on all the social media worlds:
Tumblr: http://thelingspace.tumblr.com/
Twitter: http://twitter.com/TheLingSpace
Facebook: http://www.facebook.com/thelingspace/
And at our website, http://www.thelingspace.com/ !
You can also find our store at the website, https://thelingspace.storenvy.com/
Our website also has extra content about this week's topic at http://www.thelingspace.com/episode-60/
(It'll be posted later on Thursday morning.)
We also have forums to discuss this episode, and linguistics more generally.
Looking forward to next week!
https://wn.com/How_Do_We_Stress_Our_Words_Foot_Structure
How do different languages play with pitch to create differences in meaning? How do we tell where stress falls? In this week's episode, we look at stress and foot structure: how languages use tone, pitch, and stress; how we can build different kinds of feet; and how where we place our stress can change the way we emphasize our sounds.
This is Topic #60!
This week's tag language: Icelandic!
Related topics:
Rhymes and Reasons: Syllable Structure - https://youtu.be/YON1pOcEhrA
Last episode:
Follow My Eyes: Eye Tracking - https://youtu.be/uXx73W0uyCg
Other of our phonetics and phonology videos:
Good Vibrations: Phonation States - https://youtu.be/edYLoMRgaFw
Forming Formants: Resonance and Sound Waves - https://youtu.be/jl4zGRSYqkE
Uncommon Sounds: Consonants without Using Our Lungs - https://youtu.be/JKP10ARLnzM
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Twitter: http://twitter.com/TheLingSpace
Facebook: http://www.facebook.com/thelingspace/
And at our website, http://www.thelingspace.com/ !
You can also find our store at the website, https://thelingspace.storenvy.com/
Our website also has extra content about this week's topic at http://www.thelingspace.com/episode-60/
(It'll be posted later on Thursday morning.)
We also have forums to discuss this episode, and linguistics more generally.
Looking forward to next week!
- published: 03 Feb 2016
- views: 2571
SPEAK POWERFULLY - Julian Treasure on London Real
- Order: Reorder
- Duration: 7:52
- Updated: 24 Jan 2016
- views: 5592
Julian Treasure on voice and how to speak powerfully.
FULL EPISODE: http://londonrealacademy.com/episodes/julian-treasure-sound-business/
Julian Treasure is a ...
Julian Treasure on voice and how to speak powerfully.
FULL EPISODE: http://londonrealacademy.com/episodes/julian-treasure-sound-business/
Julian Treasure is a sought-after and top-rated international speaker. Collectively his five TED talks on various aspects of sound and communication have been viewed an estimated 20 million times. His latest talk, How to speak so that people want to listen, is in the rare group that has over 9 million views on TED.com alone, putting it in the top 25 TED talks of all time.
Julian’s book Sound Business is the seminal work on creating intentional, effective business sound, now in its second edition and also published in Japanese. He has been widely featured as a sound and communication expert in the world’s media, including TIME Magazine; The Economist; The Times; TV and radio in the UK, US, Canada, Australia and Netherlands, as well as many international trade and business magazines and websites.
Julian is founder and chairman of The Sound Agency, a UK-based consultancy that asks and answers the question: “How does your brand sound?”. TSA helps clients such as Harrods, Nokia, BP, Marks & Spencer, Helm Bank (Colombia), Waldorf Astoria and many major shopping malls across Europe to grow their business by optimising the sounds they make. The agency specialises in creating effective and appropriate organic soundscapes for branded spaces.
Julian now draws on his 10 years of experience in optimising sound for brands to deliver memorable and transformative keynotes and workshops on personal communication and sound branding. His topics include: the hidden effects of sound and noise on us all; how to improve your conscious listening; how to master powerful speaking (including public speaking); how to optimise sound for a brand or business; and how to design sound environments for health, productivity and better relationships. His talks can transform business communication effectiveness, yet they also profoundly engage audiences at a personal level. The innovative use of sound in his talks makes them visceral and potent experiences that are always very highly rated by delegates.
Julian’s vision is to make the world sound beautiful, by helping individuals to make and receive sound consciously, and companies to discover that good sound is good business – which is fortunately true, as The Sound Agency has shown. TSA has installed innovative generative soundscapes in Harrods’ new Toy Kingdom (winning the Gold Audio Branding Award in 2012 for this work), made the front page of the Wall Street Journal with a crime-reducing urban soundscape in Lancaster, California, and has proved that sound can increase retail sales, customer satisfaction and brand value. The agency is now the undisputed world leader in assessing and transforming sound in shopping malls.
Julian Treasure's website: http://www.juliantreasure.com/
Julian Treasure on Twitter: http://twitter.com/JulianTreasure
SUBSCRIBE ON YOUTUBE:
http://bit.ly/SubscribeToLondonReal
LONDON REAL TV:
http://www.londonreal.tv
https://wn.com/Speak_Powerfully_Julian_Treasure_On_London_Real
Julian Treasure on voice and how to speak powerfully.
FULL EPISODE: http://londonrealacademy.com/episodes/julian-treasure-sound-business/
Julian Treasure is a sought-after and top-rated international speaker. Collectively his five TED talks on various aspects of sound and communication have been viewed an estimated 20 million times. His latest talk, How to speak so that people want to listen, is in the rare group that has over 9 million views on TED.com alone, putting it in the top 25 TED talks of all time.
Julian’s book Sound Business is the seminal work on creating intentional, effective business sound, now in its second edition and also published in Japanese. He has been widely featured as a sound and communication expert in the world’s media, including TIME Magazine; The Economist; The Times; TV and radio in the UK, US, Canada, Australia and Netherlands, as well as many international trade and business magazines and websites.
Julian is founder and chairman of The Sound Agency, a UK-based consultancy that asks and answers the question: “How does your brand sound?”. TSA helps clients such as Harrods, Nokia, BP, Marks & Spencer, Helm Bank (Colombia), Waldorf Astoria and many major shopping malls across Europe to grow their business by optimising the sounds they make. The agency specialises in creating effective and appropriate organic soundscapes for branded spaces.
Julian now draws on his 10 years of experience in optimising sound for brands to deliver memorable and transformative keynotes and workshops on personal communication and sound branding. His topics include: the hidden effects of sound and noise on us all; how to improve your conscious listening; how to master powerful speaking (including public speaking); how to optimise sound for a brand or business; and how to design sound environments for health, productivity and better relationships. His talks can transform business communication effectiveness, yet they also profoundly engage audiences at a personal level. The innovative use of sound in his talks makes them visceral and potent experiences that are always very highly rated by delegates.
Julian’s vision is to make the world sound beautiful, by helping individuals to make and receive sound consciously, and companies to discover that good sound is good business – which is fortunately true, as The Sound Agency has shown. TSA has installed innovative generative soundscapes in Harrods’ new Toy Kingdom (winning the Gold Audio Branding Award in 2012 for this work), made the front page of the Wall Street Journal with a crime-reducing urban soundscape in Lancaster, California, and has proved that sound can increase retail sales, customer satisfaction and brand value. The agency is now the undisputed world leader in assessing and transforming sound in shopping malls.
Julian Treasure's website: http://www.juliantreasure.com/
Julian Treasure on Twitter: http://twitter.com/JulianTreasure
SUBSCRIBE ON YOUTUBE:
http://bit.ly/SubscribeToLondonReal
LONDON REAL TV:
http://www.londonreal.tv
- published: 24 Jan 2016
- views: 5592
Mora and Pitch accent | Learn Japanese
- Order: Reorder
- Duration: 7:08
- Updated: 28 Dec 2016
- views: 420
Let's learn some basics about mora and pitch accent in Japanese!
------------------------------------------------------------------
Hand vector designed by F...
Let's learn some basics about mora and pitch accent in Japanese!
------------------------------------------------------------------
Hand vector designed by Freepik
https://wn.com/Mora_And_Pitch_Accent_|_Learn_Japanese
- Playlist
- Chat
1:06
A Psycholinguistic Perspective on Finnish and Japanese Prosody Perception Production and Child Acqui
published: 16 Dec 2015
A Psycholinguistic Perspective on Finnish and Japanese Prosody Perception Production and Child Acqui
A Psycholinguistic Perspective on Finnish and Japanese Prosody Perception Production and Child Acqui
- Report rights infringement
- published: 16 Dec 2015
- views: 25
1:06
Prosody and Prosodic Transfer in Foreign Language Acquisition Cantonese and Japanese Pdf
published: 16 Dec 2015
Prosody and Prosodic Transfer in Foreign Language Acquisition Cantonese and Japanese Pdf
Prosody and Prosodic Transfer in Foreign Language Acquisition Cantonese and Japanese Pdf
- Report rights infringement
- published: 16 Dec 2015
- views: 13
3:01
Sing like you mean it! - the Linguistics of Tonal Languages
It takes more than vowels and consonants to speak a tonal language. You need musical piece...
published: 20 Feb 2015
Sing like you mean it! - the Linguistics of Tonal Languages
Sing like you mean it! - the Linguistics of Tonal Languages
- Report rights infringement
- published: 20 Feb 2015
- views: 81266
1:06
Attempt of fixed form poetry prosody courtyard poetry collection 2004 ISBN 4883520889 Japanese Imp
published: 16 Dec 2015
Attempt of fixed form poetry prosody courtyard poetry collection 2004 ISBN 4883520889 Japanese Imp
Attempt of fixed form poetry prosody courtyard poetry collection 2004 ISBN 4883520889 Japanese Imp
- Report rights infringement
- published: 16 Dec 2015
- views: 5
5:45
IPA for Language Learning - allophones, utterances & prosody (4 of 4)
Learn to use the International Phonetic Alphabet in a way that helps you accurately pronou...
published: 29 Aug 2012
IPA for Language Learning - allophones, utterances & prosody (4 of 4)
IPA for Language Learning - allophones, utterances & prosody (4 of 4)
- Report rights infringement
- published: 29 Aug 2012
- views: 26381
0:50
Un original japonais tradition-comme flûte "NOH-KAN"
Une flûte traditionnelle japonaise.
Comme pour "NOH-KAN", une échelle musicale est dérang...
published: 19 Mar 2010
Un original japonais tradition-comme flûte "NOH-KAN"
Un original japonais tradition-comme flûte "NOH-KAN"
- Report rights infringement
- published: 19 Mar 2010
- views: 5697
9:59
How to speak so that people want to listen | Julian Treasure
Have you ever felt like you're talking, but nobody is listening? Here's Julian Treasure to...
published: 27 Jun 2014
How to speak so that people want to listen | Julian Treasure
How to speak so that people want to listen | Julian Treasure
- Report rights infringement
- published: 27 Jun 2014
- views: 8184974
7:07
How Do We Stress Our Words? Foot Structure
How do different languages play with pitch to create differences in meaning? How do we tel...
published: 03 Feb 2016
How Do We Stress Our Words? Foot Structure
How Do We Stress Our Words? Foot Structure
- Report rights infringement
- published: 03 Feb 2016
- views: 2571
7:52
SPEAK POWERFULLY - Julian Treasure on London Real
Julian Treasure on voice and how to speak powerfully.
FULL EPISODE: http://londonrealacade...
published: 24 Jan 2016
SPEAK POWERFULLY - Julian Treasure on London Real
SPEAK POWERFULLY - Julian Treasure on London Real
- Report rights infringement
- published: 24 Jan 2016
- views: 5592
7:08
Mora and Pitch accent | Learn Japanese
Let's learn some basics about mora and pitch accent in Japanese!
----------------------...
published: 28 Dec 2016
Mora and Pitch accent | Learn Japanese
Mora and Pitch accent | Learn Japanese
- Report rights infringement
- published: 28 Dec 2016
- views: 420
- Playlist
- Chat
1:06
A Psycholinguistic Perspective on Finnish and Japanese Prosody Perception Production and Child Acqui
published: 16 Dec 2015
A Psycholinguistic Perspective on Finnish and Japanese Prosody Perception Production and Child Acqui
A Psycholinguistic Perspective on Finnish and Japanese Prosody Perception Production and Child Acqui
- Report rights infringement
- published: 16 Dec 2015
- views: 25
1:06
Prosody and Prosodic Transfer in Foreign Language Acquisition Cantonese and Japanese Pdf
published: 16 Dec 2015
Prosody and Prosodic Transfer in Foreign Language Acquisition Cantonese and Japanese Pdf
Prosody and Prosodic Transfer in Foreign Language Acquisition Cantonese and Japanese Pdf
- Report rights infringement
- published: 16 Dec 2015
- views: 13
3:01
Sing like you mean it! - the Linguistics of Tonal Languages
It takes more than vowels and consonants to speak a tonal language. You need musical piece...
published: 20 Feb 2015
Sing like you mean it! - the Linguistics of Tonal Languages
Sing like you mean it! - the Linguistics of Tonal Languages
- Report rights infringement
- published: 20 Feb 2015
- views: 81266
1:06
Attempt of fixed form poetry prosody courtyard poetry collection 2004 ISBN 4883520889 Japanese Imp
published: 16 Dec 2015
Attempt of fixed form poetry prosody courtyard poetry collection 2004 ISBN 4883520889 Japanese Imp
Attempt of fixed form poetry prosody courtyard poetry collection 2004 ISBN 4883520889 Japanese Imp
- Report rights infringement
- published: 16 Dec 2015
- views: 5
5:45
IPA for Language Learning - allophones, utterances & prosody (4 of 4)
Learn to use the International Phonetic Alphabet in a way that helps you accurately pronou...
published: 29 Aug 2012
IPA for Language Learning - allophones, utterances & prosody (4 of 4)
IPA for Language Learning - allophones, utterances & prosody (4 of 4)
- Report rights infringement
- published: 29 Aug 2012
- views: 26381
0:50
Un original japonais tradition-comme flûte "NOH-KAN"
Une flûte traditionnelle japonaise.
Comme pour "NOH-KAN", une échelle musicale est dérang...
published: 19 Mar 2010
Un original japonais tradition-comme flûte "NOH-KAN"
Un original japonais tradition-comme flûte "NOH-KAN"
- Report rights infringement
- published: 19 Mar 2010
- views: 5697
9:59
How to speak so that people want to listen | Julian Treasure
Have you ever felt like you're talking, but nobody is listening? Here's Julian Treasure to...
published: 27 Jun 2014
How to speak so that people want to listen | Julian Treasure
How to speak so that people want to listen | Julian Treasure
- Report rights infringement
- published: 27 Jun 2014
- views: 8184974
7:07
How Do We Stress Our Words? Foot Structure
How do different languages play with pitch to create differences in meaning? How do we tel...
published: 03 Feb 2016
How Do We Stress Our Words? Foot Structure
How Do We Stress Our Words? Foot Structure
- Report rights infringement
- published: 03 Feb 2016
- views: 2571
7:52
SPEAK POWERFULLY - Julian Treasure on London Real
Julian Treasure on voice and how to speak powerfully.
FULL EPISODE: http://londonrealacade...
published: 24 Jan 2016
SPEAK POWERFULLY - Julian Treasure on London Real
SPEAK POWERFULLY - Julian Treasure on London Real
- Report rights infringement
- published: 24 Jan 2016
- views: 5592
7:08
Mora and Pitch accent | Learn Japanese
Let's learn some basics about mora and pitch accent in Japanese!
----------------------...
published: 28 Dec 2016
Mora and Pitch accent | Learn Japanese
Mora and Pitch accent | Learn Japanese
- Report rights infringement
- published: 28 Dec 2016
- views: 420
A Psycholinguistic Perspective on Finnish and Japa...
Prosody and Prosodic Transfer in Foreign Language ...
Sing like you mean it! - the Linguistics of Tonal ...
Attempt of fixed form poetry prosody courtyard p...
IPA for Language Learning - allophones, utterances...
Un original japonais tradition-comme flûte "NOH-KA...
How to speak so that people want to listen | Julia...
How Do We Stress Our Words? Foot Structure...
SPEAK POWERFULLY - Julian Treasure on London Real...
Mora and Pitch accent | Learn Japanese...
See more photos of on (japanese prosody)
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